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Doña Diabla (1950)
Character: Invitado a fiesta (uncredited)
A woman, after committing a murder, flees into a church, confessing her life story to a priest.
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Una mujer decente (1950)
Character: Cliente cabaret (uncredited)
Rosa, a working-class young woman, falls in love with the physician Armando de la Vega. After they spend a night together, she discovers that she is pregnant. Armando, however, marries another woman, and the couple leaves for Paris, where he remains for several years. Upon his return, disillusioned with his marriage, he meets the famous cabaret star Alma Rosa, not realizing that she is Rosa, now performing under a stage name.
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Cuando me vaya (1954)
Character: Cole Porter (uncredited)
Fictionalized version of the life of songwriter Maria Grever.
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Otra primavera (1950)
Character: Invitado a fiesta (uncredited)
His wife dies and now he's free to marry his mistress and adopt their children officially. How will this play out?
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Amor en la sombra (1960)
Character: N/A
A daughter who idolizes her father discovers, just before he dies, that he was leading a double life and had a hidden lover.
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No niego mi pasado (1952)
Character: Invitado fiesta (uncredited)
This is a film by Alberto Gout that deals with the story of a marriage in crisis. It all starts when Leonardo surprises his wife Susana with her lover and threatens him with death for stealing her.
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Lágrimas robadas (1954)
Character: Invitado fiesta (uncredited)
Melodrama involving a young woman returning to Mexico from abroad after a failed romance and dealing with an unwanted pregnancy and a meddling Aunt.
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La culta dama (1957)
Character: Cliente restaurante (uncredited)
A pregnant and very poor woman has no place to give birth, and turns to a society lady for help.
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Dios los cría (1953)
Character: Hombre con trofeo (uncredited)
Mrs. Nínive Cánovas Cannesi (Marshall) comes back from a long tour visiting Europe and not even realizes that her house is being inhabited by two jobless and homeless bandits (Tin Tán and Tun Tún) with master keys who had been living there worry free. They all share the house for a period of time, unknowingly to each other, in a series of well crafted and perfectly timed scenes where Catita and Tin Tán can be in the same room without seeing each other... When Tin Tán notices her presence, poses as the help, intercepting the real employees and sending to the north pole, literally. So now that Catita has them at her service, she can take time for her real goal, the foundation of a House for old people so they can live happy until the day they die, but Tin Tán and Tun Tún keep getting in her way and complicating everything...
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La adúltera (1956)
Character: Pasajero avión
Jilted lover takes revenge on her ex's new wife.
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Música, mujeres y amor (1952)
Character: Pasajero crucero (uncredited)
Two women are installed in the cabin of a ship that was already occupied by two gentlemen.
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Mujer de medianoche (1952)
Character: Cliente burdel (uncredited)
Young woman elopes with her fiancé; during their honeymoon, things happen that cause them to be separated, and she finds herself alone in a big city with no resources to fall back on.
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Hombres sin alma (1951)
Character: Cliente cabaret
Final installment in Juan Orol's Percal trilogy. In this film, Malena is freed from prison by a gangster but a rival mobster will make things impossible for them.
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Isla para dos (1959)
Character: Invitado galeria
Middle-aged painter and young musician fall hard for each other while on vacation. Then she discovers he's married.
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Carta Brava (1949)
Character: Cliente cabaret (uncredited)
Safe-cracker sets up a gangster rival to get arrested; after some unrelated adventures, that guy escapes from jail and pays him back.
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Ángeles de arrabal (1949)
Character: Cliente cabaret (uncredited)
A thief commits several misdeeds and, to mislead the police, keeps jewelry in the house of his fiancée, whom he seduces to prevent her from discovering the theft.
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Cabaret trágico (1958)
Character: Cliente cabaret (uncredited)
A bar-girl's job becomes inescapable after her involvement in a murder. The bar owner deals with relationship troubles from her cheating boyfriend and her adopted daughter's ambitions.
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El Portero (1950)
Character: John, amigo de Perfecto (uncredited)
Cantinflas works as a porter, who writes letters and speeches in his old writing machine to earn an extra money, despite the fact that he still goes to school. The sentimental issues come when Cantinflas falls in love of his pretty neighborhood (Silvia Pinal), who is handicapped and unable to walk. The thing wont be easy, because a young military man also has feelings for the girl. But the porter wants to see her happy, and he will become a sort of Cyrano De Bergerac, writing love letters to her signed by the young soldier. His plan is simple: to win money in the horse races in order to pay the operation which will make her walk again.
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La bestia magnifica (1953)
Character: Cliente cabaret
Two very good friends become wrestlers to leave poverty behind, but the arrival of an ambitious woman will tragically change their destinies.
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Aventura en Río (1953)
Character: Hombre en cabaret (uncredited)
Tourist gets bonked on the head, suffers an amnesiac fugue, wanders away from her husband and children, becomes an evil prostitute-y thief-y saloon gal.
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La sombra del Caudillo (1960)
Character: (uncredited)
In 1920s Mexico, the candidates being chosen to succeed the current president, El Caudillo, find themselves at his mercy as he will resort to anything to accomplish his will, including kidnapping, betrayal, and murder.
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Él (1953)
Character: Invitado a fiesta (uncredited)
Gloria encounters Francisco, a man whose social veneer betrays a truer self burrowed underneath.
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The Magnificent Matador (1955)
Character: Client restaurant (uncredited)
Karen Harrison is a spoiled, rich, American predator who falls head-over-heels for the brooding, tormented, about-to-retire matador, Luis Santos who has inexplicably run away prior to a corrida that was to occasion the "alternativa" of a young, up-and-coming bullfighter.
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Ensayo de un crimen (1955)
Character: Tourist from Oklahoma (uncredited)
A bizarre black comedy about a man whose overwhelming ambition in life is to be a renowned serial killer of women, and will stop at nothing to achieve it - but not everything goes according to plan...
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Dicen que soy comunista (1951)
Character: Hombre en baile (uncredited)
A worker overwhelmed by the economic crisis and the cost of living is accidentally propaganda of a political party, apparently from left, who convinces him to join their ranks and defending the working class. After entering through a ritual as mysterious as typical, you will realize demagoguery and arrangements existing between union leaders to maintain the status quo unchanged and profit from mafia practices.
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Besos prohibidos (1956)
Character: Hombre en cabaret
Nightclub singer has to choose between marrying again or reuniting with her divorced husband.
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