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The 4%: Film's Gender Problem (2016)
Character: Self
Explores the hot-button issues around the striking gender gap in Hollywood. Both women and men in the entertainment industry share first-person insights, questions, and anecdotes about the place of women in Hollywood.
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The Thin Pink Line (1998)
Character: Band at Party
A film crew in search of a new documentary project determines to find a wrongfully imprisoned death-row inmate. Enter Chauncey Ledbetter, a quirky and potentially gay prisoner convicted of murdering his high school show choir teacher. As filming of the documentary progresses, evidence increases that Chauncey might be guilty after all.
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Brainwashed: Sex-Camera-Power (2022)
Character: Self
Investigates the politics of cinematic shot design, and how this meta-level of filmmaking intersects with the twin epidemics of sexual abuse/assault and employment discrimination against women, with over 80 movie clips from 1896 - 2020.
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Body Parts (2022)
Character: Self
An eye-opening investigation into the making of Hollywood sex scenes, shedding light on the real-life experiences behind classic scenes of cinema and tracing the legacy of exploitation of women in the entertainment industry.
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Half the Picture (2018)
Character: Self
At a pivotal moment for gender equality in Hollywood, successful women directors talk about their art, lives and careers.
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This Changes Everything (2019)
Character: Self
An investigative look and analysis of gender disparity in Hollywood, featuring accounts from well-known actors, executives and artists in the Industry.
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No Mercy (2026)
Character: Self
From the starting point of her admiration for the pioneering Ukrainian filmmaker Kira Muratova (1934-2018), the director poses a question: is cinema made by women really tougher, more violent? Seeking answers, she talks to great contemporary filmmakers like Catherine Breillat, Virginie Despentes, Alice Diop, Céline Sciamma, Ana Lily Amirpour, and Monika Treut, among others. It becomes obvious that the cinema screen is a space for the projection of real social problems and power relations.
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Sex on Screen (2023)
Character: Self
Explores the process of creating sex scenes in Hollywood, the toll on those involved in filming them, and the impact such images have on women and girls in the real world. The film features candid interviews with actors and creators, including Jane Fonda, Rosanna Arquette, Joey Soloway, Angela Robinson, Karyn Kusama, Rose McGowan, Alexandra Billings, Emily Meade and David Simon, and highlights the voices of women who have spoken out against abusive behaviour on set and were punished for it.
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We Are Pat (2025)
Character: Self
Pat, the evasive, androgynous character made famous on Saturday Night Live by Julia Sweeney, was an inescapable figure in 1990s pop culture. As a child, filmmaker Ro Haber became obsessed with Pat—a character whose popularity stemmed from making others uncomfortable by defying gender norms. Decades later, and now an out trans filmmaker, Haber still grapples with Pat’s legacy. Thirty-five years after It’s Pat first aired, Haber assembles a group of queer and trans comedians, writers, and even Sweeney herself to revisit the character. Through conversation and critique, they aim not to erase Pat but to reframe them, transforming a symbol of ridicule into one of reflection and empowerment.
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