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Pole Poppenspäler (1954)
Character: Bürgerin
On his travels, Paul, a journeyman from northern Germany, runs into a childhood friend, Lisei, a puppeteer's daughter. They fall in love and get married. Together with Lisei's father, the young couple moves to Paul's hometown. Although Paul himself is accepted - even respected - by the stuck-up and snooty citizens, the young woman is rejected by the town dwellers, who are imbued with class arrogance. Paul stands up for his wife but the scorn and abuse heaped on her weigh heavily upon him.
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Schlösser und Katen (1957)
Character: aunt
Lifelong hard work for the count makes the servant Anton a cripple. Everybody calls him Crooked Anton. When, after the end of the war, the land of the count gets divided amongst the farmers, Anton receives a piece and hopes to be able to work freely. But an old debt and intrigue keep Anton and his family from finding peace. The farmers of the village begin to discover their own power when Annegret, Anton's daughter, leaves. Is a new beginning possible for Anton? This film paints an impressive panorama of the development of a minor village in Mecklenburg from the end of the war to the uprising of 17 June 1953.
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Corinna Schmidt (1951)
Character: Fräulein vom Bomst
Berlin in 1878: Corinna Schmidt, who was brought up in a petit-bourgeois, academic family, is romantically interested in Leopold Treibel, the son of the lordly councillor of commerce Jenny Treibel – although Corinna is also deeply in love with her cousin Marcel. Leopold is also falling for cute Corinna, and Jenny Treibel tries to prevent their friendship by all means, but changes her opinion when their secret engagement becomes public. To avoid a scandal, she urges them to marry quickly. But Corinna soon withdraws from this complicated situation and again turns to her cousin, who is banished from the country for his social democratic beliefs.
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Die Millionen der Yvette (1956)
Character: Dame
French milliner Yvette has a small fashion salon in Düsseldorf. The young gentlemen of society fall at her feet, but she is not accepted into their circles. That's why her former lover Maurice Daurignac manages to persuade her to pull off a big coup to get revenge on "high society". She pretends to be the heiress to ten million gold francs. A notary arrives from Paris accompanied by two supposed policemen and delivers the alleged money in a sealed parcel to the Bleichstetter bank in Düsseldorf, where it remains until the end of the inheritance process. The case drags on, and in the meantime the two are living large. When the bombshell bursts, Yvette has the young lawyer Dr. Hellmer to thank for the fact that she cannot be thrown to the angry citizens.
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Besondere Kennzeichen: keine (1956)
Character: Trümmerfrau
Post-war Germany: Like so many other women, Gerda Krause has lost her husband during the war and has to fend for herself and her two children. She finds work as a seamstress but refuses the offering of her department chief Zimmermann to upgrade her qualifications. One day she meets Uschi, an old friend of hers, whom she has helped with schoolwork before the war and subsequently lost track of. The reunion reminds Gerda of her childhood dream: to become a teacher. Thus, she decides to enroll at university to make her dream come true.
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Soll und Haben (1924)
Character: N/A
After the death of his parents, Anton pursues a career at the Schröter trading house in Breslau. He meets Sabine, the boss's sister, befriends Fritz, a rich merchant's son who is working as an intern, and associates with Baron von Rothsattel and his daughter Lenore, who are in financial difficulties and are further distressed by Anton's former schoolmate Veitel, who wants to get rich quick and joins forces with the unscrupulous lawyer Hippus. Fink decides to go to America, and Anton helps the Rothsattels, who retreat to an old estate in Poland and have to defend themselves against rebels there. Fink appears as a savior in distress and frees those who are trapped. Finally, Fink becomes engaged to Lenore, and Anton becomes a partner in the Schröter company and marries Sabine.
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Die Pflicht zu schweigen (1928)
Character: Frau von Storch
The Duty to Remain Silent (German: Die Pflicht zu schweigen) is a 1928 German silent drama film directed by Carl Wilhelm and starring Marcella Albani, Vivian Gibson, Angelo Ferrari. It was based on a novel by Friedrich Werner van Oestéren. The film's art direction was by Max Heilbronner.
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Die Moral der Gasse (1925)
Character: N/A
Explores the ethics of a Berlin street during the Weimar era and the struggle for survival in a shady environment.
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Ein Polterabend (1955)
Character: N/A
Berlin 1849: The democrat Adolf Glasbrenner, known as Brennglas, publishes the political satire magazine "Phosphor" on a shoestring budget. He plans to marry his lover, the actress Adele Peroni. But the plan comes to a standstill when Adele is to make a guest appearance at the reactionary Royal Prussian Playhouse. A democratic journalist marrying a court actress? Impossible! Together with his friend Pulecke, Brennglas tries to disrupt Adele's performance with a bachelor party...
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Der Himmel auf Erden (1927)
Character: Frau Kippel
Reinhold Schünzel plays the rigid representative Traugott Bellmann, who publicly condemns the low morals of the night life. Although Belmann's stance is supported by his wife, he is strongly opposed by his father-in-law, a champagne manufacturer. But when he inherits 500 000 Marks in cash and the infamous nightclub "Der Himmel auf Erden" ("Heaven on Earth") from his deceased brother, Bellmann really gets himself into trouble: In order to fulfil his brother's will - and to get hold of the money - , he has to be at the club every night at 9 pm.
