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La jorobada (1981)
Character: Enfermera rubia clinica
A young hunchbacked girl who sells newspapers and sings in the street is discovered by a music producer.
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Inseminación artificial (1984)
Character: Mujer restaurante
Armando doesn't tell his wife Alícia that he is estranged. As it happens, she is looking for both herself and the man she wants to marry, and between the two of them the relationship is destroyed.
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El sol sale para todos (1950)
Character: Cabaretera (uncredited)
A bullfighter suffers an accident during an afternoon of bullfighting in a town square and his ex-lover tells his story.
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La malcasada (1950)
Character: Cabaretera (uncredited)
A woman leaves her life as a cabaret performer behind thanks to a man who, after finding her unconscious, takes her to his home.
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La presidenta municipal (1975)
Character: Lolita, mujer del boticario (uncredited)
La India Maria becomes the municipal president due to a ballot typo.
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Arrabalera (1951)
Character: Invitada a fiesta (uncredited)
Working-class girl marries rich playboy, gets implicated in his criminal activities.
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Los tales por cuales (1965)
Character: Invitada a fiesta (uncredited)
Western comedy. Stranger-in-town falls into an ambivalent love/hate relationship with the sheriff.
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Isla para dos (1959)
Character: Pasajera tren
Middle-aged painter and young musician fall hard for each other while on vacation. Then she discovers he's married.
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¡Ay, Jalisco no te rajes! (1965)
Character: Reyna Ramírez
A man hated by his father and in love with a beautiful woman whose brothers do not approve of the relationship and persecute him.
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Ella y yo (1951)
Character: Pueblerina (uncredited)
Pedro Muñoz is a womanizer that does not escape one until Irene Garza arrives and makes him to see his luck, while the aunt of her tries to separate them.
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Carta Brava (1949)
Character: Chica cabaret (uncredited)
Safe-cracker sets up a gangster rival to get arrested; after some unrelated adventures, that guy escapes from jail and pays him back.
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La venenosa (1949)
Character: Enfermera
A snake-charmer falls in love with a circus trapeze artist who trains her and has her debut in this discipline.
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Dancing, salón de baile (1952)
Character: Mujer en baile (uncredited)
Some thieves confront the detectives who surprise them while robbing a factory, but manage to escape.
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Cri-Cri el Grillito Cantor (1963)
Character: Sirvienta (uncredited)
Biography of the famous composer of children's music Gabilondo Soler. Starts from his childhood, when he worked as a pastor and grandmother tried to teach him to play the piano. Later he went to the city to study music theory and began writing his first songs.
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The Scalphunters (1968)
Character: Scalphunter’s woman (uncredited)
Forced to trade his valuable furs for a well-educated escaped slave, a rugged trapper vows to recover the pelts from the Indians and later the renegades that killed them.
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Misión suicida (1973)
Character: Pelirroja, asistente de Elke
Santo must investigate a secret conspiracy involving a spy training camp, a brainwashing plot, and a kidnapped Nazi scientist.
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¡Ay, amor... cómo me has puesto! (1951)
Character: Neighbor (uncredited)
A low-class baker accidentally gets to know an attractive but bitter fiancée. By getting her snobby, dead-pan family to spend some time with his scumbag friends, he changes their lives, while at the time stealing the girl's heart.
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The Last Sunset (1961)
Character: Woman shouts out in saloon (uncredited)
At a Mexican ranch, fugitive O'Malley and pursuing Sheriff Stribling agree to help rancher Breckenridge drive his herd into Texas where Stribling could legally arrest O'Malley, but Breckenridge's wife complicates things.
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Huracán Ramírez (1953)
Character: Fan de Tonina
Family comedy and family melodrama involving father and son wrestlers, little brothers, little sisters, girlfriends, waitresses...
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Teatro del crimen (1957)
Character: Espectadora (uncredited)
In a music hall has committed a murder, the police will also find the murderer.
