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El zarco (1959)
Character: N/A
Upperclass girl and notorious bandit leader fall in love. She agrees to "let him kidnap her" so they can be together, but she gets disillusioned when she sees the sordidness of his Camp Of Banditry. Also he keeps killing off members of her family.
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Las cinco advertencias de Satanás (1945)
Character: N/A
Satan plays a trick on two roues, telling them five things that are predestined to happen to them, but leaving out some crucial details. Then he sits back and laughs as they struggle against their preordained situations.
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En la Hacienda de la Flor (1948)
Character: N/A
Sequel to "Juan Charrasqueado." Juan Jr. discovers that the woman he's engaged to is the daughter of the man who killed his father.
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Doña Clarines (1951)
Character: N/A
Aging wastrel wants to have his sister declared incompetent so he can take control of her estate.
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La noche es nuestra (1952)
Character: Nana Trini
Journalist meets an unforgettable woman, tracks her down and discovers all her tragic past.
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La mujer X (1955)
Character: N/A
A woman accused of murder refuses to defend herself in any way, in order to avoid tarnishing the family name and the reputation of her long-lost son.
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El gran campeón (1949)
Character: Madre de Luis
El Kid Azteca not only fights to become someone in life; he also fights for the love of Avelina, who shows no interest in him when she sees that fame has gone to his head.
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No niego mi pasado (1952)
Character: Doña Engracia
This is a film by Alberto Gout that deals with the story of a marriage in crisis. It all starts when Leonardo surprises his wife Susana with her lover and threatens him with death for stealing her.
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El gallo giro (1948)
Character: N/A
Mom and Pop want him to settle down , but the youngun's convinced he could be a big star singing rancheras; he convinces his folks to give him six months in the big city to launch a career and prove himself.
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Comisario en turno (1949)
Character: N/A
Night shift at police headquarters; criminals and victims of all sorts pass through to get their cases sorted out.
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Canasta de Cuentos Mexicanos (1956)
Character: Mamá de Lorraine
Strong-willed Luisa attracts lots of men, but her intelligence and sharp tongue often sends them running. When she meets Carlos, who is equally cagey, sparks fly. The two of them marry, and quickly begin clashing on a daily basis, humiliating each other as they try to teach one another lesson after lesson.
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Arrabalera (1951)
Character: Mrs. Lupe
Working-class girl marries rich playboy, gets implicated in his criminal activities.
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Viviré otra vez (1940)
Character: Señora Ledesma
Card-sharks blackmail a dissolute young man into participating in a big robbery; his brother takes the rap for him.
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Una gringuita en México (1951)
Character: Doña Julia
A USA girl decides to vacation in Mexico and experience first hand all the stereotypical scenes she's seen in movies. When she gets there, everything isn't all charros and bandidos, though -- surprise, surprise!
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Enrédate y verás (1948)
Character: Pina
A young woman disguises herself as a soldier when her boyfriend arrives to propose.
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Yo quiero ser mala (1950)
Character: Sra. de Aguado, madre de Pina
In this Romantic-Comedy from Director Rene Cardona, Actress Maria Elena Marques plays a hard-living woman named Leticia, who suffers from a recently broken heart after being deceived by her ex-boyfriend. Soured on anything to do with love and while drinking away her sorrows, she sets out to marry the very first man she sees. This man just happens to be a nice guy named Roberto, (Abel Salazar). Although the pair's mutual attraction to each other is obvious, Roberto has no idea what he is in for, and he soon proposes. Not long after the marriage, Leticia starts to take advantage of both Roberto and her new Father-in-Law (played by Oscar Pulido), who shows kindness towards the girl. Predictably, marital bliss soon turns into discord, and the couple agree to divorce after a year passes. Their love-hate relationship and pending break-up provides a perfect backdrop for several comedic situations before the two realize that they are actually in love.
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Herencia macabra (1939)
Character: Maria
A plastic surgeon goes mad when he discovers that his wife have an affair. He fakes her death and disfigure her and locks her in the cellar.
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Tan bueno el giro como el colorado (1959)
Character: Maestra del pensionado
Two rodeo competitors from neighboring towns get all up in each other's business in the weeks before a big local competition. So do their respective manservants and the priests for each one's parish. Lotta competitive ructiousness going on.
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Jesús de Nazareth (1942)
Character: La Virgen María
The biblical story of The Messiah from his baptism through his crucifixion.
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El Siete de Copas (1960)
Character: Doña Angelita
Professional gambler finds metaphysical meanings in the way he manages the workings of chance.
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La Mujer Que Yo Perdí (1949)
Character: La Madrina
A political revolutionary fights against injustice, his adoring wife by his side. But only in her death does he realize the depth of her love for him and their country. A dramatic romance from the 23 film library of the most iconic classic Mexican film and recording star, Pedro Infante.
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Él (1953)
Character: Esperanza Peralta
Gloria encounters Francisco, a man whose social veneer betrays a truer self burrowed underneath.
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Escuela de vagabundos (1955)
Character: Señora Vértiz (uncredited)
Alberto Medina is a famous composer whose car breaks down while he is on a trip. While looking for help, he finds the Valverdes' house and is welcomed in by Emilia, the mother of the family, who is known for taking in tramps.
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Yo no creo en los hombres (1955)
Character: Tía de Silvia
In Havana, humble office girl Maria Caridad becomes the victim of rich playboy Arturo who seduces her and takes her to bed under false pretenses.
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La faraona (1956)
Character: Patricita
Pastora Heredia is a beautiful gypsy with great character who always tries to help the needy. One day she gots the notice of the death of his grandfather, a millionaire who lived in Mexico and that since his father was angry, she knew nothing of him. However, as Pastora was his only granddaughter and sole heir of all his property, it does not hesitate to cross the pond to claim his inheritance. But once there is that Don Guillermo, grandfather, not dead.
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El Supersabio (1948)
Character: Angélica Montes
Cantinflas is the apprentice of a renowned scientist, Prof. Arquimides Monteagudo (Carlos Martinez Baena). But Cantinflas has the soul of a poet rather than a serious researcher, and he wants to find the formula that achieves the immortality of the roses. Nevertheless, after the death of Prof. Monteagudo, Cantinflas will be chased by a ferocious corporative group, who wants to steal the secret formula of a cheaper fuel named "carburex", because they think that our friend is the only person who knows the composition
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Lluvia roja (1950)
Character: José Marías' wife
Military leader is appointed to local government, becomes overly despotic in his leadership.
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En los tiempos de Don Porfirio (1940)
Character: doña Carlota
In a Mexican city at the end of the 19th century, Don Francisco, a gambler and a bohemian, almost forgets his wedding and is late. The bride, who is pregnant, is sent to Paris by the snubbed family.
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