|
Le voleur rose (2020)
Character: The Mayor
Jia Qing Chun dreams of a Parisian wedding. She now needs to plan it with the man she loves, but several things get in her way
|
|
|
Doppelgänger. Sobowtór (2023)
Character: Alfred Marne
Hans and Jan Bitner live on opposite sides of the iron curtain. Hans lives in France, he leads a quiet life. Bitner is a Pole, involved in the fight for a free Poland. Their lives are different, but there is one detail that links them.
|
|
|
Les Tuche 3 (2018)
Character: Agent service secret 2
After a groundbreaking presidential election, Jeff Tuche becomes the new President of France and moves in the Elysee with his family to govern the country.
|
|
|
Bokser (2024)
Character: Pierre
With only his wife by his side, a promising young boxer flees communist Poland to chase his dream of becoming the greatest fighter in history.
|
|
|
Opération Portugal 2 : La Vie de château (2024)
Character: Commisaire
Hakim has to foil the plans of a shady developer : the count of Neuville. Helped by his friends, he seeps into the count's castle, but he also has to prepare his wedding with Julia.
|
|
|
The Lost Princess (2025)
Character: Belet
After an Ayahuasca vision transports him to a haunted castle, Alec meets Hanna who tales him the story of her mother's forced marriage and how the forbidden passion with her father was in danger when the princess pregnancy became obvious
|
|
|
La Permission de minuit (2011)
Character: Ami dîner 2
David, a professor of dermatology, has been treating 13-year-old Romain since he was a baby. Afflicted with a rare skin condition, Romain must avoid sunlight and is condemned to live in the shade. David and Romain have become the closest of friends and nothing can separate them. But then David learns that he is about to be transferred to another clinic in another town. How will he be able to break the news to Romain? And how will Romain cope with this new crisis in his life?
|
|
|
Opération Portugal (2021)
Character: Commissaire
Hakim, 35, a friendly neighborhood cop, must infiltrate the Portuguese community for the purpose of an investigation. But can one become Portuguese in three days? Especially when we know that Hakim is a walking disaster at undercover operations. His clumsiness and bad luck turn his many infiltrations into cataclysms. The case is clearly too big for him. Quickly trapped between his feelings and his mission, Hakim, who lives alone with his mother, will discover a community, but also a family.
|
|
|
Goliath (2022)
Character: Executive of ACEA
Patrick is a tenacious lawyer specializing in environmental law. France is a schoolteacher who becomes an activist after her husband develops cancer from exposure to a pesticide. Mathias is an ambitious lobbyist working for an international chemical corporation. The paths of these characters collide as the lives of thousands are affected by a tragic act that sparks a powerful movement while the corporation fights to prevent the truth from being revealed.
|
|
|
|
|
Bis (2015)
Character: Serveur bar
Éric and Patrice have been friends since high school. Over the years, they have both taken very different paths: Éric has become a hedonist, has a string of girlfriends and is always on the look out for a new one; Patrice has become a monogamous father with a very ordered life. After a drunken evening, the two childhood friends find themselves cast back into 1986, when they were 17 years old. This return to the past is a dream opportunity to try to change the path their lives will take. What will they do with this second chance?
|
|
|
La Marginale (2023)
Character: Fernando
Michèle, in her fifties, is homeless and lives at Orly airport where she leads a hard and lonely life. Theo, a mentally handicapped young man, works at the airport and lives with his "Auntie" who has been overprotecting him since he was abandoned by his mother. When Michèle decides to find her son in Lisbon, Theo naively agrees to drive her there, but what she doesn't know is that he only has a car without a license... They then embark on an adventure on the country roads, making us follow people we don't look at, on roads we never take.
|
|
