Alžbeta Barthová

Personal Info

Known For

Acting

Known Credits

0.1726

Gender

Female

Birthday

11-May-1938

Age

(88 years old)

Place of Birth

NO INFO PROVIDED

Also Known As
  • Alžbeta Bárthová-Pietorová
  • Alžbeta Bárthová
  • Alžbeta Pietorová
  • Alžbeta Pietrová
  • Alžbeta Bártková

Alžbeta Barthová

Biography

NO BIOGRAPHY AVAILABLE


Credits

Tri dcéry Tri dcéry (1968) Character: Benedikta
A classical ballad motif about an aging father and his three daughters is quite unusually here set against the backdrop of Czechoslovakia of the 1950s. After having been expropriated, the former landowner Majda seeks refuge with his three daughters whom he had sent to a convent a long time ago. But only the youngest one is able to forgive him and she is willing to take care of him despite the threat of expulsion from the order.
Jeden stříbrný Jeden stříbrný (1976) Character: Ilonka
It is summer 1944. The war is far away from Slovak mountains for the time being. The head of forest management Borodác brings a new employee to complete the eight woodcutters work team of Czechs, Slovaks and one Pole - the young guy is Martin Uher, a former clerk form Prague. The eight tough men do not trust the newcomer at first, but as time is passing, they got used to him. After some time, Martin gets next to Julika, a young wife of the gamekeeper Tkác (Vlado Müller) and they begin to go out secretly. The gamekeeper knows that Martin had promised to cooperate with German Gestapo, after he had experienced a hard interrogation. In avoiding to be a grass, Martin leaves Prague to hide in Slovak mountains. Tkác wants Martin to inform on his colleagues who hide guns in the forest to ready to use them against Nazis.
Advokátka Advokátka (1978) Character: N/A
The story of a young lawyer who finds herself in a difficult situation when she encounters troubles in her burgeoning career and complications in private her life.
Génius Génius (1969) Character: N/A
A metaphorical story about the conflict of human reason and ideals with the dehumanizing mechanism of social institutions. A satire criticizing the negative relations between people, condemning the evils of human characters and the resulting qualities - pride, envy, malicious gloating, hatred and mammonism.
Prvá noc pri mŕtvej Prvá noc pri mŕtvej (1993) Character: N/A
Television adaptation of a short story by Czech journalist and novelist Jakub Arbes. The depiction of love and death brings a suggestive story about jealousy, a destructive passion that becomes self-destructive as well. Elizabeth and Maria, two inseparable friends from boarding school, at one point both fall in love with a young student. The feelings of one are reciprocated; the other drops out. Unable to forgive this double betrayal, she fanatically sets her sights on destroying her rival's happiness.
Hordubal Hordubal (1980) Character: N/A
After five years of hard work in America Juraj Hordubal (Anatoliy Kuznetsov) returns back home. He is looking forward to his wife Polana (Libuse Geprtová) and his little daughter Hafie. The family and the village welcome him with hesitation. Everybody believed that Juraj died in America because Polana stopped receiving money from him already two years ago. Polana's farm was prospering first of all thanks to the young stable boy Stepán (Sándor Oszter). Men in the pub first indicate and then say to Juraj directly that Polana has been unfaithful to him with Stepán.
Do posledného dychu Do posledného dychu (1976) Character: N/A
The myth of the anti-fascist resistance in Slovakia was one of the important themes of normalization cinema, of course, treated with an emphasis on the leading role of the communists. This primitively illustrative film depicts the heroic enthusiasm shown by the members of the resistance group, heroically and with constant commitment of life fighting against the treacherous police of the Slovak state and ultimately against the German Gestapo.
Stupně poražených Stupně poražených (1988) Character: N/A
The top sport was also closely monitored in the communist era, and officials were naturally bothered that the pentathlon team failed to win the World Championships. But the measures that should have ensured redress were caught up in a web of behind-the-scenes machinations that backfired on the athletes themselves, their endurance and their family backgrounds. While the film has critical ambitions and wants to reveal much of what should have remained hidden from the public eye, it is a rather clumsy and schematic view, not very convincing in terms of realisation.
Fénix Fénix (1981) Character: N/A
Even a top athlete, a discus thrower, faces difficulties when she has to consider her future. She seems to lack nothing: the socialist physical education provides her with all the necessary facilities to prepare for the Olympics, she trusts a responsible coach. However, when she returns to her hometown, she still considers whether she made the right decision. When she becomes pregnant, she finds herself at a crucial moment.
Tanec lásky a smrti Tanec lásky a smrti (1993) Character: N/A
