|
Muerte civil (1954)
Character: Adela
A man convicted of killing his brother-in-law escaped from jail and when he found his daughter, he found out that he believed someone else was her father.
|
|
|
Tiro Al Aire (1980)
Character: N/A
Following his mother`s death, wise son Sebastian attempts to organise dad Nestor to cope with basic household chores. Sebastian shows Nestor how to light the oven. Later Nestor can't fix a broken lamp, but his son soon sorts it out. Nestor wants to act and invent money raising schemes whereas Sebastian yearns for a dad with a steady job. Nestor gets a role in an ad and pursues acting work. He seeks backing to market ping pong balls with world cup logos though the event has passed. The essence of the story revolves around how these conflicting aspirations can be reconciled.
|
|
|
La madre María (1974)
Character: N/A
Based on the life of María Salomé Loredo, a figure famous for her healings and assistance to the poor of the late nineteenth and first half of the twentieth century.
|
|
|
Ángel, la diva y yo (2000)
Character: Self
Buenos Aires at the end of the millennium a young filmmaker hopeless about their future decides to film his last act.
|
|
|
Corrientes, calle de ensueños (1949)
Character: N/A
Story about a humble musician who triumphs overcoming his failures and a young woman arrives in Buenos Aires from the interior of the country in search of triumph but finds death.
|
|
|
Con el sudor de tu frente (1950)
Character: N/A
While a drought and debts overwhelm a farmer, the arrival of a Polish visitor will make him see the world in another way.
|
|
|
La telaraña (1954)
Character: N/A
The problems of a man who when he goes to see his newborn son is mistaken for an assailant.
|
|
|
|
|
Cuando los hombres hablan de mujeres (1967)
Character: N/A
Three stories told in a Turkish bathhouse: two braggarts are mocked by a starlet; two Boca Juniors fans and love-hate for two River Plate fan girls; a man, father of 8 daughters, seeks the boy despite his wife.
|
|
|
La calle junto a la luna (1951)
Character: N/A
The life of the famous poet Evaristo Carriego (1883-1912), who lived in the Buenos Aires neighborhood of Palermo and who painted the customs of the people of those years like no one else.
|
|
|
Noches sin lunas ni soles (1984)
Character: Cristina
A criminal escapes from a court, with help of three miscreants, to find his lifelong friend, who is terminally ill. The police officer catch knows there is a hidden loot involved.
|
|
|
|
|
¡Al diablo con este cura! (1967)
Character: N/A
Quirky but lovable priest is transferred to a new parish, and discovers that his flock all need stern talkings-to.
|
|
|
Muchacho (1970)
Character: N/A
A man falls in love with a woman from high society - but her father doesn't approve of their love.
|
|
|
Corazón (1947)
Character: N/A
Each month a school teacher narrates a new story to his students, with a moral in each of them.
|
|
|
Extraña ternura (1964)
Character: N/A
The young and inexperienced godson of a millionaire falls for a singer who is married. The millionaire opposes the relationship because he feels a "strange tenderness" for the boy.
|
|
|
Tren internacional (1954)
Character: Invitada
A couple of thieves with a worldwide reputation start a dispute over a valuable necklace in a transalpine train.
|
|
|
La cigarra no es un bicho (1963)
Character: Carla Carmine, la modelo
The vicissitudes of six different couples who arrive at a hostel in Buenos Aires called La Cigarra and are quarantined because of a supposed bubonic plague, causing all kinds of inconveniences and entanglements as a result of this forced coexistence.
|
|
|
Sala de guardia (1952)
Character: N/A
An idealistic intern is doing his best to survive a very tough day on the job. When not scurrying from one patient to another, he tries to maintain equilibrium in his romance with a nurse. Comedy dovetails neatly into tragedy, which in turn segues smoothly into heart-tugging pathos.
|
|
|
Mujeres en sombra (1951)
Character: N/A
A bigame woman, a complicated maid with shady facts, and a rip-off against a wealthy man attempted by an alleged son.
|
|
|
Culpable (1960)
Character: N/A
A criminal confronts the police by firing at them with a machine gun from the first floor of a villa on the outskirts of Buenos Aires and occasionally shooting down a policeman. The gunman has time to reflect, to load his gun, to run from one window to the other. Whoever leads the police notices the futility of his efforts and suspends the fire.
|
|
|
|
|
Saverio, el cruel (1977)
Character: N/A
Saverio is an insurance broker who arrives in a small town after receiving a letter from a potential client requesting insurance for "special affections." Upon arriving at the mansion, Saverio is captivated by the beauty of Susana, the granddaughter and heiress to a vast fortune—beautiful, refined, and cultured. What Saverio doesn't suspect is that he will become the victim of a macabre plot, in which he plays a crucial role. Susana, in collusion with her family and friends, will feign madness with the sole purpose of making Saverio fall at her feet.
|
|
|
La pasión desnuda (1953)
Character: N/A
A woman who works doing chores in the convent where her paralyzed daughter, that believes that is dead, and falls in love of a doctor.
|
|
|
|
|
|
