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Huellas del pasado (1950)
Character: Empleada de teatro (no acreditada)
A young singer falls madly in love with a man, with whom she forms a family. Problems, however, are not long in coming when she receives unfair accusations.
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La loca de la casa (1950)
Character: Novicia (uncredited)
A nun reevaluates her life and decides to give up her vows to marry and help her father.
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Carne de presidio (1952)
Character: Rosario
Pedro is found guilty of murder after accidentally killing a friend's husband. His own family will face difficult times, as will he when he entrusts his freedom to the one he shouldn't.
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Arrabalera (1951)
Character: Invitada fiesta (uncredited)
Working-class girl marries rich playboy, gets implicated in his criminal activities.
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La diosa de Tahití (1953)
Character: N/A
A fugitive hides from justice among smugglers in the deep jungle of an exotic island, but things become complicated when he falls in love with a local cabaret dancer.
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Un gallo en corral ajeno (1952)
Character: N/A
A wealthy sculptor takes in a thief as a servant on her ranch, hoping to reshape him, but their situation is disrupted when she discovers a major robbery has taken place on her estate.
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Hombres sin alma (1951)
Character: N/A
Final installment in Juan Orol's Percal trilogy. In this film, Malena is freed from prison by a gangster but a rival mobster will make things impossible for them.
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El Mago (1949)
Character: (uncredited)
A slapstick fantasy of the amorous adventures of a magician a la Cantinflas.
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¡Ay, amor... cómo me has puesto! (1951)
Character: Lupita's Friend (uncredited)
A low-class baker accidentally gets to know an attractive but bitter fiancée. By getting her snobby, dead-pan family to spend some time with his scumbag friends, he changes their lives, while at the time stealing the girl's heart.
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¿Qué te ha dado esa mujer? (1951)
Character: Chonita (uncredited)
This musical comedy tells the story of two men whose friendship (whose beginning is told in "A toda máquina") is affected by assumptions love triangles and misunderstandings between the two, however, the value of that friendship overcomes all difficulties.
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El rey del barrio (1950)
Character: Party Guest (uncredited)
A poor man becomes a modern Robin Hood, robbing the rich to give to the poor.
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La hija del engaño (1951)
Character: Clienta cabaret (uncredited)
In the drama, a father, firmly believing that the baby daughter in his arms is not his own, abandons her upon the doorstep of the town drunk. Many years pass, and the man finds himself continually wracked with guilt about deserting her.
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Víctimas del pecado (1951)
Character: Cabaretera (uncredited)
A nightclub performer decides to raise the baby boy she found abandoned in a trash can, putting her job and social life in jeopardy.
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