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Solistin Anna Alt (1945)
Character: N/A
Celebrated conservatory graduates Anna and Joachim marry, but since Joachim doesn't seem able to compose anything of value he grows so jealous of pianist Anna's successful cooperation with conductor Westberg that he leaves her.
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Der Ammenkönig (1935)
Character: N/A
Rather coarse, pre-War comedy about a Markgraf -- Heinrich XXVI -- who bathes in the springs of the Ammendorf to strengthen his potency. The town and its springs are especially well known for the many couples with lots of children, who, for tax reasons, live there unmarried. The town smithy and bully provides his vitality to ensure the countess has an heir for the throne.
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Unter Ausschluß der Öffentlichkeit (1937)
Character: N/A
A small banking family is put to the test: Brigitte, the wife of the banker Sparrenberg, has a secret: she was once the lover of the fraudster Baron Gaffris, who once used her to get close to well-off businessmen. Now Gaffris is trying to use her to trick her husband. After a fight between Brigitte and Gaffris, Brigitte’s daughter Ina seeks out the baron in an attempt to help her mother. Afterwards, the baron’s suddenly found dead on the floor. Brigitte takes all the blame, goes to the cops and admits to having stabbed Gaffris.
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Die Kreutzersonate (1937)
Character: Ober im Wiesbadener Lokal
Adaptation of Tolstoy story in which a female pianist is the center of a struggle between her husband and his violinist cousin ,a struggle that leads to a tragic conclusion.
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Altes Herz geht auf die Reise (1938)
Character: N/A
The underage Rosemarie is still too young to run her inherited farm by herself; but she's more than aware that her foster father and the farm's administrator, the farmer Schlieker, is constantly skimming from the farm's finances to line his own pocket. To put an end to Schlieker's scheme, Rosemarie asks her godfather, Professor Kittgus, for help. But when Kittgus confronts Schlieker, the farmer not only proves to be unreasonable but also violent...
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Melodie der Liebe (1932)
Character: Hotel-Oberkellner
Herr Hoffmann is a famous widowed singer with a young daughter to raise, aided by his faithful manager. They meet a girl and Hoffmann falls for her, reluctant to believe that in fact she is in love with a musician.
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Ich verweigere die Aussage (1939)
Character: N/A
Nora, the wife of the architect Heinz Ottendorf, feels neglected by her husband. He is getting more and more engrossed in his work, but Nora, apparently a stranger to hard work, suspects that the real reason for her husband's diverted attention must naturally be another woman. Robert, the cousin of Nora's friend Marianne, has long been in love with Nora and sees an opportunity to win her hand. Heinz, for all his distractions in his work and the phantom lover he doesn't have, isn't quite ready to let Nora go. While he may be married to his work, his work is a fickle mistress: he makes a career error and this leads to near financial ruin. He begs Nora to be patient with him. Marianne, who for her part is in love with Heinz, spins a web of deceit and intrigue, which leads to Robert taking a potshot at Heinz and then eventually causing Robert to kill himself.
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Wenn die Musik nicht wär (1935)
Character: N/A
The great Franz Liszt helps a struggling, unworldly piano tutor advance to a position in Munich, and ward off a villainous foreign competitor for his lady love.
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Die fromme Lüge (1938)
Character: Inspizient im Opernhaus
The stand-alone opera singer Carmen Casini dare not admit to her adult son, the spoiled race car driver Cecil, that she ruined her voice on a stormy day at the racetrack and that her career is thus at an end. Meanwhile, Cecil has fallen in love with the pretty Colette … without suspecting that her father, the wealthy Bartell, was a former lover of his mother and that he’s Cecil’s daddy. Thus, both Carmen and Bartell try to prevent the unfolding love-relationship between brother and sister, because this ain’t the Ozarks, you know! Only after the unhappy Cecil tries to commit suicide after an argument with his mother do Carmen and Bartell realize they still love one another. Suicide attempt be damned; let’s go out on a date! A movie that screams “Fun for the whole family.”
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Der nackte Spatz (1938)
Character: N/A
Albert and his sister Lene live with their aunt. One day, they discover that the street car line will open a new track, which will go through the land, on which their aunt has a house. In expectation of a high buying price for her property, the aunt goes on a spending spree, only to find out that the new line will not be laid on her property after all.
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Die Sporck'schen Jäger (1934)
Character: N/A
A fisherman's daughter assumes the blame, to save the honor of a battalion one of whose officers is obsessed with poaching, in this rural melodrama.
