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Así es la vida (1977)
Character: Médico
Tells the story, in the key of comedy of customs, of a typical bourgeois home in Buenos Aires for three decades.
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Rebeldía (1975)
Character: N/A
A medical student convicted of debauchery is reintegrated into society. The film was produced in 1969 but released marginally in 1975 on the same day as 3 other more transcendent Argentine films, so it was forgotten almost instantly.
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La valija (1971)
Character: N/A
The story of a middle-class married couple who really loves each other, but who are unable to transmit their feelings, while the routine corrodes their relationship.
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El mundo es de los jóvenes (1970)
Character: N/A
A boy leaves home to take singing lessons with a teacher whom he befriends and a beautiful and ambitious young woman appears
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Orden de matar (1965)
Character: Ciego en subterráneo
Upon learning of the murder of a friend, a police inspector sets out to take justice on his own. This attitude, contrary to his usual convictions, will gradually destroy him.
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El Profesor Hippie (1969)
Character: N/A
Luis Sandrini plays a college professor who, because of his freethinking attitudes and concerns for moral questions over matters of business, has more in common with his students than his colleagues.
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El rufián (1961)
Character: N/A
An amnesiac carnival psychic is haunted by the thought that a man is coming to kill her.
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Pobres habrá siempre (1958)
Character: Glaco Chuno
"Pobres habrá siempre" is a rarity within Argentine cinema for many reasons. Its theme is the rebellion of a group of meatpacking workers around 1935 and the several reasons that justified it, but the film was shot at a time when workers and union struggles were very strange issues for local production.
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Donde duermen dos... duermen tres (1979)
Character: N/A
A young couple has established an unusual family role: she works and he does the housework. Until one day, the couple's best friend intrudes on the tranquility of the home.
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La Mary (1974)
Character: N/A
A sexually-repressed girl of the Buenos Aires slums slowly goes mad after marrying.
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El Jefe (1958)
Character: Lic. Martínez Ronda
The head of a criminal gang has all the power among his men until one decides to testify against him.
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La vida continúa (1969)
Character: N/A
A boy comes from inside the country to succeed as a pianist, protected by a lady of high society. The woman, somewhat older than him, young man falls in love madly in unrequited love.
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El infierno tan temido (1980)
Character: N/A
A journalist begins to receive envelopes containing erotic pictures, which he connects to a relationship he once had with an actress.
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Los evadidos (1964)
Character: Don Vicente
Inmates in a prison plan a massive break. When they put their plan into action, however, they find that they may have underestimated the guards and prison officials, and the situation quickly turns into a bloody gun battle. This action feature from director Enrique Carreras was the official entry for Argentina at the 1964 Berlin Film Festival.
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