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El tejedor de milagros (1962)
Character: Pueblerina (uncredited)
Arnulfo is a man weaving baskets. Remedios has given birth in front of the house of a woman and her aid, but the village is spread the word that the child born as a child God and an atheist would think exploit to their advantage the "miracle ".
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Camino del infierno (1951)
Character: Invitada cine (sin créditos)
When a robbery goes wrong, the thief takes a singer as hostage, they fall in love and try to rebuild their lives, but tragedy surges in the most unexpected way.
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Tarzan and the Mermaids (1948)
Character: Aquitanian
A high priest tries to force a young beauty to marry a pearl trader who is masquerading as the god Balu.
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¡No me defiendas, compadre! (1949)
Character: Mujer de ladrón chaparro (uncredited)
A bungling wannabe-lawyer keeps interfering in his friend's lives; his desire to help always makes things worse.
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Tambien de dolor se canta (1950)
Character: Clienta en cabaret (uncredited)
The movie starts with Braulio Peláez (Pedro Infante), a schoolteacher, having just fallen off his horse, representing the situation he and his family are in. The next scenes introduce the viewer to his family and their poor financial and social situation. As Braulio stumbles around looking for his glasses, he causes a famous film star, Alfonso de Madrazo (Rafael Alcaide) to crash his car. Braulio offers him to eat at his house as an apology. Braulio's sister and mother, big film fans, immediately recognise Alfonso and attempt to get him to bring the girl, Luisa Peláez (Irma Dolores) to Mexico City to become a film star. Alfonso agrees and tells them to come to the capital.
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A.T.M. ¡A toda máquina! (1951)
Character: Pasajera (uncredited)
A drifter lands a job as an officer in México City's elite motorcycle police unit and gets home with a mate of this unit. The mate is in love with a girl, but he and she are always making jealous to each other. The drifter and the mate get involved themselves in a fight to become the winner of conquering ladies and performing unit acrobatic tricks, interfering with their friendship and profession.
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El revoltoso (1951)
Character: Aida's Maid (uncredited)
Well-intentioned Tin Tan who is always making trouble for other people, sometimes on purpose and sometimes by accident.
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El rapto (1954)
Character: Invitada fiesta (uncredited)
In a small Mexican village the news shock neighbors, Ricardo Alfaro, a wealthy local rancher has disappeared without a trace. Taking advantage of the circumstance, Aurora Campos, a strong woman with overwhelming beauty, convinces the authorities to sell her the property in exchange for twelve thousand dollars. Soon after, when Ricardo suddenly reappears, a real battle is about to begin.
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Santo y el águila real (1973)
Character: Invitada Chismosa en Fiesta
The rich landowner La Tigresa suffers several attacks and seeks help from Santo. The attacks continue but Santo protects and she falls for him.
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The Treasure of the Sierra Madre (1948)
Character: Howard's Assistant
Two jobless Americans convince a prospector to travel to the mountains of Mexico with them in search of gold. But the hostile wilderness, local bandits, and greed all get in the way of their journey.
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Dicen que soy comunista (1951)
Character: Candidata en concurso (uncredited)
A worker overwhelmed by the economic crisis and the cost of living is accidentally propaganda of a political party, apparently from left, who convinces him to join their ranks and defending the working class. After entering through a ritual as mysterious as typical, you will realize demagoguery and arrangements existing between union leaders to maintain the status quo unchanged and profit from mafia practices.
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Besos prohibidos (1956)
Character: Espectadora cabaret
Nightclub singer has to choose between marrying again or reuniting with her divorced husband.
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El bruto (1953)
Character: Vecina (uncredited)
A tough young man, who helps to kick poor people out of their houses, falls in love with a girl. She lives with her father in the building about to be demolished.
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Víctimas del pecado (1951)
Character: Cabaretera (uncredited)
A nightclub performer decides to raise the baby boy she found abandoned in a trash can, putting her job and social life in jeopardy.
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