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Monika (1938)
Character: Geheimrat
Monika (German: Eine Mutter kämpft um ihr Kind, lit. 'A Mother Fights for Her Child') is a 1938 German melodrama film directed and written by Heinz Helbig. The story centers on a singer who relinquishes her illegitimate daughter to a German engineer in São Paulo to pursue her career, only to return eight years later as a celebrated film star and wife of a prominent surgeon, demanding custody after encountering the child on a film set.
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Familie Schimek (1935)
Character: N/A
For three difficult orphans living by her aunt the former employee of the family searches a new premouth; he releases with it a result of tumultuous involvements. - Humble-entertaining mistake farce, completely fitted on Hans Moser.
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Ein falscher Fuffziger (1935)
Character: N/A
An honest German cashier gets stuck with a fake note, part of a scheme by two crooks to pass bad money.
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Schneider Wibbel (1939)
Character: Krönkel
During the Napoleonic occupation of the German states in 1812, a tailor by the name of Anton Wibbel is sentenced to sit in jail for insulting the Emperor. The tailor manages to get out of this by paying off a friend to go to prison in his place. But then, the "phony" prisoner suddenly dies in his cell and everyone now thinks Wibbel is dead.
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Diskretion – Ehrensache (1938)
Character: Portier
Nazi era depiction of decadent British aristocracy: A madcap country heiress was betrothed to a Lord but runs off with a young inventor after she is found in a compromising position, to avoid a scandal.
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Das leichte Mädchen (1940)
Character: N/A
Dietz' relatives are horrified to discover that Dietz, the son of a wealthy merchant, is planning to marry an actress, who is known to appear in rather daring roles. Dietz finds a way to escape from a gathering over coffee, during which he's supposed to be introduced to "decent ladies". After all, his great love is waiting for him somewhere else.
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Seinerzeit zu meiner Zeit (1944)
Character: N/A
Inge Peters has a guilty conscience. She told her mother, that she’d be going to the weekend house at the lake with her friend Barbara, but in reality, the horny girl is taking Peter with her. She’s afraid, that if mom finds out, she’s gonna lecture her again, starting with the slogan, “In your time as it once was in mine …” So Inge spends her nights in bed dreaming dreams of young ladies breaking moral taboos … just like she did and about which she now has to deceive her mother. The next morning, she runs to the shore of the lake to spend time with her Peter, only to see mom standing before the two young teens.
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Krach im Vorderhaus (1941)
Character: Gast im Kastaniengarten
It can hardly be said that things are peaceful in the Berlin apartment building where the film's story takes place. There are constant clashes between the residents – and sometimes that's quite literal: for example, when the widow Bock hid some explosives among the bricks, which detonated when the building's thieving doorman lit them in his stove.
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Der müde Theodor (1936)
Character: Musikprofessor
A fast-paced comedy revolving around secrets and mix-ups. Theodor is a husband who helps his expulsed niece with her careers as a singer. His wife mustn't know this so he secretly takes a job as maître d' at a big hotel. This doesn't just lead to him always being tired but to all kinds of other troubles.
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Der Vierte kommt nicht (1939)
Character: N/A
Four school chums who meet yearly are missing their friend, who was working in a Stockholm bank and supposedly killed himself. But was it murder, instead?
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Der Mann mit der Pranke (1935)
Character: N/A
"The Man with the Paw" is what people call the very successful banker Wiegant, who is desperately in love with Lena Kroning, the wife of the lawyer Hugo Kroning. So as to be nearer to her, Wiegant hires her husband to be the bank's lawyer. Shortly thereafter, Wiegant is suspected of having conned the Countess Steindorff during a telephone conversation; but he never did. During the relevant period of time, he was with Lena "having tea" (uh huh), which he conceals from the lawyer-husband, so as to protect Lena.
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Der Vetter aus Dingsda (1934)
Character: N/A
In this operetta adaptation, a young woman waits for her lover in India, while her impatient uncle wants to marry her off without further ado to a rich merchant.
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Männer müssen so sein (1939)
Character: Wirt
Young Beatrice has trained as a dancer against her father's wishes. At the circus, she meets the famous tamer Ruda and falls in love with him. But the next day, Ruda disappears with the circus. Beatrice gets a new engagement with another circus and makes a career as a dancer among live tigers.
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Die Liebe und die erste Eisenbahn (1934)
Character: N/A
'Love and the First Railway' is what this movie's title would mean in English. This is one of those films that depicts fictional characters participating in an historic incident. The actual first railway was built in England, of course. But according to this movie, the first railway (in Germany, at least) was built from Berlin to Potsdam, in 1838. I haven't the faintest idea if that's correct, but the people who made this movie do seem to take a great deal of interest in historical accuracy, so I'll take their word for it. Anyway, a title at the beginning establishes that this movie is set in 1838.
