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...Y mañana serán hombres (1979)
Character: N/A
Three best friends land in a reformatory together. After some muckraking abuses, a sensitive director helps them rehabilitate themselves.
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Los insomnes (1986)
Character: N/A
Small stories linked by a group of children who at night in Buenos Aires wander through the city and mingle with their families in an abandoned building
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Deliciosamente Peligrosa (1989)
Character: N/A
A former film producer attracted by the beauty and sensuality of a beautiful young woman, enters into a stormy love relationship with her. Lilian, with supposed ambitions for stardom, convinces Daniel to recover important documents in the possession of her former partner. Upon discovering their betrayal (Lilian with her ex-partner), Daniel decides to take revenge and... the storm breaks out.
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Secretos compartidos (1998)
Character: Guillermo Casenave
Vicente Duarte commits his first crime. The victim is a young, attractive woman whom the criminal had never met. From his initial foray into the world of crime, Duarte feels a kind of inner serenity, which will drive him to continue committing more crimes.
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Acrobacias del Corazón (2000)
Character: Emilio
A film director is preparing her latest film. As filming progresses, the love story she shared with her ex-husband and the musician in the film resurfaces.
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El amor infiel (1974)
Character: Marcelo
Infidelities that begin when a couple relates to another for commercial reasons.
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¿Dónde queda el paraíso? (1993)
Character: N/A
Where is paradise? is a hilarious comedy that takes place during the late hours of a Friday afternoon in the offices of an Oil Company. A group of employees and their boss work on the final stages of a tender. Everyone dreams of the weekend. But a virus, called FELLATIO, appears in the programs. It's a sucking mouth that not only sucks up oil graphs and statistics... Thus begins a long and fun night in which each of them will find their particular Paradise.
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La Mary (1974)
Character: Tito
A sexually-repressed girl of the Buenos Aires slums slowly goes mad after marrying.
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Angélica (2020)
Character: Alfonso
Without a doubt, Angélica is having a crisis. Her mother died recently, she has to empty out her childhood home because it is going to be demolished, she doesn’t seem to have gotten over her split with her ex, and she is about to turn 40. Without any idea about how to deal with any of these things, she escapes to the past: she secretly hides in her childhood home and, while the walls fall around her, reality becomes hazy. Hidden in her house, that is both a shelter and a trap, bit by bit Angélica loses herself, fusing with her mother. Delfina Castagnino creates an elliptical and sinister tale, sowed with disturbing sounds and shadows, a film in which a framing, a musical note or a camera movement can transform peeling wallpaper into a threat, or the projection of a slide image into a ghost. And so what could be a family drama becomes a psychological thriller: Angélica turns mourning into a tale of horror.
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Tres alegres fugitivos (1988)
Character: N/A
Mingo, Carlitos and Tristán are three friends who run a humble moving company together. One day, while they are having dinner at Carlitos' house, a baby is left at his door with a letter in which they are asked to take the baby to the province of Córdoba so that he's not in danger. From there, a series of entanglements begin as they are taken as kidnappers and fugitives from the law.
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La obertura (1977)
Character: N/A
A man is kidnapped when he is mistaken for another and his wife tries to collect a large life insurance but he reappears alive.
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Caballos salvajes (1995)
Character: Enrique García Del Campo
Jose is an elderly rebel who, after being refused a withdrawal at a bank, returns with a gun and threatens to shoot himself if he doesn't get his cash. Pedro, a young teller, is disillusioned with his life and sees Jose's stunt as a way out when he pretends to be taken hostage, leaving the bank with the old man and a hefty amount of money. The unlikely duo become friends, picking up tough-girl Ana along the way, while avoiding the police.
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