Lateefah Holder

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0.2351

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Lateefah Holder

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Credits

The Public's Much Ado About Nothing The Public's Much Ado About Nothing (2019) Character: Dogberry
This bold interpretation of Shakespeare’s comedic masterpiece features Danielle Brooks (“Orange is the New Black,” Broadway’s “The Color Purple”) and Grantham Coleman (“Buzzer,” “The Americans”) as the sparring lovers Beatrice and Benedick. Tony Award winner Kenny Leon (“American Son,” “A Raisin in the Sun”) directs with choreography by Tony Award nominee Camille A. Brown (“Choir Boy”). Set in contemporary Georgia with an election race underway, Great Performances: Much Ado About Nothing finds the community of Messina celebrating a break from an ongoing war, but not all is peaceful amid the merriment. Former rivals battle it out, revenge is sought and trickery runs amok in this timeless comedy of romantic retribution and miscommunication. Earning a New York Times Critic’s Pick, the play was recorded during its final weekend of Free Shakespeare in the Park performances, June 22-23, 2019.
I Believe in Santa I Believe in Santa (2022) Character: Sharon
Lisa thinks she's finally met the man of her dreams until she finds out he still believes in Santa Claus.
Like Animals Like Animals (2017) Character: Julia
After the death of their mother, three sisters try to figure out how to move forward with their lives.
Late Bloomers Late Bloomers (2024) Character: Riri
Louise, an aimless, 28 year-old Brooklynite, recently single, sort of a musician, depressed without admitting to it, drunkenly falls while doing something stupid and breaks her hip. This lands her in a physical therapy ward full of people twice her age. There, she meets Antonina - a cranky elderly Polish woman, who speaks no English. Louise gets a job caring for her. Neither woman loves the arrangement but it’s time to face the truth about aging. We all have to grow up sometime.
Other People Other People (2016) Character: Sandi
David, a struggling comedy writer fresh off from breaking up with his boyfriend, moves from New York City to Sacramento to help his sick mother. Living with his conservative father and much-younger sisters for the first time in ten years, he feels like a stranger in his childhood home. As his mother’s health declines, David frantically tries to extract meaning from this horrible experience and convince everyone (including himself) that he's "doing okay.”



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