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Die Austernlilli (1937)
Character: Briefträger
The Parisian restaurant "At the Oyster King's" is looking for a new waitress, whose job would be to crack open oysters with a newfangled oyster cracker (how exciting!). But who would have thought that this newfound invention would lead to so much turmoil (they're French, aren't they?)?! Through a mix-up, Lilli Dupont gets the job. But Lilli is no waitress, but rather a talented singer, waiting in vain for an engagement. She takes the job and soon every male visitor is laying at her feet. So that Lilli doesn't constantly have to fight off all the horny men, the cashier Aristide spreads the rumor that Lilli is actually the daughter of the millionaire van Muhlen, to whom the "Oyster King" belongs (daughter of a millionaire?!? Oh yes, of course: that will dissuade potential suitors!).
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In letzter Minute (1939)
Character: Zugschaffner
A retired rail official and his wife Amalie purchase a disused railroad wagon to convert it into a villa in the countryside. One day, Amalie discovers 25,000 Marks hidden behind a picture in the rail car. The money was put there by a Dutch couple, who tried to smuggle the money across the border during the train’s last journey. Sorely tempted to keep the money, Amalie turns it over to the authorities. The smugglers, who finally find the rail car after a long search, will be turned over to the cops, too.
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Salonwagen E 417 (1939)
Character: Zugschaffner nach der Notbremsung
In a transport museum, the items on display begin to tell their stories. Most interesting is the history of the Pullman car. In the beginning, it served as transport for a princely family; then became the headquarters car for the military high command; and then, most adventurous of all, it ended up with a circus. Converted to a bar, it finally had its day and was supposed to serve as a placard carrier. Luckily, the museum saved it from this sad fate.
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Der Tiger (1930)
Character: Graf Eggenhorst
Mysterious murders committed by a criminal have kept the public on their toes and the police have mistakenly accused an imposter of the crimes.
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Die Reise nach Tilsit (1939)
Character: N/A
A villager is tempted by a sophisticated city woman and almost kills his wife in a boating accident.
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Lachende Erben (1933)
Character: Schiffspassagier
After the death of his uncle, the owner of the Rhine based Bockelmann Sparkling Wine, Peter turns up for the reading of the will. Justus Bockelmann, a producer of mineral water, is confident he will inherit the business, but ‘for reasons of moral rectitude’ he has no intention of running an ‘alcoholic business’. The opening of the will comes as a surprise to all the potential heirs.
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Karneval der Liebe (1943)
Character: N/A
Tenor Peter Hansen is about to marry for the second time. Just minutes before his wedding to dancer and singer Kitty, he's still busy rehearsing for a new revue directed by Melchior Oberländer. Kitty's uncle Meierhofer, a prompter at the theater, is urging him to leave. However, Melchior is informed that his newly hired female star, Marina Garden, has arrived. She is to sing duets with Peter during an upcoming engagement in Cologne. Marina Garden turns out to be Peter's ex-wife, who has adopted a stage name.
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Sieben Ohrfeigen (1937)
Character: N/A
William MacPhab loses seven-pounds in the stock market and decides to slap the man who was responsible for the stock manipulation that caused him to lose his money. Astor Terbanks, the stock-market manipulator is surprised the next day when he gets soundly slapped by MacPhab, and the latter promises to deliver one more a day for the next six days. Terbank's daughter, Daisy, is amused by the procedure and is attracted to MacPhab.
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Hans in allen Gassen (1930)
Character: N/A
A bold crime caper about muckraking journalist Hans Steindecker, who happens to witness a spectacular murder. Shortly afterwards, he makes the acquaintance of Nelly who desperately wants to leave the country and asks for Steindecker′s assistance. Without giving a second thought, he agrees, and only after Nelly has disappeared does he realize that the young woman duped him.
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Verwehte Spuren (1938)
Character: Tagesportier
Séraphine and her mother arrive in Paris to visit the 1867 World Exhibition. In an overcrowded city they must be accommodated in separate hotels. During the night the mother, who wasn't feeling very well, gets suddenly worse. When next morning Séraphine goes to meet her every trace of her presence has disappeared and everybody denies having ever met her. The bewildered young woman must find someone who believes her. Previous version of So Long at the Fair (1950).
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Quick (1932)
Character: N/A
Lilian Harvey plays Eva, a young girl taking some time in a health spa and spending her evenings in the town's vaudeville theatre enamoured by a heavily made-up clown called Quick. Quick takes a shine to her and tries to woo her without make-up and masquerading as the theatre's manager. Unable to resolve her feelings for Quick and the theatre manager, Eva is angered when she finally learns that they are one and the same.
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