|
Creo en ti (1960)
Character: N/A
A rich young woman marries a man who will disappoint her emotionally and financially.
|
|
|
|
|
Cumbres de hidalguía (1947)
Character: N/A
An engineer leads an expedition that makes a very dangerous exploration towards the top of the mountains and is blamed when a young member who had displaced him in the conquest of a girl falls into a precipice.
|
|
|
|
|
|
|
Cristóbal Colón en la Facultad de Medicina (1961)
Character: Dr. Lustari, decano
A humble bartender has a fantastic and prodigious memory that astonishes everyone who meets him. Driven by this gift, he decides to participate in a television game show. Given the fame he has gained, he decides to go to medical school to help his student friends.
|
|
|
Nace la libertad (1949)
Character: N/A
In 1812, the Argentine people and the army of the north resist the royalist advances.
|
|
|
La barra de la esquina (1950)
Character: N/A
A singer who achieved world fame returns to his country and with his friends recalls episodes of his youth.
|
|
|
Mala Gente (1952)
Character: N/A
Three episodes about a jewel thief of elegant ladies who forgives the pretty ladies, a man to whom they sell a tram and the revenge of a farmer deceived and abandoned by his wife.
|
|
|
|
|
La mejor del colegio (1953)
Character: N/A
Misunderstanding comedy in a girls' boarding school that requires its teachers to be married, causing some to just pretend they are.
|
|
|
¡Al diablo con este cura! (1967)
Character: N/A
Quirky but lovable priest is transferred to a new parish, and discovers that his flock all need stern talkings-to.
|
|
|
La edad del amor (1954)
Character: N/A
Many years ago, a young aristocrat wanted to marry a famous singer, but his father destroyed the marriage before twediing, believing that singer is not suitable wife for future diplomat. After several years their adult children now met in the theater of Buenos Aires.
|
|
|
|
|
Pasaporte a Río (1948)
Character: Médico
A thief commits a robbery and is seen by a showgirl who becomes a witness to the crime. The man finds her and forces her to help him take what he stole to Rio de Janeiro. With no other way out, she is sent on a boat to Brazil by the thief. On board, the showgirl meets a doctor with whom she begins a romance while the criminal falls in love with her.
|
|
|
Canuto Cañete, conscripto del 7 (1963)
Character: Médico
Canuto tries his best not to do military service, but he doesn't get it. During his time in the Army he gets into any trouble that comes up, including his involvement with a gang of thieves who have hidden loot near the regiment.
|
|
|
Pobres habrá siempre (1958)
Character: Stanley
"Pobres habrá siempre" is a rarity within Argentine cinema for many reasons. Its theme is the rebellion of a group of meatpacking workers around 1935 and the several reasons that justified it, but the film was shot at a time when workers and union struggles were very strange issues for local production.
|
|
|
|
|
|
|
|
|
|
|
|
|
Chafalonias (1960)
Character: N/A
After his wife's death, widower begins to learn details about a double life she led.
|
|
|
|
|
|
|
La caída (1959)
Character: N/A
A university student comes to stay with a bedridden woman and her four children. Helping out around the house, she soon grows fond of the mother and children. An attorney falls for the student, but the couple experiences problems when she declines to leave what he refers to as "that lunatic asylum."
|
|
|
María Celeste (1945)
Character: Teniente naval
After a storm, the captain of a ship lets it float aimlessly until he reaches an island paradise.
|
|
|
Patapúfete (1967)
Character: Espía
Pepe receives a notebook from his great-uncle containing the formula for making an atomic bomb. When some specialists dedicated to science discover it, they begin to send people to steal it.
|
|
|
Sangre y acero (1956)
Character: Hombre en cabaret
In a train repair shop, a passion involves a woman and, years later, her daughter.
|
|
|
La casa de los millones (1942)
Character: Raúl
A capricious "new rich" makes her employees suffer with her moods, until she hires a poor servant that can make her open up.
|
|
|
La casa del ángel (1957)
Character: N/A
A young teen has been raised by a despotic mother overcome with religious zeal and a father who rules over the household with a heavy, iron hand. Forcibly kept innocent of the sexual nuances of some adult relationships, she is not too clear on her rights, his intentions, or the consequences when her father's best friend starts to lust after her.
|
|
|
Los evadidos (1964)
Character: N/A
Inmates in a prison plan a massive break. When they put their plan into action, however, they find that they may have underestimated the guards and prison officials, and the situation quickly turns into a bloody gun battle. This action feature from director Enrique Carreras was the official entry for Argentina at the 1964 Berlin Film Festival.
|
|
|
Dios se lo pague (1948)
Character: N/A
Nancy, a gambler's wife, holds elegance to disguise their poverty. While she waits, dreaming of a wealthy man to appear and save her from that situation, she talks to an old beggar at the door of a casino. Soon after, a mysterious man offers her a life of luxury.
|
|