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Kein Hüsung (1954)
Character: Dame
Mecklenburg, 19th century. For generations, the Brand family of farmers has worked a piece of land as tenants of the baron, who owns almost all of the village's land. The baron himself comes from a family of farmers who became rich through corruption and were ennobled. He is the absolute potentate, no one dares to contradict him, he takes what he wants and stops at nothing in his excesses. At the same time, he is the center of petty bourgeois, bigoted social life. Johann, the stable boy, wants to marry Mariken Brand and asks the baron for a piece of land so that he can build a life of his own. But the lord is harsh, not only refusing him the land, but also increasing the rent. Johann rebels, trying to rouse the farmers in the village from their lethargy—in vain. Only when Mariken dies does the mood change. A peasant uprising breaks out, and Johann kills the baron.
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Dolly macht Karriere (1930)
Character: N/A
Musical vehicle for up and coming Dolly Haas, as a would be actress with a would be composer boyfriend. She sings,at one point, that she has the walk of (Lilian) Harvey, the mouth of Garbo and the legs of Dietrich.
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Bärenburger Schnurre (1957)
Character: Pförtnerin
A story about a group of children in German town of Bahrenburg who are trying to build themselves a swimming pool.
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Die Prinzessin auf der Erbse (1953)
Character: Oberhofmeisterin Stockschnupfen
Once upon a time, there was a young prince who wanted to fulfill his greatest wish: to marry a princess! One night, there was a violent storm, and someone knocked on the castle gate. A princess stood before the king, who opened the door. She was soaked to the skin and did not look noble at all, but she insisted that she was a real princess. Not wanting to see her son unhappy again, the queen devised a plan. She prepared a bed for the young woman with mountains of mattresses and blankets, but placed a pea on the floor. In the morning, the princess wakes up feeling terribly bruised, having slept on something hard all night.
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Emilia Galotti (1958)
Character: 2. Hofdame
The Prince of Guastalla falls in love with the young citizen Emilia Galotti, who is soon to marry Count Appiani. In order to win Emilia, the prince tries to send the count on an "honorable" journey on his behalf with the help of his chamberlain Marinelli. However, after the Count refuses this offer, Marinelli decides to have the wedding carriage robbed on his own initiative in order to have Emilia abducted to the Prince's nearby pleasure palace. But he has not thought of the prince's mistress, Countess Orsina, and Emilia's shaken father Odoardo, both of whom soon arrive at the castle, one to meet the prince, the other to look after his daughter...
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Schatten der Manege (1931)
Character: N/A
Circus themed films usually provides a thrilling drama. The relatively obscure "Schatten der Manege" provides just what you'd expect. Doing the trapeze act angle, combining it with romance and jealousy for a darker plot, it has a lot of the right the ingredients. Does have moments where it spends too long of circus footage, which ruins some of the pacing, but otherwise a fine circus flick.
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Salonwagen E 417 (1939)
Character: Hofdame
In a transport museum, the items on display begin to tell their stories. Most interesting is the history of the Pullman car. In the beginning, it served as transport for a princely family; then became the headquarters car for the military high command; and then, most adventurous of all, it ended up with a circus. Converted to a bar, it finally had its day and was supposed to serve as a placard carrier. Luckily, the museum saved it from this sad fate.
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Nanon (1938)
Character: N/A
An operetta directed by Herbert Maisch.
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Das Kabinett des Dr. Larifari (1930)
Character: N/A
Three friends who are broke decide to found a film production company. When they start shooting their first film chaos arises...
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Fräulein Else (1929)
Character: N/A
While staying with her aunt at a fashionable spa, Else receives an unexpected telegram from her mother, begging her to save her father from debtor’s jail. The only way out, it seems, is to approach an elderly acquaintance in order to borrow money from him. Through this telegram, Else is forced into the reality of a world entirely at odds with her romantic imagination – with horrific consequences.
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Das tapfere Schneiderlein (1956)
Character: Schneidermeisterin
When Prince Vain got his shirt fixed, he proclaims that he had slain two lizards in front of the tailor's house - "two in one strike". When the tailor swats seven flies at once, he sows himself a banner saying "seven in one strike", and together with his bird he starts a journey into the world to pronounce his deed.
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Im Kampf mit der Unterwelt (1930)
Character: Wirtschafterin bei Puzzle
A banker who had fallen out with his family stipulated in his will that his fortune should only pass to the person in possession of the five keys he distributed to his relatives during his lifetime 80 years after his death. Only with all five keys can the cassette in the vault of a bank be opened, granting access to the deceased's assets. 75 years after the banker's death, the fugitive crook Murphy comes into possession of one of the keys, together with a list of the names of the owners of the four remaining keys. Over the next five years, he manages to obtain two more keys by criminal means. Now he just has to get the fourth key from Carlo and the fifth key from the young, rich widow Maria. Any means will do. But the unscrupulous villain has not reckoned with Carlo's shrewdness, who initially falls under suspicion himself, but then takes up the pursuit of the criminal.
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Das Mädchen Christine (1949)
Character: Äbtissin
During the Thirty Years' War, Christine, an orphan, falls in love with the colonel Count Merian. In order to always be with him, she puts on men's clothes, becomes a troop boy and later even a cornet - only the sutler knows her secret. Little by little, Christine realizes that the man she loves has been brutalized by the war and is no longer capable of true feelings. When she gives herself to him instead of a peasant maid, she is horrified by his brutality. She shoots him in a duel. She is sentenced to death as a cornet, but acquitted as a woman.
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Zwei Mütter (1957)
Character: Älteres Fräulein
The story of two women, one French and the other German, who fight for a child who has been mistakenly taken by the Germans after a bomb raid.
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