Cada hijo, una cruz (1957)
Character: N/A
Sometimes parents make the mistake of loving one child more than the others. Don José places blind trust in his son Pepe, who turns out to be the one committing the most serious faults within the family, while Raymundo is the one who pays for them. Remake of Cuando los hijos se van (1941).
Cuando me vaya (1954)
Character: Mensajero (uncredited)
Fictionalized version of the life of songwriter Maria Grever.
La mujer X (1955)
Character: Amigo de Raymundo (uncredited)
A woman accused of murder refuses to defend herself in any way, in order to avoid tarnishing the family name and the reputation of her long-lost son.
La fuerza del deseo (1955)
Character: N/A
Wicked girl uses nude modeling as a way to seduce a wealthy painter into marriage, while still trying to keep an artschool stud piece on the side.
Novia a la medida (1949)
Character: Empleado de Prieto (uncredited)
Door-to-door salesman falls for a young woman, implements hare-brained schemes to separate her from her fiance.
Si usted no puede, yo sí (1951)
Character: Botones (uncredited)
Out-of-work actor and his burglar pal get jobs at an agency that pledges to do things the client doesn't want to deal with. Meanwhile, their boss is being stalked by seven Italian brothers who want revenge for something that happened to their great great grandfather.
Vino el remolino y nos alevantó (1950)
Character: Dario, joven
Three generations of a stable, middle-class family in the capitol are scattered to the four winds by blowback from the Mexican Revolution.
Extraña cita (1947)
Character: Empleado (uncredited)
After her father's death, María Eugenia is pressured by Don Remigio Pérez who her father owed debts to, to marry her. Instead, the kindly Roberto de los Ríos pays off her debts and she goes to live at his country house with his two twin nephews Carlos and Leonardo. However, she faces an attempt to murder.
Mi campeón (1952)
Character: Espectador del fútbol americano (uncredited)
Catita is a simple and poor woman who dreams of that her son stands out on something important to help her out of his humble. But she opposes to him being boxer, therefore constantly fighting with her husband.
Por ellas aunque mal paguen (1952)
Character: Antonio Recio
Don Anastacio, an aristocrat passing through a rough patch,He will make marry his daughter Isabel with wealthy rancher. Isabel and her family refuse to work, Jose Manuel takes them to the ranch, where they are forced to work for food.
El gran autor (1954)
Character: Hombre en teatro (sin créditos)
A story of passion and deceit, where love overcomes the misfortunes and finally triumphs.
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