|
Varuj...! (1947)
Character: N/A
A drama about Slovaks who emigrated before WW I. It is focused on the life of Ondrej Muranica. He emigrates to America because of the hard life that is partly caused by Hungarian landowners. His dreams and hopes for a happier life are destroyed by a disaster in the mines where he works. Ondrej is declared missing.Years later he returns to his home country and finds out his wife married his best friend.
|
|
|
Prípad pre obhajcu (1964)
Character: N/A
A psychological drama from the judiciary. Lawyer Kolár handles the case of the rape and murder of a fourteen-year-old girl and tries to remove the fifteen-year-old boy from suspicion and subsequent conviction based on discrepancies in the case file.
|
|
|
Do posledného dychu (1976)
Character: N/A
The myth of the anti-fascist resistance in Slovakia was one of the important themes of normalization cinema, of course, treated with an emphasis on the leading role of the communists. This primitively illustrative film depicts the heroic enthusiasm shown by the members of the resistance group, heroically and with constant commitment of life fighting against the treacherous police of the Slovak state and ultimately against the German Gestapo.
|
|
|
Statočný zlodej (1958)
Character: N/A
Set in Bratislava in the 1930s, about a clerk at a humanitarian foundation who is unjustly accused of embezzling a large sum of money.
|
|
|
Šťastie príde v nedeľu (1959)
Character: N/A
Three friends, Emil, Vrabec and Mišo, spend every Sunday playing the lottery, each nursing a personal dream: Emil wants a Jawa 250 motorcycle, Vrabec hopes for a Pionier scooter and Mišo imagines funding a world tour. Frustrated by constant losses, they decide to maximize their stake in the next draw, convinced that more money will tip the odds in their favor. Their plan takes an unexpected turn when they meet attractive Eva Dvorčíková on a televised variety show - Eva has long been Mišo’s unspoken crush. To determine who will have the right to win her affection, the friends agree to draw lots, putting their bonds and ambitions to the test.
|
|
|
|
Štek (1989)
Character: N/A
Young provincial actor Perda, long confined to minor roles, is cast unexpectedly as the lead in a vacuous new play by an ambitious writer. Despite a lackluster script and an audience that largely abandons the performance at intermission, the production proceeds to secure funding. Frustrated by being told to blend in, Perda ultimately decides to assert himself boldly on stage.
|
|
|
Čertova stena (1949)
Character: N/A
Two roommates – Ivan Trnovský, a university student from a wealthy family, and Petr Gazdík, a young composer, try to win the affections of a young teacher, Hanka. She teaches schoolchildren to ski, and Ivan arranges a Christmas stay with her in the Tatra Mountains, in a cottage under the Devil's Wall...
|
|
|
Páni sa zabávajú (1972)
Character: N/A
The story of a rural landowner and his struggle with "friends" who try to deprive him of his advantageous position and beautiful wife.
|
|
|
Sedmi kontinent (1966)
Character: N/A
A group of children discover the new continent of the world, uninhabited by adults. Soon, many other children are joining them in that new paradise, leaving their parents and other adults baffled on all remaining continents.
|
|
|
|
|
|
Štvorylka (1956)
Character: N/A
A comedy film taking an ironic view of the bourgeois period prior to the First World War.
|
|
|
Niet inej cesty (1968)
Character: N/A
A biographical film about the Slovak nationalist Ľudovít Štúr. It captures the revolutionary events of 1848 in Austria-Hungary, when Štúr, as a member of the Diet, led the fight for the national rights of the Slovak people.
|
|
|
|
Pán a hvezdár (1960)
Character: N/A
On this naive and awkwardly narrated fairy tale it is remarkable that it also established the tradition of fairy tale stories in Slovakia. A certain refinement is the framing of the whole story with a puppet show that moves into the played scenes. The film carries out a folk tale of a stupid castle lord who lives in a ruined castle, a fraudulent painter and a lazy shepherd.
|
|
|
|
Stopy na Sitne (1969)
Character: N/A
Slovak partisans, bravely fighting against Nazi superiority, would never have succeeded to such an extent if they had not been supported by the villagers. Despite the threat of repression, it is the villagers who care for the wounded, hide them, and behave conscientiously. Although the film was made in the late 1960s, it fully adopts the patterns of partisan stories, perhaps the only thing it can be credited with is a more developed sense of authenticity in the story, characters, and setting.
|
|
|
Posledný návrat (1959)
Character: Císnik
Peter and Lena had a daughter, Zuzka, soon after their wedding. Lena graduated from drama school and wanted to act, but there were no vacancies in the theater in the city where they lived, and she was forced to join a traveling troupe. Lena was away from home for months. Peter and Zuzka missed her very much. One day, Peter met Eva and fell in love with her. When Lena learned about this, she returned to the city, never to be separated from her family again.
|
|
|
Plavčík a Vratko (1982)
Character: N/A
The son of a charcoal burner was once prophesied as a child to marry the daughter of a king. The king tries to prevent this by all means.
|
|
|
Námestie svätej Alžbety (1966)
Character: N/A
Film adaptation of Rudolf Jašík's novel of the same name. The plot of the film is situated in the forties of our century, in the first years of the Second World War. It captures the political and social atmosphere of one of the Slovak towns that lives seemingly in the lee, far from the world and war. Well, appearances are deceiving. Beneath the surface of peaceful, everyday life, a tragic process is taking place, accelerating people's destinies, the disintegration of their characters, but also the maturing of their relationships. The film is the story of Eva and Igor, their love, violently interrupted by political events. In this era of personal and social tragedies, children become adults almost overnight, honest people become victims, and mentally ill people become murderers. The film about the fates of Eva and Igor, the Jewish cartmen Samko and Maxi, and the careerist Flórik presents a believable, convincing picture of the era marked by the expansion of fascism.
|
|
|
|
Sebechlebskí hudci (1975)
Character: N/A
Two Sebechleby musicians, Peter and Jakub, and their guardian Klimo set out in the mid-17th century to rescue the noblewoman Dóciová, abducted by Ottoman raiders into Istanbul. Lacking language skills and guidance, they rely on courage, wit and their newly enchanted instruments to overcome dangers.
|
|
|
Pacho, hybský zbojník (1976)
Character: N/A
A funny outlaw tale inspired by traditional folk humour. Pacho is no ordinary outlaw. He detests injustice and feudal oppression and he copes with each troublesome situation with the help of his cleverness and wit.
|
|
|
Tisícročná včela (1983)
Character: N/A
A family saga taking place mostly in a small Slovak village over a period of thirty years (1887–1917). The first part captures the life of Martin Pichandu in the development of his craft, masonry; in the second part, his son is center stage living in a period of socio-political crisis, which ultimately results in the first World War. After originally airing on Czechoslovakian television in 1983 as a four-part 226-minute mini-series, this production received a 163-minute theatrical release in 1984.
|
|
|
Majster kat (1966)
Character: N/A
A dramatic story about two friends - fisherman Richardus and municipal executioner Emil Targo takes place at the river Danube, in places that used to be targets of Ottoman raids. But their attraction to the same woman and Emil’s betrayal change their indissoluble friendship to an equally strong hatred. And as it usually goes - after twenty years by a trick of fate Richardus’ daughter Agajka becomes the wife ofthe sun of his sworn enemy.
|
|
