|
Yo no elegí mi vida (1949)
Character: Hombre en auto
Noir hero tries to avoid being arrested while he tracks down papers that will prove his innocence.
|
|
|
|
|
Don Fulgencio (1950)
Character: N/A
The adventures of the man who had no childhood, smart for business, but a lover of innocent jokes.
|
|
|
|
Don Fulgencio (1950)
Character: (as José Comella)
The adventures of the man who had no childhood, smart for business, but a lover of innocent jokes.
|
|
|
La patrulla chiflada (1952)
Character: N/A
As stowaways, the "Big Five of Good Humor" arrive in Casablanca. There they will launch themselves in defense of four girls kidnapped by a man, about to be sold to the harem of an Arab sheikh.
|
|
|
|
|
|
|
Recuerdos de un ángel (1948)
Character: N/A
A law student falls in love with a rich woman who is solicited by a false extortionist count. Set during the beginning of the 20th century.
|
|
|
Nace la libertad (1949)
Character: N/A
In 1812, the Argentine people and the army of the north resist the royalist advances.
|
|
|
La barra de la esquina (1950)
Character: N/A
A singer who achieved world fame returns to his country and with his friends recalls episodes of his youth.
|
|
|
|
|
La mejor del colegio (1953)
Character: Gervasio Vallejo
Misunderstanding comedy in a girls' boarding school that requires its teachers to be married, causing some to just pretend they are.
|
|
|
Un novio para Laura (1955)
Character: N/A
A humble young woman receives a dowry from a rich uncle only if she marries, so she "rents" a boyfriend but she ends up falling in love with him.
|
|
|
El satélite chiflado (1956)
Character: N/A
While on tour through Latin America, los Grandes del Buen Humor are confused with volunteers for a space travel and get tangled with spies.
|
|
|
|
|
Ritmo nuevo, vieja ola (1965)
Character: Amigo de Gallardo
Movie divided in three episodes: a family mother becomes a successful singer; an Argentinian reporter follows a Spanish cupletista from the beginning of the XX century; the reunion of three old actors and their lies about their success.
|
|
|
La otra y yo (1949)
Character: N/A
An impulsive actress abandons a film shoot and is replaced by a dressmaker, and the former's husband hires her to impersonate her in front of his future in-laws.
|
|
|
Section des disparus (1956)
Character: N/A
The love affair of an ex-convict with a showgirl, unleashes the jealousy of his older, wealthy and unbalanced wife. A murder plot, staged phoney suicide and other twists and turns follow.
|
|
|
La pasión desnuda (1953)
Character: N/A
A woman who works doing chores in the convent where her paralyzed daughter, that believes that is dead, and falls in love of a doctor.
|
|
|
Romance sin palabras (1948)
Character: Luis
A famous pianist, invited by a girl, becomes interested in her sister, who pretends to be mute to hide a pronunciation defect.
|
|
|
Asalto en la ciudad (1961)
Character: Empleado bancario
A former German soldier leads a team through a bank robbery that doesn't turn out the way anybody expected.
|
|
|
María de los Ángeles (1948)
Character: N/A
Set in 1825, the romance between a Creole woman and a Spaniard, during the Argentine War of Independence.
|
|
|
Dios se lo pague (1948)
Character: N/A
Nancy, a gambler's wife, holds elegance to disguise their poverty. While she waits, dreaming of a wealthy man to appear and save her from that situation, she talks to an old beggar at the door of a casino. Soon after, a mysterious man offers her a life of luxury.
|
|
|
La quintrala (1955)
Character: Governator
In seventeenth century's Chile a woman kills her lover because she wants to conquer a priest.
|
|
