|
Der Engel mit der Posaune (1948)
Character: Hermann Alt
A long time-span of Austrian history (from the late 19th century to the years after world war II) is reflected in the ups and downs of a family of piano-makers in Vienna.
|
|
|
Das gestohlene Jahr (1951)
Character: Peter Brück
A humble girl who works in an Austrian village post office discovers a dream world,including an aspiring violinist she is attracted to, on a trip to Vienna.Should the young lovers,to get money for a new existence, steal from her workplace?
|
|
|
Ein Lächeln im Sturm (1951)
Character: Francois Mercier
Katrina Mercier and her husband arrive in Canada's far north to run a trading post. Another trading post owner, Langrand, and police sergeant Spenlow, the only two civilized people in the area, fall in love with Katrina. They follow the husband and wife as they head further north for a chance that, until now, the husband has been reluctant to take. One day, Mercier catches his partner, an adventurer, trying to take advantage of Katrina; he kills him but is wounded. The couple and the two other whites attempt to return south, but Mercier dies of his wound along the way. Caught in a storm, the three survivors get lost; the dogs abandon them. Spenlow, realizing that Katrina loves Langrand, sacrifices himself to leave them his supplies; he is devoured by wolves. Langrand and Katrina are saved in extremis by a hunter.
|
|
|
Ruf aus dem Äther (1951)
Character: Student
A smugglers gang is active on the Austrian-Swiss border. Until now, no one has come to their attention. But one day a little girl gets seriously ill and needs medical attention; the young operator will forget that he has to be careful and calls for help through the secret channel.
|
|
|
Eroica (1949)
Character: Karl, Beethovens Neffe
Biopic about Ludwig van Beethoven.
|
|
|
Mozart (1955)
Character: Wolfgang Amadeus Mozart
This movie takes place during the premiere of Mozart's Die Zauberfloete (The Magic Flute). Not really depicting his entire life and loves, much of this is fictionalized scatology. Although not without basis in fact, Mozart has attained a somewhat colorful reputation and this is really just more of the same. The music is a joy, but the movie bogs down in titillation. Mozart's last days were lived in poverty and disgrace--stemming chiefly from his embracing of the Freemason stance, which was essentially a heresy in Austria and the rest of Europe at that time. None of this is depicted and even a satyr could not sustain the lifestyle Mozart has been portrayed as having here. Still, this is an interesting movie and worth a listen to.
|
|
|
The Odessa File (1974)
Character: Wehrmacht Officer (uncredited)
Following the suicide of an elderly Jewish man, investigative journalist Peter Miller sets out to hunt down an SS Captain and former concentration camp commander. In doing so he discovers that, despite allegations of war crimes, the former commander has become a man of importance in industry in post-war Germany, protected from prosecution by a powerful organisation of former SS members called Odessa.
|
|
|
The Wonder Kid (1951)
Character: Rudi
Bobby Henrey, the amazing juvenile star of The Fallen Idol, is here cast as 7-year-old musical genius Sebastian Giro. Mistreated by his avaricious adult manager, Sebastian runs away to a remote Alpine village. He then falls into the hands of a gang of kidnappers, led by the basically sympathetic Jack.
|
|
|
Hotel Sacher (1939)
Character: Liftboy
Vienna is celebrating New Year’s Eve 1913/14. It is the year, which will see the outbreak of the First World War. In Hotel Sacher, the mood is excellent; and although the political atmosphere is charged, there’s an undercurrent of hate and intolerance in the air. It is with this background that Nadja, a Russian spy, meets the Austrian civil servant Stefan. He loves her, but comes under suspicion of being an agent because of this love.
|
|
|
Venusberg (1963)
Character: Der Mann (Stimme)
Seven completely different women accept an invitation from Doctor Alphonse to his villa located on a mountain top.
|
|
|
The Angel with the Trumpet (1950)
Character: Herman Alt
Sad tale of a woman who marries the man her family wishes her to wed, not Wooland, the man she truly loves. Years after her lover's suicide, Herlie joins him before the Gestapo can get to her because of her Jewish ancestry.
|
|
|
Voyage of the Damned (1976)
Character: Professor Egon Kreisler
A luxury liner carries Jewish refugees from Hitler's Germany in a desperate fight for survival.
|
|
|
Lola Montès (1955)
Character: Student
Lola Montes, previously a great adventuress, is reduced to being the attraction of a circus after having been the lover of various important men.
|
|
|
The Spy Who Came In from the Cold (1965)
Character: Fiedler
British agent Alec Leamas refuses to come in from the Cold War during the 1960s, choosing to face another mission, which may prove to be his final one.
|
|
|
Der letzte Akt (1955)
Character: Hauptmann Wüst
Albin Skoda embodies a frantic Adolf Hitler in his last days, scrambling to keep the Third Reich alive as morale within the bunker wanes and Berlin is encircled by enemy troops. Based on Michael A. Musmanno's book Ten Days to Die, Oscar Werner costars as fictional Nazi Hauptmann Wüst, a disillusioned middleman.
|
|
|
Fahrenheit 451 (1966)
Character: Guy Montag
In the future, the government maintains control of public opinion by outlawing literature and maintaining a group of enforcers, known as “firemen,” to perform the necessary book burnings. Fireman Montag begins to question the morality of his vocation…
|
|
|
Jules et Jim (1962)
Character: Jules
In the carefree days before World War I, introverted Austrian author Jules strikes up a friendship with the exuberant Frenchman Jim and both men fall for the impulsive and beautiful Catherine.
|
|
|
Interlude (1968)
Character: Stefan Zelter
A young female journalist in London falls in love with a married orchestra conductor.
|
|
|
Ship of Fools (1965)
Character: Dr. Schumann
Passengers on a ship traveling from Mexico to Europe in the 1930s represent society at large in that era. The crew is German, including the ship's Dr. Schumann, who falls in love with one of the passengers, La Condesa. A young American woman, Jenny, is traveling with the man she loves, David. Jenny is fascinated and puzzled by just who some of the other passengers are.
|
|
|
The Shoes of the Fisherman (1968)
Character: Fr. David Telemond
All eyes focus on the Vatican, watching for the traditional puffs of white smoke that signal the election of the next Pope. This time much more is at stake. The new pontiff may be the only person who can bring peace to a world on the brink of nuclear nightmare.
|
|
|
Decision Before Dawn (1951)
Character: Cpl. Karl Maurer - aka Happy
WWII is entering its last phase: Germany is in ruins, but does not yield. The US army lacks crucial knowledge about the German units operating on the opposite side of the Rhine, and decides to send two German prisoners to gather information. The scheme is risky: the Gestapo retains a terribly efficient network to identify and capture spies and deserters. Moreover, it is not clear that "Tiger", who does not mind any dirty work as long as the price is right, and war-weary "Happy", who might be easily betrayed by his feelings, are dependable agents. After Tiger and another American agent are successfully infiltrated, Happy is parachuted in Bavaria. His duty: find out the whereabouts of a powerful German armored unit moving towards the western front.
|
|
|
Spionage (1955)
Character: Leutnant Zeno von Baumgarten
Oberst Alfred Redl heads the military intelligence department of the Austro-Hungarian monarchy. Frequent letters from the Russian Empire, however, make him suspect of sharing his knowledge with unauthorized authorities.
|
|