Margo Harkin

Personal Info

Known For

Directing

Known Credits

0.4592

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Also Known As
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Margo Harkin

Biography

'Margo Harkin is one of Ireland’s most versatile and respected filmmakers – having directed and produced fiction and documentary films for over forty years. Her work includes an invaluable chronicle of Northern Ireland’s recent political history. After graduating in Fine Art from the Ulster College of Art and Design in 1974, Harkin worked as an art teacher and community worker in socially deprived areas of Derry. She joined Field Day Theatre Company in 1980 as an Assistant Stage Manager on Brian Friel’s Translations, before going on to work as a stage designer for the company. In 1984, Harkin co-founded Derry Film & Video Workshop with Anne Crilly and Trisha Ziff delivering critical perspectives that ran counter to the censored narratives then broadcast by British and Irish television. The signal works of this period were Mother Ireland (1988), Anne Crilly’s controversial documentary about feminism and Irish republicanism, and Harkin’s own Hush-A-Bye Baby (1990), a feature drama about teenage pregnancy following the 1983 abortion referendum in Ireland. Harkin established Besom Productions in 1992 making educational films for Channel 4 but her reputation as an astute, local documentarian of injustices was soon forged through a series of highly regarded television documentaries. Her cinema films, the surf documentary Waveriders (2003), by Joel Conroy (which she produced), and Stolen (2023), about the plight of unmarried mothers in Ireland in the 20th century, provided thoroughly researched, compelling accounts of their subjects. Margo Harkin is a member of Aosdána. Her work has won countless awards and is widely taught to third-level film and media students. Spanning over four decades, Harkin’s work has consistently challenged societal narratives, giving voice to the silenced and bearing witness to the social and political upheavals that have shaped the contemporary Irish landscape. The retrospective will span across the IFI’s cinema screens, as well as online via IFI@Home, IFI International and the IFI Archive Player.' From https://ifi.ie/margo-harkin/


Credits

Muide Éire Muide Éire (2011) Character: Herself
Muide Eire / We are Ireland documents the history of Ireland on screen. From the horse drawn carriages of Dublin's yesteryear, to the latest summer blockbuster, this film takes an intimate look at film making in Ireland - as a visual expression of Irish culture, celebrating contemporary filmmakers in both the Irish and English languages. From the glamour of the red carpet to behind the scenes 5am starts, We are Ireland invites the viewer into this world where art and industry exist in delicate balance. The heart of this documentary is our investigation into representations of Ireland and the Irish - how the Irish have been viewed abroad, and how we represent ourselves on screen.
Nothing Compares Nothing Compares (2022) Character: Self
Since the beginning of her career, Sinéad O’Connor has used her powerful voice to challenge the narratives she was surrounded by while growing up in predominantly Roman Catholic Ireland. Despite her agency, depth and perspective, O’Connor’s unflinching refusal to conform means that she has often been patronized and unfairly dismissed as an attention-seeking pop star.



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