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Las tres alegres comadres (1952)
Character: Comandante falso
When three poor young women fail in their attempts to break into films and night clubs in Mexico City, they separate from their boyfriends, form a trio and travel the country singing, dancing and bribing older men, but they fall into a trap when they invest their money in an unreliable business.
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El derecho de nacer (1952)
Character: Ricardo del Castillo
In Santiago de Cuba in the early 1950s, history begins. A young woman of high society becomes pregnant with a false love, her father orders his black maid (Dolores) to kill the baby (Alberto), but she flees to Havana where Alberto becomes a renowned doctor.
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Doña Diabla (1950)
Character: Invitado a fiesta (uncredited)
A woman, after committing a murder, flees into a church, confessing her life story to a priest.
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Estrategia matrimonio (1967)
Character: Empleado de Santander (as Manuel T. Morales)
Pragmatic young woman plots out her flirtations with five rich, eligible bachelors to play to the weaknesses of each one. Then she has to pick one for keeps.
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El gallo giro (1948)
Character: Acompañante de Janet (uncredited)
A young man goes to the city to make his fortune, unaware that fate is preparing a surprise for him. He will fall in love on the train.
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Ventarrón (1949)
Character: Esbirro de Ventarrón
Ex-con presides over an underworld court trial in an abandoned warehouse to determine the fates of some accused "squealers." Flashbacks reveal the facts of the case being tried.
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Camelia (1954)
Character: Espectador (uncredited)
A sort of meta riff on Alexandre Dumas fils' novel The Lady of the Camellias (La Dame aux Camélias or Camille) here in Mexican melodrama form involving the doomed love of a bullfighter and a beautiful but ailing actress/courtesan.
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La mujer que engañamos (1945)
Character: Invitada a boda (uncredited)
Woman chooses between two suitors. The lucky one is a cad and cheats on her, the one who was rejected hangs around in the background to set things right whenever she has a problem.
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La familia Pérez (1949)
Character: Embargador (uncredited)
Gumaro Pérez must fulfill all the whims of his wife, who is sworn lady of society even though the Pérez are not a wealthy family. In order not to look bad with his wife, Gumaro asks for a loan, but when he receives it, all his co-workers take it from him since he owes everyone money.
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El vagabundo (1953)
Character: N/A
Homeless/unemployed dude has a spiritual awakening and rehabilitates himself working at a circus.
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Me ha besado un hombre (1944)
Character: Cliente cabaret (uncredited)
Spanish refugee could only get across the border using fake documents that belonged to her brother and now she's stuck with the male identity...
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Música, mujeres y amor (1952)
Character: Segundo oficial (uncredited)
Two women are installed in the cabin of a ship that was already occupied by two gentlemen.
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Soltera y con gemelos (1945)
Character: Transeúnte (uncredited)
A father imposes conditions on his son in order to inherit his fortune, unaware of what true love is capable of. The son accepts his father's terms and faces a series of challenges that ultimately lead him to become the heir.
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Los dineros del diablo (1953)
Character: Detective policía
Los dineros del diablo (The Devil's Money) is a Mexican drama film directed by Alejandro Galindo. It was released in 1953 and starring Amalia Aguilar and Roberto Cañedo.
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Una aventura en la noche (1948)
Character: Doctor (uncredited)
After a party, two friends pick up two beautiful girls with whom they spend a wonderful night. The next day, the two friends return to look for them and a neighbor surprises them when she tells them that the girls died some time before. Intrigued by the events of the previous night, one of them decides to investigate the mystery of the two dead girls.
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Dos caras tiene el destino (1952)
Character: Sr. Chávez (uncredited)
Ruined alcoholic doctor escapes a tropical plague and begins a new life back in civilization, taking over the identity of a dead man.
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La venganza de Huracán Ramírez (1969)
Character: N/A
Landru, a French businessman, arrives Mexico with the idea of promoting their fighters, what nobody knows is that besides Landru promoter and fighter is a mad scientist who seeks to alter human genetics mixing it with the animal to make stronger and fiercer to their gladiators.
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Dos corazones y un cielo (1959)
Character: Invitado (uncredited)
Husband and wife share the spotlight as two of Mexico's most famous ranchera singers, but when they decide to pursue solo careers, a Spanish theatrical empresario and an Italian female chocolatier will threaten their marriage.
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¡A volar, joven! (1947)
Character: Soldado
Cantinflas is a private in the military, who doesn't know anything about discipline or following rules. He only wants to think about his girlfriend, the maid in an opulent hacienda. The owner of the hacienda has an ugly and shy daughter, who is in love with Cantinflas. The problems arrive when the family arranges a wedding between the ugly girl and Cantinflas, who in order to avoid the commitment gets himself arrested. During his punishment, Cantinflas learns to fly with a silly and poorly trained flight instructor.
