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Mondo pazzo... gente matta! (1966)
Character: colonnello
A group of young musicians organize a show that will turn out to be a hodgepodge, yet still manage to entertain the audience with their cheerful lighthearted songs.
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In amore si pecca in due (1954)
Character: N/A
Luisa Galli moves to Rome in search of a respectable job, but instead just finds a job as a waitress for the lawyer Giorgi.
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Tempo di villeggiatura (1956)
Character: N/A
Holiday time in Corniolo, a resort 40 kilometres from Rome. In a recently opened hotel various characters sojourn and love stories begin and end.
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Die Rote (1962)
Character: N/A
Bored with her marriage, Franziska decides to travel to Venice.
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Boccaccio '70 (1962)
Character: Commendatore La Pappa (segment "Le tentazioni ...") (uncredited)
An anthology of four comic moral tales about the hypocrisies surrounding sex in 1960s Italy: frothy young love and office politics in the big city; milk advertisements that begin to haunt an aging prude; a trophy wife enduring her husband's very public affairs; a lucky ticket-holder at a small town fair.
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Amore e chiacchiere (1958)
Character: N/A
Maria and Paul love them, but they are very young and, moreover, Maria is the daughter of the municipal sweeper while Paul is the lawyer Bonelli, vice mayor and head of the opposition. To complicate the story there is the reconstruction of a hermitage destroyed during the war. Reconstruction would take the view of the Paseroni villa, big industrial and political traffic. Bonelli's lawyer, a great speaker, becomes a mayor for the death of his predecessor and is bought by Paseroni, while rejecting the love of Paul and Mary for social differences and why Paul should stay behind Doddy Paseroni. At this point, Paul and Mary flee to kill, just as Bonelli has to hold a talk on the radio for the inauguration of Paseroni's villa ...
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Il magistrato (1959)
Character: The Mortgage Valuer
Emilia Bonelli is an overly ambitious and driven woman. This dominant personality trait has its effects on her henpecked husband Luigi, and her daughter Carla. Circumstances ultimately lead to the courtroom and an aloof judge in the persona of Andrea Morandi.
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Ladro lui, ladra lei (1958)
Character: Avvocato (uncredited)
Cencio, a roman pilferer, periodically is in prison. He meets Cesira that soon become his partner in crime. With Cesira's help Cencio try the big hit to a jewelery. But the lucky break is over.
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Ai margini della metropoli (1953)
Character: Signore (uncredited)
Based on real events, in Rome a lawyer is not sure whether to accept defending a lower-class worker wrongly accused of the murder of his girlfriend.
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Don Cesare di Bazan (1942)
Character: Capitano Ribera
In Barcelona, in 1650, Count Don Cesare di Bazan tries to foil, with the help of an actress, a plot hatched against the king by the French ambassador.
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Le tentazioni del Dottor Antonio (1962)
Character: Commendatore La Pappa (uncredited)
Dr. Antonio Mazzuolo obsessively fights against what he perceives as immorality in Rome, only to be driven mad by a seductive billboard of Anita Ekberg that haunts him with hallucinations.
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Ercole contro i figli del sole (1964)
Character: Maytha's Priest
Hercules, after sailing global waters is eventually shipwrecked in South America. After losing his Greek shipmates, Hercules is enlisted to overthrow a tyrannical king int he land of the Incas. Featuring scenic views of the mountains of the Andes.
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La marcia su Roma (1962)
Character: Direttore del carcere
March on Rome (Italian: La marcia su Roma) is a 1962 comedy film by Dino Risi with Vittorio Gassman and Ugo Tognazzi, aimed at describing the March on Rome of Benito Mussolini's black shirts from the point of view of two newly recruited, naïve black shirts
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Lo smemorato di Collegno (1962)
Character: Presidente del Tribunale
A man is hospitalized in a neurological clinic, suffering from amnesia. After seeing his photo in the newspaper, Mrs. Ballerini realizes that he is her husband and brings him home; then Mrs. Polacich recognizes him as her husband.
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La signora senza camelie (1953)
Character: Movie Theatre Owner
A Milanese shop assistant becomes an overnight film sensation when fate lands her the leading role in a prominent producer's romantic drama.
