Hebe Pastor de Bonafini

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Hebe Pastor de Bonafini

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Credits

De l’Argentine De l’Argentine (1985) Character: N/A
Documentary on State terrorism during the last military dictatorship in Argentina, made in its aftermath. Invited by the Goethe-Institut to hold a workshop with young film students, Schroeter contrasts the official statements of the regime with the testimony of victims, dissidents and relatives of the disappeared. And trust that their faces and words will resonate much more than a mere representation of violence.
Todo es ausencia Todo es ausencia (1984) Character: N/A
Five Argentinian women, with missing relatives from the military dictatorship that ruled the country, explain their emotions and feelings about all that happened.
Che: muerte de la utopia? Che: muerte de la utopia? (1999) Character: N/A
What does Che Guevara"s mythic presence represent to people at the turn of the century, and how do people define their concept of utopia?
Malvinas: La retirada Malvinas: La retirada (2007) Character: Ella misma
In the midst of a profound economic, political, and social crisis, in April 1982, the armed forces led by the then de facto president, the alcoholic General Leopoldo Galtieri, launched the reconquest of the Falkland Islands. This marked the beginning of a military adventure in the South Atlantic against a world power that laid bare the errors and horrors of the Argentine military regime. This documentary depicts the final act of a bloody dictatorship.
El país de nomeacuerdo El país de nomeacuerdo (2005) Character: N/A
This is the story of an optimistic and amnesiac people who, at the slightest glimmer of light, are prone to forget the pain caused by repeating their mistakes at the polls or by knocking on the doors of the barracks, and rush into hopeful celebration: a dubious World Cup, a war with England, the coming of democracy, etc. And so, between pain and celebration, they await that promised future of abundance.
Semillas de utopía Semillas de utopía (2006) Character: N/A
This documentary focuses on a story that is at the same time all stories: that of Eva, daughter of Juan Carlos Arroyo, one of the 30,000 disappeared detainees of the last dictatorship. Eva is one of the strongest activists in the H.I.J.O.S. organization, and through her and her sister's and mother's stories, the film addresses human rights, clandestinity, uprooting, and exile. The film recovers the dreams of a generation, which resurface in the activism of their sons and daughters, central participants in the demands for memory, truth, and justice—demands that articulate with new social struggles.



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