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Hay que romper la rutina (1974)
Character: N/A
Friends Alberto and Jorge, who work together and live in the same building, are married to two sisters (Ethel and Gogó). Noticing that their sex life becomes boring, they cheat on them with co-workers. This is discovered and they are fired. Then, they get employed in a beauty institute, where they have many women at their disposal. Their wives learn of this mischief, and go to look for them at the institute, generating hilarious situations.
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Hermanitos del fin del mundo (2011)
Character: Directora hogar
It is the story of "Pato" (Topa) and Pirucha (Muni), who together with a famous music group called La Pandilla de Sol, join forces to save the children of the "Home at the End of the World" from eviction. The film will advance through adventures, songs and stories until reaching an emotional, surprising and spectacular ending.
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Los fierecillos se divierten (1983)
Character: N/A
Two friends, both dating the daughters of the owners of a local club, meet two women who catch their eye and, as fate would have it, turn out to be friends of their girlfriends. To make matters worse, an election is about to be held at the club, further complicating matters with their future in-laws.
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¡Al diablo con este cura! (1967)
Character: Madre Laura
Quirky but lovable priest is transferred to a new parish, and discovers that his flock all need stern talkings-to.
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El gordo de América (1976)
Character: Susana
To celebrate his promotion, a manager (Javier Portales) decides to summon his brother from the field, but as he did not stop making disasters he sends him back. His brother (Jorge Porcel) is not convinced and dazzled by an advertisement decides to set up an investigation office.
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Juventud sin barreras (1979)
Character: N/A
A portrait of frivolous youth. Unfortunate events force a group of club-hopping young men and women to face reality and reevaluate their lifestyle.
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Nadie inquietó más (2008)
Character: Self - Actress (archive footage)
A peculiar, meticulous, vocationally archeological account of the professional life of the actor, Spanish by birth, Argentinean by adoption, Narciso Ibañez Menta (1912-2004), spiritual disciple of Lon Chaney, the new man of a thousand faces, master of horror, star of Argentinean theater, cinema and television for decades.
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La industria del matrimonio (1965)
Character: N/A
There are 3 stories about the intermediaries of marriage (the ads of magazines, seers and agencies): Sentimental mail, about an energetic woman who wants to marry a dominable man; Elixir of love, on the subject of the title; and Romantic about a melodic singer.
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Asalto en la ciudad (1961)
Character: Mujer de Antonio
A former German soldier leads a team through a bank robbery that doesn't turn out the way anybody expected.
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