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El Miramiento (2018)
Character: N/A
This film follows Isa, a real gypsy living in Andalusia, Spain, as she experiences a tradition in which older women in her family confirm her virginity.
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María Eugenia (1943)
Character: Enfermera (uncredited)
Before marrying María Eugenia, landowner Carlos are away to visit her godmother to break the promise to marry his daughter. The godmother is dying, Carlos quiets and everything takes an unexpected course.
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Cuando me vaya (1954)
Character: Invitada compromiso (uncredited)
Fictionalized version of the life of songwriter Maria Grever.
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La mujer del puerto (1949)
Character: Doña Paula (uncredited)
Orphaned, abandoned by her fiance, forced into prostitution by the absence of "respectable" alternatives.And the-e-en...
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Otra primavera (1950)
Character: Invitada a fiesta
His wife dies and now he's free to marry his mistress and adopt their children officially. How will this play out?
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El sol sale para todos (1950)
Character: Mamá de la pálida (uncredited)
A bullfighter suffers an accident during an afternoon of bullfighting in a town square and his ex-lover tells his story.
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El gallo giro (1948)
Character: Asistente de Janet (uncredited)
A young man goes to the city to make his fortune, unaware that fate is preparing a surprise for him. He will fall in love on the train.
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La vida láctea (1993)
Character: Moderadora
Retired billionaire, Rooney, feels his family loves only his money and not him. He plans to live as an adult baby with his wet nurse, Sagebrecht. When thieves break into his mansion and hit him on the head, he starts to grow younger.
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Los amores de una viuda (1949)
Character: Mujer en restaurante (uncredited)
A widow remarries... and then her missing-presumed-dead first husband reappears.
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Mujer de medianoche (1952)
Character: Doña María (uncredited)
Young woman elopes with her fiancé; during their honeymoon, things happen that cause them to be separated, and she finds herself alone in a big city with no resources to fall back on.
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Yo quiero ser mala (1950)
Character: Invitada a fiesta (uncredited)
In this Romantic-Comedy from Director Rene Cardona, Actress Maria Elena Marques plays a hard-living woman named Leticia, who suffers from a recently broken heart after being deceived by her ex-boyfriend. Soured on anything to do with love and while drinking away her sorrows, she sets out to marry the very first man she sees. This man just happens to be a nice guy named Roberto, (Abel Salazar). Although the pair's mutual attraction to each other is obvious, Roberto has no idea what he is in for, and he soon proposes. Not long after the marriage, Leticia starts to take advantage of both Roberto and her new Father-in-Law (played by Oscar Pulido), who shows kindness towards the girl. Predictably, marital bliss soon turns into discord, and the couple agree to divorce after a year passes. Their love-hate relationship and pending break-up provides a perfect backdrop for several comedic situations before the two realize that they are actually in love.
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La reina de la opereta (1946)
Character: Invitada fiesta (uncredited)
Mario marries Blanca, the queen of operetta, but after their daughter is born, they separate and she leaves on a world tour to continue her artistic career. Meanwhile, he stays behind and waits with the baby until they reunite again.
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El que murió de amor (1945)
Character: Invitada recepción (uncredited)
Magicians transfers two peoples' souls (or whatever you want to call them) into each other's bodies.
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El rebelde (Romance de Antaño) (1943)
Character: Invitada a tertulia (uncredited)
After a vengeance taken too far costs his father his Hacienda and his life, young Juan Manuel Mendoza becomes a bandit. He will get a chance for revenge and for love after he infiltrates his enemy house as a piano teacher.
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El Portero (1950)
Character: Miembra del patronato (uncredited)
Cantinflas works as a porter, who writes letters and speeches in his old writing machine to earn an extra money, despite the fact that he still goes to school. The sentimental issues come when Cantinflas falls in love of his pretty neighborhood (Silvia Pinal), who is handicapped and unable to walk. The thing wont be easy, because a young military man also has feelings for the girl. But the porter wants to see her happy, and he will become a sort of Cyrano De Bergerac, writing love letters to her signed by the young soldier. His plan is simple: to win money in the horse races in order to pay the operation which will make her walk again.
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El Peñón de las Ánimas (1943)
Character: Invitada al baile (uncredited)
The love between María Ángela and Fernando is impossible because there's an ancient history of hate between their families. His father killed hers, and other family members have killed each other for years. When María Ángela's grandfather finds she's in love with Fernando, he frames the young man and forces her to marry Manuel. Maria Ángela finds that Manuel doesn't love her and together plan her escape with Fernando. But things go wrong and the lovers find their destiny in The Spirit's Canyon.
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El inocente (1956)
Character: Invitada a recepción (uncredited)
After a quarrel with her boyfriend on New Year's Eve, Mane drives her car from Mexico City to Cuernavaca to meet her parents in their country house. The car breaks down in the highway and Mane has to ask for help. Mechanic Cruci arrives and, after testing the car, offers Mane a ride on his motorcycle. Back in Mane's house, she invites him some drinks to celebrate New Year's Eve. They get drunk and, the morning after, Mane's parents arrive and find them sleeping together. Not knowing what happened, Mane and Cruci are forced to get married against their will.
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¿Qué te ha dado esa mujer? (1951)
Character: Monja hospital (uncredited)
This musical comedy tells the story of two men whose friendship (whose beginning is told in "A toda máquina") is affected by assumptions love triangles and misunderstandings between the two, however, the value of that friendship overcomes all difficulties.
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Las Aventuras de Pito Perez (1957)
Character: Clienta boticario (uncredited)
After a long absence, a man returns to his village and recounts all his adventures with a touch of nostalgia.
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El gran calavera (1949)
Character: Doña Chole, mamá de Pablo (uncredited)
Portrayal of a family’s attempt to change the spending habit of the indulgent and hedonistic patriarch, Alfredo. The family decides to try to fool him into spending less by telling him that his large fortune is gone.
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La otra (1946)
Character: Invitada a fiesta (uncredited)
A mousy, poor manicurist seeks to switch places with her more glamorous, wealthy twin sister.
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Ni sangre ni arena (1941)
Character: Invitada a tertulia (uncredited)
Cantinflas enjoys the bullfight show, and wants to crash in every of these spectacles. Also, there's a professional bullfighter, Manolete, who is identical to Cantinflas. Manolete has to give a bullfight show in a village, but Cantinflas arrives first as a stowaway in a train, and he'll be mistake by the real bullfighter. Cantinflas will give us a demonstration of courage.
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