Marcel Achard

Personal Info

Known For

Writing

Known Credits

0.612

Gender

Male

Birthday

05-Jul-1899

Age

(127 years old)

Place of Birth

Sainte-Foy-lès-Lyon, Rhône, Rhône-Alpes, France

Also Known As
  • NO INFO PROVIDED

Marcel Achard

Biography

Marcel Achard (5 July 1899 – 4 September 1974) was a French playwright and screenwriter whose popular sentimental comedies maintained his position as a highly recognizable name in his country's theatrical and literary circles for five decades. He was elected to the Académie française in 1959. Description above from the Wikipedia article Marcel Achard, licensed under CC-BY-SA, full list of contributors on Wikipedia.


Credits

L’Amour, Madame... L’Amour, Madame... (1952) Character: Self (uncredited)
Madame Célerier is determined to marry off her son François to a rich and haughty woman but François has other plans.
Les Trésors de Marcel Pagnol Les Trésors de Marcel Pagnol (2019) Character: Self (archive footage)
The works of Marcel Pagnol are a veritable monument of French cultural heritage. Based on previously unseen archive material, film extracts, novels, plays, interviews and letters, the film pays tribute to the major author and popular filmmaker, who made his life a work and his work a life's project.
Cherchez l'idole Cherchez l'idole (1964) Character: Self, guest at Sylvie Vartan's show (uncredited)
After stealing a diamond from Mylène Demongeot, Richard hides it inside a guitar. But on returning to the music shop he discovers that the precious instrument has just been sold! The problem is complicated by the fact that five stars all bought the same model that morning...
Les Durs à cuire (Comment supprimer son prochain sans perdre l'appétit) Les Durs à cuire (Comment supprimer son prochain sans perdre l'appétit) (1964) Character: Self (uncredited)
A playwright has to murder if he does not want to be murdered.
Entr'acte Entr'acte (1924) Character: A man following the hearse (uncredited)
Stop-motion photography blends with extreme slow-motion in Clair's first and most 'dada' film, composed of a series of zany, interconnected scenes. We witness a rooftop chess match between Marcel Duchamp and Man Ray, a hearse pulled by a camel (and chased by its pallbearers) and a dizzying roller coaster finale. A film of contradictions and agreements.
The Miracle of St. Anne The Miracle of St. Anne (1950) Character: Un estropié
Series of rushes about cripples appearing in a Bible epic who are cured by a starlet playing Saint Anne.
Traité de bave et d'éternité Traité de bave et d'éternité (1952) Character: Self
In this experimental film, Isidore Isou, the leader of the lettrist movement, lashes out at conventional cinema and offers a revolutionary form of movie-making: through scratching and bleaching the film, through desynchronizing the soundtrack and the visual track, through deconstructing the story, he aims to renew the seventh art the same way he tried to revolutionize the literary world.



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