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家家戶戶 (1954)
Character: N/A
The film features a conflict between a young wife and her mother-in-law, depicting the lives of ordinary people and their profound problems.
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左慈戲曹操 (1941)
Character: N/A
A fictional story about Cao Cao based on Luo Guanzhong 's historical novel Romance of the Three Kingdoms take on the real historical figure.
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密室怪人 (1936)
Character: N/A
A rich man's house is the scene of three consecutive nights of murder, resulting in the murder of two people and the disappearance of one, and all the people in the house have become suspects. In the end, after much investigation, the murderer is found to be a “secret room monster”, which leads to a four-cornered love affair between three men and one woman.
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扫把精 (1939)
Character: N/A
A broom spirit disguises itself as a pretty woman at night and goes out to do evil deeds, seducing young men and then killing them. In just three months, hundreds of men have fallen victim to the broomstick spirit.
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萬里行屍 (1939)
Character: N/A
A corpse that goes out late at night to pick flowers. When a woman meets him, she falls ill; when a young girl meets him, she lies down and dies. Luckily, the corpse is eventually eliminated.
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打雀遇鬼 (1940)
Character: N/A
Ching Kwok-yuen, a bird hunter, sees a female ghost harming people and shoots her to scare her away. The female ghost harbors a grudge and waits for a chance to retaliate, but soon the female ghost disguises herself as a woman who sacrifices her husband in front of a grave in order to seduce Kwok-yuen, who falls for the plan and marries the female ghost.
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午夜僵尸 (1936)
Character: N/A
Based on the Chinese, Qing Dynasty legend of the Jiangshi, which first appeared in print in 1789 by writer Ji Xiaolan, this film tells the tale of a dead man who returns from the grave to avenge his brother's betrayal.
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科学罪人 (1936)
Character: N/A
Dr. Incarnate, is the leader of a terrorist organization that uses scientific methods to turn people into beasts. He also creates giants six feet tall and dwarfs six inches tall.
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冤魂塔 (1939)
Character: N/A
A woman conspired with her lover to kill her husband, chopped him into pieces and threw his body into the bottom of the White Goose Pond. Unexpectedly, her husband turned into a ghost to seek revenge on them.
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棺材精 (1939)
Character: N/A
Due to the poverty in his hometown, a country boy left his hometown to join his relatives in a faraway place, leaving his wife at home. During that time, a bully coveted the beauty of the country boy's wife and tried to sexually assault her. The wife hangs herself from a beam to protect her chastity. When the country bumpkin returns home to look for his wife, the bullies beat the country bumpkin to death in order to eliminate the root of the problem. The two of them are so desperate for revenge that they return from the dead to take revenge on the bully. In the end, they lead the police to arrest the bully and bring him to justice.
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從心所欲 (1952)
Character: N/A
This rare gem features the extraordinary stellar cast of two comedy giants on the same screen and the two Ma's (Ma Si-tsang and Sun Ma Si-tsang) performing together. Leung Sing-por as the wealth-feigning Au and Ma Si-tsang as penny pincher Ma already set the stage for laughter. Ma Si-tsang dons a hilarious moustache and adds panache to the character whenever he complacently twists his moustache, making his greediness almost lovable. The film features a zany plot 'twist' when the two Ma's, as father and son, try to attend a charity gala by having Sun Ma Si-tsang teach Ma Si-tsang to sing ‘Yu Hap-wan Expresses His Inner Feelings', one of the elder Ma's most popular repertoire. Ma Si-tsang gives a commanding seven-minute solo performance that captures the heart of the audience now and forever.
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竹織鴨 (1939)
Character: N/A
Kwong Shan-siu as a playboy who sweet-talks Leong Suet-fei into a romance with him. She becomes pregnant but discovers that Kwong is nothing more than a cad who has already put her at the back of his mind.
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春色滿華堂 (1952)
Character: N/A
Musical from Hong Kong directed by Fung Chi-Kong.
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萬里行屍 (1954)
Character: Sorcerer
A Taoist priest herds his jiangshi charges across the country, but they are not all what they seem.
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家 (1953)
Character: Taoist monk
"Family" (1953), which launched the Union Film legacy, "Spring" (1953) and "Autumn" (1954) are adaptations of Ba Jin's highly regarded novel "Torrent Trilogy". In "Family", director Ng Wui skilfully condenses the voluminous first part of the novel into an emotionally powerful and intellectually focused story of youngsters struggling to survive oppression and repression in a feudalistic family. This well-received film quickly established the company's reputation.
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