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La orquídea (1951)
Character: N/A
A woman of great beauty is used by a man who only desires her body and falls on the path of self-destruction.
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La indeseable (1951)
Character: Secretario del jurado
A woman married to the man who saved her from a hostile environment falls in love with a young medic.
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Bacará (1955)
Character: Genovés
When a concert pianist is crippled in a car accident, his wife turns to gambling and gets in over her head.
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Corrientes, calle de ensueños (1949)
Character: N/A
Story about a humble musician who triumphs overcoming his failures and a young woman arrives in Buenos Aires from the interior of the country in search of triumph but finds death.
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Vacaciones (1947)
Character: N/A
A woman's dilemma between love for her mother and passion for a man.
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El Ladrón de Sueños (1949)
Character: Comisario
A criminal arrives at a town and involuntarily frees its inhabitants from the oppression of which they were victims.
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Carmiña: Su historia de amor (1975)
Character: Jardinero
Set in the 1930s, the eldest son of a wealthy family falls in love with a young woman who emigrated from Spain and works at home as a maid.
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El bote, el río y la gente (1960)
Character: N/A
An old boat is a silent witness of how the lives of the characters on board are fleetingly intertwined on a predetermined day.
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Obras maestras del terror (1960)
Character: N/A
Three extraordinary tales written by Edgar Allan Poe, the Master of the Grotesque: a man who is dead but is not; a cask of wine and a meditated revenge; and a heart that refuses to stop beating.
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Marihuana (1950)
Character: Hombre en el Congreso
Pablo Urioste is a respected surgeon, but he is forced to experience a nightmarish world after his wife, a marijuana addict, dies at a nightclub. He tells his story to the police, and tells stories of how he is hooked, beaten, blackmailed, and includes some bad-trip flashbacks. Ms. Quiroga tries to help him, but there is little hope for Dr. Urioste after undergoing THE MARIHUANA STORY.
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Los torturados (1956)
Character: Dr. Zabala Ortiz
A parapolice force within Peronism is dedicated to reducing and extorting all kinds of opponents, among whom a few rise up to denounce what is happening. Although the film has propaganda purposes that deliberately ignore part of reality, it is based on documented cases, such as those of the student Ernesto Mario Bravo or the trade union leader Cipriano Reyes.
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Edición extra (1949)
Character: N/A
Tabloid journalists muddy the waters during the investigation of the murder of an Argentine senator.
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Las locas del conventillo (1966)
Character: N/A
The neighborhood of La Boca, in Buenos Aires, is divided in two sectors: one is where decent people live under the tutelage of Magdalena, in the other, Manuel,ir responsible of a nightclub. Among decent people live Manolo, the milkman, awaiting the arrival of a Spanish woman to marry her. At the same time, the villain of Manuel also hopes for a Spanish nightclub. Women Arrivals weapon confusion.
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Mujeres que bailan (1949)
Character: N/A
A woman dreams of being a great classical dancer and that the public cheers her on, which gives rise to the most absurd situations.
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Pasaporte a Río (1948)
Character: Conserje 2
A thief commits a robbery and is seen by a showgirl who becomes a witness to the crime. The man finds her and forces her to help him take what he stole to Rio de Janeiro. With no other way out, she is sent on a boat to Brazil by the thief. On board, the showgirl meets a doctor with whom she begins a romance while the criminal falls in love with her.
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La melodía perdida (1952)
Character: N/A
A conflict arises when a girl whose father has died does not accept that her mother remarry.
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Cleopatra era Cándida (1964)
Character: N/A
Cándida marries a widowed millionaire. She is in full exercise of being the housewife, when her husband's daughter arrives, with the company of Amelita Vargas with 2 purposes: to find out what her father is hiding and that she marry him..
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Juan Globo (1949)
Character: N/A
A humble boy can not be a sailor as he wishes, for lack of documents, and works as a driver for an old woman.
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La parda Flora (1952)
Character: N/A
Early twentieth century in Greater Buenos Aires, where the passion of a woman of dubious past for the son of a rich man who has influence in the police develops.
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Nacha Regules (1950)
Character: N/A
Set during the centenary celebrations, it narrates the frustrated loves between a man from high society and a woman with a hectic romantic life.
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La muerte está mintiendo (1950)
Character: Gregorio
The protagonist commits a crime and abandons his brother, on whom the shadow of suspicion falls, to avoid punishment. In his escape he meets for the first time the emotion of a true love, but fatality takes it upon himself, pushing him back onto the criminal path.
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La simuladora (1955)
Character: N/A
To avoid imprisonment, a woman pretends to be crazy after killing the man who blackmailed her sister.
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La bestia humana (1957)
Character: Inspector de tren
From Emile Zola's novel "La Bete Humaine", tells the story of a jealous husband, a provocative woman and a man with an uncontrollable desire to kill.
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El Profesor Patagónico (1970)
Character: N/A
After filming the hippie professor Luis Sandrini filmed this sequel to the above, following the sanctions imposed on it by Professor Horacio Montesano, sending him to Patagonia to a secondary school. Among the supporting cast is the famous singer Piero (he even play many of their good songs).
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Ayer fue Primavera (1955)
Character: N/A
A man suspects that his late wife had an extramarital relationship, so he decides to face the alleged lover.
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Bajo el signo de la patria (1971)
Character: N/A
Aspects of the life of General Manuel Belgrano since he took command of the Army of the North until, together with his men, he defeated the enemy in the battle of Salta in February 1813.
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El gordo catástrofe (1977)
Character: N/A
Catrasca (Jorge Porcel) is a man who works in a restaurant and in his spare time helps in a children's home. His problem is that he carries a family tradition that makes him cause catastrophes in his path, one of which takes his boss (Adolfo García Grau) to the hospital.
Upon leaving the hospital, Catrasca is run over by Graciela (Graciela Alfano), the daughter of Professor Galíndez (Osvaldo Terranova). This is how he meets this professor, who has a formula that says he will be the salvation of humanity, so he is the object of persecutions by villains such as Dr. Linda Winters (Moria Casán).
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Don Carmelo il Capo (1976)
Character: N/A
When they are killed by the leaders of the two gangs fighting for control of the underground game, the conductor who is the heir of one of them turns his musicians into gangsters.
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La bestia debe morir (1952)
Character: Inspector Blount
A crime writer searching for the truth about a personal tragedy becomes involved in a murder investigation.
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Suegra último modelo (1953)
Character: N/A
A woman tries to annul her daughter's marriage by making her boyfriend believe that he is the real father of her daughter.
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Enigma de mujer (1956)
Character: Padre de Felipe
A series of anecdotes exposed from the point of view of a Samaritan woman who tries to fix the problems of the neighbors.
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Fin de mes (1953)
Character: N/A
The crushing conformity of a penniless bank teller takes an unexpected turn when he deviates from his honest routine.
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La dama del mar (1954)
Character: N/A
An obsessed woman desperately fights to overcome the past that binds her.
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