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Nosotros los muchachos (1940)
Character: N/A
Three displaced children hitchhike to Buenos Aires, where they get involved in street-crime and heavier stuff. Positive-role-model adults offer a balance to those negative influences.
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La gran tentación (1948)
Character: N/A
Two rival families, a son and a daughter unaware of that and a flood that arrives.
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La cuna vacía (1949)
Character: N/A
The film begins with some sequences related to the youth of Dr. Ricardo Gutiérrez, his arrival in Buenos Aires from his native Arrecifes, his law studies and a double frustration, as a writer and in his crush on a young woman who loved another man.
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Se rematan ilusiones (1944)
Character: N/A
A young man tries to follow a path different from that of his retired public employee father and associates with a friend to make bags.
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El espejo (1943)
Character: Tía Celina
Faced with her own reflection, a woman traces the events that led her to renounce love, and the sacrifices she has made for her mother and sister.
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El solterón (1940)
Character: Evangelina
A single man and womanizer who enjoys the nightlife learns that he has a son who is already an adult. In order to gain his affection he decides to change his life. Things get complicated when he needs to return to his past life, this time to save his family from ruin.
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Los martes, orquídeas (1941)
Character: N/A
The story is based on Elenita, the younger of four sisters, young, timid and romantic. To try to change her character and give her an illusion, his father sends her weekly a bouquet of orchids making her believe they are from a secret admirer.
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Un señor mucamo (1940)
Character: N/A
Well-to-do idler loses his fortune, ends up going to night-school and working as butler for a wealthy family. Still posing as a rich toff, he courts a young lady who turns out to be the daughter of his employer.
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La campana nueva (1950)
Character: N/A
The struggle of two rural teachers to rebuild a school destroyed by a tornado.
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Barrio gris (1954)
Character: Madre de Federico
Told in flashback, Federico lives in a poor neighbourhood with his siblings and his single mother, working helping in a local bar, he meets Claudio, who begins to lead him on an easy life making him abandon all his connections in consequence.
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El viaje (1942)
Character: Doña Mercedes de Castro
An architect goes on vacation and begins an affair with a young woman in a small town in Córdoba.
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Fin de mes (1953)
Character: N/A
The crushing conformity of a penniless bank teller takes an unexpected turn when he deviates from his honest routine.
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Adolescencia (1942)
Character: Doña de Fortunato
A young man has to fight over his girlfriend with a newly arrived competitor, an older man who arrived from America.
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Una vez en la vida (1941)
Character: Doña Josefina
A woman helps a man escape from the police and ends up falling in love with him.
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