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El conde de Montecristo (1953)
Character: N/A
Edmundo Dantes is betrayed by his best friend, who has him killed to keep his property and his love. But after a few years, a certain Count appears to mortify the life of the traitorous friend.
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Mujeres casadas (1954)
Character: Beba
A woman who's just about to commit adultery gets compromised due to an unpredicted mistake during her adventure.
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La indeseable (1951)
Character: Clarita
A woman married to the man who saved her from a hostile environment falls in love with a young medic.
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Plaza Huincul (Pozo uno) (1960)
Character: N/A
The difficult, dangerous, and selfless work of an expedition that set out for the harsh and deserted Plaza Wincul Valley in search of oil.
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Hay que bañar al nene (1958)
Character: Patricia
A married couple with three daughters abandons the idea of divorce when a supposed son of the husband appears.
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Todo el año es Navidad (1960)
Character: Marta
A celestial envoy comes to Earth to help solve some small conflicts between humans, related to their attitude and relationships.
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Orden de matar (1965)
Character: Rosa
Upon learning of the murder of a friend, a police inspector sets out to take justice on his own. This attitude, contrary to his usual convictions, will gradually destroy him.
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En carne viva (1955)
Character: N/A
The extramarital love of a doctor and a woman who ends up killing her husband.
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El cura Lorenzo (1954)
Character: N/A
A heart-warming and entertaining chronicle of Salesian priest Lorenzo Massa. His work in the Almagro neighborhood of Buenos Aires in the early 1900s led to the founding of San Lorenzo de Almagro, one of the best soccer clubs in Argentina. (Pope Francis, who grew up in this neighborhood in the 1940s, is a fan). Father Massa (Ángel Magaña), an athletic young priest, is sent to serve a working class community, where he initially faces indifference and hostility. Following the conventions of the Hollywood biopic, the film describes the characters and their plights with affection, and a dash of drama, as they are changed by the example of the priest.
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La melodía perdida (1952)
Character: N/A
A conflict arises when a girl whose father has died does not accept that her mother remarry.
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El último perro (1956)
Character: María Fabiana
During the second half of the 19th century, a young survivor is saved in the Argentine pampas by a man she ends up marrying.
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Nacha Regules (1950)
Character: N/A
Set during the centenary celebrations, it narrates the frustrated loves between a man from high society and a woman with a hectic romantic life.
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Del otro lado del puente (1953)
Character: Luisa Molinari
A young man will try to escape at any cost from the humble conditions in which he lives in his neighborhood.
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El ojo de la cerradura (1966)
Character: Lola
When a young fanatical nationalist suspects that his fellow pensioners - immigrants and zarzuela players - plan an attack on the president, he reports them to the police. In his adventure, he leaves behind a girlfriend and a lover, and ends up sharing his life with a disoriented girl.
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