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I maniaci (1964)
Character: Literary Critic #1 (segment "la parolaccia") (uncredited)
An anthology of brief comic sketches based on manias, mainly sexual, featuring several figures of Italian society.
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Un angelo per Satana (1966)
Character: Sergente, the Guardian
At the end of the 19th century, in a little Italian village by a lake an old statue is recovered. Soon a series of crimes start and the superstitious people of the village believe that the statue carries an ancient malediction.
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Il vigile (1960)
Character: The Ragioniere with a New Car
An unemployed man gets a job as traffic policeman but the traffic in the big city creates innumerous problems for the poor guy.
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L'arte di arrangiarsi (1954)
Character: Ing. Casamottola
In this comedy Alberto Sordi plays Rosario Scimoni, known as Sasà, an opportunistic and unscrupulous guy, nephew of the mayor of Catania, and he's always ready to take sides with anyone who can help him. He switches from socialism to fascism; he changes his political faith the same way he changes women. He even tries to found his own party.
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Lo sceicco bianco (1952)
Character: Police Commissioner (uncredited)
In Italy, small-town newlyweds Wanda and Ivan Cavalli embark on their honeymoon in the big city of Rome. Ivan dutifully wants to keep appointments with family and church, but Wanda is only interested in meeting her favorite photo-strip star known as "The White Sheik". While Wanda impetuously sneaks away to locate the object of her affections, disconsolate Ivan tries his hardest to keep up appearances with the couple's relatives.
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Un maledetto imbroglio (1959)
Character: Generale Pomilia
A police inspector comes into contact with people of all types and dispositions during a grueling murder investigation.
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Gli onorevoli (1963)
Character: segretario di Santamura (uncredited)
Some political candidates are determined to win the electors' preference during an election campaign in Italy.
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Ragazze d'oggi (1955)
Character: L'antiquario
Peppino Bardellotti, a widower, lives in Milan with his four daughters and ex sister-in-law Matilde, who urges girls to settle down by marrying a wealthy man.
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Il ferroviere (1956)
Character: Il commissario
Train operator Andrea Marcocci has to witness the suicide of a desperate man who jumps in front of his train. Under the influence of this shock he starts making mistakes. A check up by a doctor reveals that he's at the brink of becoming an alcoholic. Due to this evaluation he is degraded and must accept a salary cut.
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Madri pericolose (1960)
Character: N/A
A great Party is given by the rich family of Improta. Every kind of intrigue gets around this party. The purpose of every plan is to find a husband or a wife with a quality: wealth.
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Divorzio all'italiana (1961)
Character: Priest
Ferdinando Cefalù is desperate to marry his cousin, Angela, but he is married to Rosalia and divorce is illegal in Italy. To get around the law, he tries to trick his wife into having an affair so he can catch her and murder her, as he knows he would be given a light sentence for killing an adulterous woman. He persuades a painter to lure his wife into an affair, but Rosalia proves to be more faithful than he expected.
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Le bellissime gambe di Sabrina (1958)
Character: N/A
Sabrina is a beautiful thief, one who happens to have seven moles on her thigh, forming the constellation Ursa Minor; this is the only clue German police have to solve a recent robbery. Teo is a photographer looking for a pair of beautiful legs to participate in a photo contest. When he secretly takes a photo of Sabrina's legs, including the telltale moles, Sabrina has to get it back at any cost, something which brings her into dangerous proximity with the smitten Teo. Romance and assorted hijinx ensue.
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8½ (1963)
Character: A Man in a Car (uncredited)
Guido Anselmi, a film director, finds himself creatively barren at the peak of his career. Urged by his doctors to rest, Anselmi heads for a luxurious resort, but a sorry group gathers—his producer, staff, actors, wife, mistress, and relatives—each one begging him to get on with the show. In retreat from their dependency, he fantasizes about past women and dreams of his childhood.
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Il giorno più corto (1963)
Character: Aiutante di campo (uncredited)
Two jerks are enlisted in the Italian army during W.W.1 and by pure luck manage to help win an important battle.
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