A psychological drama of a high-profile family in the 1920s. András Erdély, the son of an influential MP, is placed in a psychiatric sanatorium to escape punishment for the murder of his wife. Through his memories and intimate confessions, the viewer gets to know the atmosphere of the house ruled by his despotic father, the son's journey from "better society" to a social career and uncovers the secret of his sexual deviations, everything that led András, a mentally disturbed man, to crime. The story of love, morbid passion and hatred is also a questioning of the roots of evil in man, of responsibility for one's own actions and of the limits of tolerance and medical ethics.
Muž nie je žiadúci Muž nie je žiadúci (1984) Character: Landlady
A young teacher grows up in a small Slovak village during the Second World War.
Živá voda Živá voda (1981) Character: N/A
Ivan Hálek, son of the famous poet Vítězslav Hálek, studied medicine and devoted his life to the Slovak countryside. In the poor Kysuce region, he not only treats the local villagers, but also makes an extraordinary contribution to education. At the same time, he struggles with lingering superstitions and mistrust. However, the hero and his young wife also become acquainted with folk customs, songs, and the colorful culture of the poorest. And he proclaims that only those who rid them of terrible mass poverty can provide these poor people with true living water.
Člny proti prúdu Člny proti prúdu (1982) Character: N/A
War tests human character severely, because the slightest suspicion of failure is hard to live with. A resistance worker who finds himself in such a situation would rather sacrifice his own life in order to dispel once and for all the doubts of those around him. Thus an agitprop was created about the moral maturity of those who consciously and from the right class positions fought against Nazism.
Život na úteku Život na úteku (1976) Character: N/A
In Slovakia, they often and gladly honored those soldiers who refused to serve the fascist regime and stood against it. Lieutenant Kukorelli also rejected the tempting career of a pilot, instead helping the resistance fighters and later participating in the Slovak National Uprising.
Choď a nelúč sa Choď a nelúč sa (1979) Character: N/A
The dramatic story captures the hard and dangerous life of the partisan group "Čapajev" led by Ľudovít Kukorelli during World War II. It retrospectively presents the course of the Slovak National Uprising in eastern Slovakia.
Smrť Pavla Duchaja Smrť Pavla Duchaja (1969) Character: N/A
The story of Pavel Duchaj, who starts walking with a cane, which is a sign for the village community that he will soon pass away. Not only the village, but also his closest family feels offended that Duchaj is not dying, that he is resisting fate with various activities.
Dies irae Dies irae (1984) Character: N/A
A 1984 Slovak language drama film directed by Martin Tapák.
Uzlíky nádeje Uzlíky nádeje (1979) Character: (uncredited)
Social ballad. Three short stories – "Uzlík tepla", "Chlapec a pánboh" and "Rubári" – depict three different human stories, the common denominator of which is suffering and existential threat.
Hriech Hriech (1987) Character: N/A
Dramatization of four classic one-act plays by J. G. Tajovský: "Hriech" (Sin, 1911), "Tma" (Darkness, 1912), "V službe" (In the Service, 1911) and "Matka" (Mother, 1906), which capture the image of social changes and changes in people's thinking prior to the First World War.
Ukradnutý biely slon Ukradnutý biely slon (1988) Character: N/A
A television musical based on the short story by M. Twain. The King of Siam sends a gift - a white elephant - to the Queen of England. Inspector Blunt is responsible for the animal's safety. However, he has strange desires that are closer to him than his duties...
Bičianka z doliny Bičianka z doliny (1981) Character: N/A
A TV adaptation of Zuzka Zguriška's novel of the same name. The story takes place in a characterful Slovak village. It shows a picture of the inhabitants of Myjava in the 1920s, where there is no lack of freshness, brightness, liveliness and cheerfulness. The main character, a wealthy patriarchal ruler, orders her three adult sons around. She refuses to acknowledge her son's love; she does not want a poor bride. She enjoys the rich Susanna, whom the second son marries. After many convoluted and humorous transformations, the poor girl nevertheless wins the seemingly stony heart of the Scourge.
Dolina Dolina (1973) Character: N/A
A dramatic story of the emotional, moral and political maturation of two young people during the Slovak National Uprising.
Falošný princ Falošný princ (1985) Character: Gipsy
The Sultan awaits the arrival of his son, Prince Omar, who has brought up in a distant land. The master tailor and his assistances are making clothes for the prince. Labakan, the most gifted of his assistances, craves to be a Sovereign's heir so he steals the princely garments snd poses as the Sultan's son.



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