|
La bruja del fósforo paseante (2018)
Character: Emilia
A day before her son's wedding, Agustina tries to have the ceremony called off, only to discover that Emilia, the orphan girl betrothed to her son, still has someone ready to come to her defense.
|
|
|
Reflejos Fugaces (2023)
Character: Isabel
Fabián, a young man who just lost his parents, moves to the mansion where his aunt Lili and his cousin Isabel live. As days go by, Fabián will notice the strange habits of his relatives seem to suggest they are something more than human.
|
|
|
Anadina (2017)
Character: Dina
Just outside her apartment, Ana finds Dina, a naked, mysterious and confused young woman. Ana invites Dina in and calls a couple of persons so that they can meet her. Pamela and Raymundo, human traffickers, show up to negotiate the buying of Dina, who claims that she comes from the future and that she is actually on a mission to investigate how far human evil has grown in Mexico by the year 2015. The young woman provokes an unsolvable dispute between the traffickers, who end up dead.
|
|
|
Celeste Soledad (2022)
Character: Soledad
After the sudden death of their parents, two sisters, Celeste and Soledad, must find a way to put aside their differences in order to adapt to their new life.
|
|
|
Rondó por el placer (2021)
Character: Julia
A place that seems out of time for everyday life, a long line of women waiting. And inside a room, three of them sitting... a cello piece transports them to their own experience of pleasure, body and eroticism. An exploration from a female perspective of the audiovisual and its ability to produce pleasure beyond narrative schemes. Female pleasure, liberation, feminism, gender, appropriation of the body, sexual freedom, women, cello, music, old age.
|
|
|
Cosas imposibles (2021)
Character: Daniela
After the death of her abusive husband, Matilde finds her new best friend in Miguel, her young, insecure, and disoriented neighbor.
|
|
|
La cuarta puerta (2021)
Character: Tía Lulú / Novia
After a party, Valeria wakes up with signs of rape. Her main suspect is her friend, although evidence rules him out. The lack of proofs will mess Valeria's mind in the search for answers. Who was it?
|
|
|
Contar el amor (2020)
Character: N/A
A filmic reflection on the way in which cinema taught us to live romantic love during the 20th century, building an impossible ideal within our personal relationships. Cinema taught viewers how they had to see it, worse, it showed directors how they had to film it. Based on quotations from early cinema films, Contar el amor discusses the role of sex and violence as central themes in our increasingly broad but, at the same time, less pluralistic audiovisual universe.
|
|
|
El baile de los 41 (2020)
Character: Lorenza
Mexico City, November 1901. The police raid a private home where a secret party is being held. Among those attending is the son-in-law of President Porfirio Díaz.
|
|
|
Reflejos Cotidianos (2025)
Character: N/A
Eva moves into a new apartment, where she finds an old wardrobe that serves as a supernatural portal, allowing her to discover different versions of herself.
|
|
|
Maquíllame otra vez (2023)
Character: Teresa
Ana and Rita are flat broke. So when unpredictable Alex offers them a job, they kind of have to say yes -- to the gig and to a big ol' mess.
|
|
|
Escuela para seductores (2020)
Character: Inma
A small seductor pays homage to Mauricio Garces movies. Two years have gone by since Raul suffered a terrible love disappointment that transformed him into Sombra, a master of seduction. Raul shares his don juan secrets with Rodolfo, Luis and Waldo, three funny characters who don´t have any luck with women.
|
|
|
Guerra fría (2024)
Character: N/A
October 2nd, 1968. Ana witnesses the cold blood killing of Fernanda, her best friend, by an undercover soldier. After surviving the shooting she decides to avenge her friend. Everything unfolds between imaginary time leaps between 1968 and the current era.
|
|
|
Fractal (2020)
Character: N/A
On a gloomy Sunday in Mexico City, three friends in their twenties look for a female friend that disappears at an after-party. As they believe the worse could be happening, and while confronting characters and situations that represent a fraction of the problems of contemporary Mexico, their dreams, concerns and fears come to light.
|
|
|
El puente de los niños traviesos (2019)
Character: N/A
Jhony passes the summer with his older brother, who wastes his time along his friends, obsessed with alcohol, pornography and the different women he takes into his mother's bedroom. One day, a girl named Misha arrives at the neighborhood, fracturing their monotony. Nobody knows anything about her, except that they call her Misha because of her green eyes, like those of cats.
|
|
|
Serpientes y escaleras (2023)
Character: N/A
Upon the death of his grandfather and playmate, Bruno, an 8-year-old boy, embarks on a journey in a magical world, trying to finish the unfinished story he was building with his grandfather to become a king.
|
|
|
Aztech (2020)
Character: N/A
Fragments of a meteor crash in Mexico and United States. Thirteen stories in different spaces and times happen in places of collisions .
|
|