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La bestia magnifica (1953)
Character: Don Sergio
Two very good friends become wrestlers to leave poverty behind, but the arrival of an ambitious woman will tragically change their destinies.
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Matar es fácil (1966)
Character: Hombre (uncredited)
Among Delia, a socialite, and Jorge a bohemian cabaret pianist, begins a relationship that ends in tragedy.
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Su Excelencia (1967)
Character: Invitado a recepción (uncredited)
Lopitos, who is horribly inefficient but quick-witted, is invited (because of the current ambassador's superstition about 13 sitting down to a meal) to a banquet attended by the ambassadors of both superpowers. After the news of a series of coups d'état in Los Cocos arrives throughout the meal, Lopitos becomes the official ambassador. At a summit of world leaders, the representatives of the two world superpowers court the allegiances of third-world diplomats to tilt the balance of global power in their favor. The last diplomat to remain unaligned, Lopitos instead harangues the superpowers for infringing on the rights of developing countries to self determination, talking to them with his point of view as a citizen not as ambassador because he arranged his demise as ambassador one day before his speech.
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Domingo salvaje (1967)
Character: Espectador accidente (uncredited)
Repressed middle-aged Catholic gets into a troublesome relationship with the prostitute next door and her little boy.
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Tizoc (1957)
Character: Juan (uncredited)
An Indian arouses envy for his expertise in hunting animals without ruining their skins, for his wisdom and his kindness.
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La Cucaracha (1959)
Character: Mayor
The Mexican Revolution serves as a backdrop to a torrid love triangle composed of three freedom fighters: a colonel, a widow, and a fiery female soldier.
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Una estrella y dos estrellados (1960)
Character: Mesero (uncredited)
In his eagerness, to be movie extras, Tin Tan and his carnal Marcelo police get into trouble, among other entanglements.
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La Devoradora (1946)
Character: Ernesto
After her lover commits suicide, Diana involves her fiancé and his nephew in a scheme to help her disappear with the corpse.
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Dr. Satán (1966)
Character: N/A
Dr. Satan, a mad scientist and sorceror, plans to take over the world. In order to do so, he wakes up three zombie slaves from the dead and attempts to make a deal with the devil. He sends his zombie servants to do harm to anyone who stands in his way. Will anyone be able to stop him?
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Caperucita Roja (1959)
Character: Leñador
The classic story of the Red Riding Hood spiced up by a couple of funny characters like the dog Duke, companion to the girl in her adventures, and the stinky Skunk, henchman to the Wolf.
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A.T.M. ¡A toda máquina! (1951)
Character: Doctor en ambulancia (uncredited)
A drifter lands a job as an officer in México City's elite motorcycle police unit and gets home with a mate of this unit. The mate is in love with a girl, but he and she are always making jealous to each other. The drifter and the mate get involved themselves in a fight to become the winner of conquering ladies and performing unit acrobatic tricks, interfering with their friendship and profession.
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El ladrón (1947)
Character: Del Lago (banquero) (uncredited)
Bank employee is tempted to make use of banknotes scheduled for destruction.
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El hijo de Huracán Ramírez (1966)
Character: Espectador lucha libre
A wrestler is arrested on suspicion of assault, but his son manages to capture the real culprits.
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Soy un prófugo (1946)
Character: Esbirro del jefe (uncredited)
A janitor in a large bank is accused of pulling of a major heist. He is forced to become a fugitive while hunting for the real culprits.
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Las infieles (1953)
Character: Mario (sin créditos)
Governess falls in love with the uncle of the children she's teaching. Then complications.
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Pasaporte a la muerte (1968)
Character: Gerente hotel
The Secret Agent Lafargue locates the evil Professor Marcus headquarters, who with the help of Dr. Bellini and an android of his invention, plan to conquer the world. Lafargue is discovered and severely injured, so he is unable to remember where it is the basis of Marcus or what their plan. To resolve this situation the authorities call the Agent Zero team.
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Dicen que soy comunista (1951)
Character: Marcelo (maître d') (uncredited)
A worker overwhelmed by the economic crisis and the cost of living is accidentally propaganda of a political party, apparently from left, who convinces him to join their ranks and defending the working class. After entering through a ritual as mysterious as typical, you will realize demagoguery and arrangements existing between union leaders to maintain the status quo unchanged and profit from mafia practices.
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El bolero de Raquel (1957)
Character: (uncredited)
The film tells an episode of the life of a kindly hearted bootblack who becomes accidentally the tutor of an orphan but nevertheless spends all his time and effort for the sake of the boy.
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La tijera de oro (1960)
Character: Vecino (uncredited)
The charitable Emilio is a jealous barber tries to prevent at all costs the rich toting Mario mess with his girlfriend Rosita. Although Emilio help with money from neighbors, gets entangled in a misunderstanding and ends up in jail but his friends are out of charge so much trouble.
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