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La orquídea (1951)
Character: N/A
A woman of great beauty is used by a man who only desires her body and falls on the path of self-destruction.
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La sombra de Safo (1957)
Character: N/A
To prevent a politician from winning, a journalist blackmails his wife with old love letters from his former lover. She feels cornered because her family's honor is at stake. The film includes excerpts from "Sappho, Story of a Passion" (1943), a film by Carlos Hugo Christensen.
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Cosas de mujer (1951)
Character: N/A
A man feels abandoned because his wife is too busy with her incredible success as a lawyer. Because of this, he ends up falling into infidelity and showing certain contradictions in his wife.
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Adiós problemas (1955)
Character: N/A
A woman seduces a father of a family, altering his structures and the family relationship.
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Una viuda casi alegre (1950)
Character: N/A
A young widow goes to a marriage agency where she is introduced to three hired suitors who end up falling in love with her.
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Los árboles mueren de pie (1951)
Character: N/A
For over twenty years, an elderly man convinces his wife that their long-lost criminal grandson has changed his ways to become a successful professional and loving husband. When he learns of his grandson’s death, he decides to keep yet another secret and arranges for a false couple to pose as their exiled grandson and his wife. As the couple enters, uncertainties arise. Will they be able to convince her?
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La muerte está mintiendo (1950)
Character: Rosita
The protagonist commits a crime and abandons his brother, on whom the shadow of suspicion falls, to avoid punishment. In his escape he meets for the first time the emotion of a true love, but fatality takes it upon himself, pushing him back onto the criminal path.
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Arroz con leche (1950)
Character: N/A
A runaway bride poses as a married woman and mother of twins to woo a suitor who only falls in love with married women.
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Pasó en mi barrio (1951)
Character: Matilde
An italian man is unfairly imprisoned and his wife must work to maintain the family.
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Bendita seas (1956)
Character: Julia
María has a powerful reason to hide the fact that she is Enrique's mother.
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La película del rey (1986)
Character: Madre
Buenos Aires movie director, very fond of the legend of the King of Patagonia and Araucania, decides to make a movie about it. Despite of financial troubles, technical problems, misfortune and desertions, he undertakes the journey to Patagonia for the film with a second-rate actor company. Neglected by the producer and shortly after by the company, he will make the movie alone, in a surreal landscape like mad.
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La comedia inmortal (1951)
Character: N/A
The most famous lovers of world literature help a librarian to realize her love for a young man.
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Esposa último modelo (1950)
Character: N/A
When a young woman who knows nothing about housework falls in love, her grandmother and nanny make her seem like the ideal housewife in front of her boyfriend.
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Cuando besa mi marido (1950)
Character: N/A
A high society woman discovers a fiery romantic letter in a raincoat pocket seemingly written by a rumba dancer to the woman’s doctor husband. He tries to cover by saying that the letter is addressed to a more conservative friend of his, leading to rumours of his friend’s (supposed) incredible passion becoming intriguing to the local women, even the Doctor’s own jealous wife.
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Cita en las estrellas (1949)
Character: (Extra en el cielo)
A couple splits up and gets married to other people. After the man dies, the woman becomes delirious and thinks she's found him again in heaven.
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