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La Hija De La Otra (1951)
Character: N/A
Husband and wife raise hubby's extra-marital child when the birth mother rejects it.
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Otra primavera (1950)
Character: N/A
His wife dies and now he's free to marry his mistress and adopt their children officially. How will this play out?
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Sentencia (1950)
Character: N/A
Historical drama, romantic triangle plus war/espionage intrigue during the Maximillian vs Juarez conflict of the 1860s.
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Una lección de amor (1956)
Character: N/A
An older gentleman takes responsibility for molding a young showgirl's career; there seems to be a romantic link between them, but she has lots of side-pieces running around, and a serious boyfriend waiting in the wings...
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La cobarde (1953)
Character: Roberto
A stranded ship. A man and two boys go to its rescue - uncle Arturo and his two nephews. The ship is empty, except for a little girl - the only survivor.
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El secreto de mi mujer (1955)
Character: Andrés
A couple suffers marital crisis, because they cannot have children. The wife harbors a long kept secret that might doom the marriage.
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La estrella vacía (1960)
Character: Rolando Vidal
Mourners share their memories of a dead film-star at her wake, a la Citizen Kane. Only melodrama.
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La vida tiene tres días (1955)
Character: Alberto Rojas
Big-city songwriter and small-town music student conduct a romance by mail, then finally meet.
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Un minuto de bondad (1954)
Character: Roberto Arellano
A young woman tries to stop the sale of a house that serves as a shelter for orphaned children and retired actors.
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La edad de la tentación (1959)
Character: N/A
By the negligence of parents who not assume their responsibility in sex education, many lives are ruined
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El cuarto cerrado (1952)
Character: Antonio Sáinz
A man gives his testimony to a doctor, believing he hears the voice of his deceased wife, Diana.
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Camelia (1954)
Character: Armando
A sort of meta riff on Alexandre Dumas fils' novel The Lady of the Camellias (La Dame aux Camélias or Camille) here in Mexican melodrama form involving the doomed love of a bullfighter and a beautiful but ailing actress/courtesan.
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Corazón salvaje (1956)
Character: Renato D'Autremont
On the Caribbean island of Martinique, two half-brothers are involved in the entanglements of a frivolous and calculating young woman.
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La gitana blanca (1954)
Character: Roberto
Nina, a gypsy girl, promised to the future leader of her tribe, falls in love with Roberto, a depressed violinist.
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Angélica (1952)
Character: Arturo Silva
An italian woman scapes from de WWII to Mexico where her uncle lives. She gets trapped in a brothel threatened to be involved in a crime that she was innocent. Meanwhile, she finds her true love who ignores where she lived and worked.
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Noche de perdición (1951)
Character: Eduardo
A dancer is accused of killing a businessman. When her husband finds out, he decides to take her kid away from her.
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Crimen en la alcoba (1946)
Character: Joven qué se burla de Óscar (uncredited)
A man's on trial for murder; a friend who could prove his innocence chooses not to come forward. An interested detective starts working to discover the how-come of all of that.
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La rebelión de los fantasmas (1949)
Character: Anunciador de Radio (uncredited)
When an old house is about to be demolished to make room for a new radio station the famous ghosts which resides in the house start a revolt to alter the decision.
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The Brave One (1956)
Character: Don Alejandro
A young Mexican boy tirelessly tries to save his pet bull from death at the hands of a celebrated matador.
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La ilusión viaja en tranvía (1954)
Character: Juan Godínez 'Caireles'
Confronted with the unfortunate news that their favorite Streetcar, no. 133, is going to be decommissioned, two Municipal Transit workers get drunk and decide to "take 'er for one last spin," as it were. Unfortunately, the "one last spin" ends up being an all-night and all-day scramble to stay out of trouble, as they are confronted with situation after sometimes bizarre situation that prevents them from returning the "borrowed" Streetcar!
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Los adolescentes (1968)
Character: N/A
The story of an impossible love that a couple lives in secret because they are very young. Mexico's submission for the Academy Award for Best Foreign Language Film in 1967.
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Doña Perfecta (1951)
Character: Pepe Rey
Liberal farmer Pepe has arrived in Santa Fe to visit his aunt, Dona Perfecta. While he's there, Pepe is eager to teach the traditional-minded townspeople a new way of living. Unfortunately for Pepe the people of Santa Fe aren't eager to embrace change, and when the citizens begin to voice resentment Pepe is forced to seek refuge with his sympathetic aunt. Dona Perfecta is just as traditional as any of the other townspeople though, and only suffers Pepe due to the fact that he is family. When Pepe and his cousin Rosario fall deeply in love, the situation quickly comes to a head.
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Los recuerdos del porvenir (1969)
Character: Don Joaquin Melendez
A story where the Cristero Rebellion creates a story of love, passion, and betrayal. When the Federal Rosas and his lover arrive in a town, a local woman feels strangely attracted to him. The woman will surrender under the pretext that the population is liberated when in reality she wants to consummate the passion that ignites her.
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Cada quién su vida (1960)
Character: Bridge
The days go by dizzyingly for the girls who work at the cabaret ´El Paraíso´. However, on New Year's Eve, in the heat of the glasses and cigarette smoke, they narrate their hapless destinies
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Rosauro Castro (1950)
Character: Chabelo Campos
Cardoza's death, a candidate for mayor of a village chief enemy and Rosauro Castro, leads to Mr. Garcia Mata to undertake an investigation. Upon arriving realizes that even the whole town, including the mayor, lives in fear by the chief and only achieved revenge end the injustices committed by Rosauro Castro.
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Marejada (1952)
Character: Doctor Rafael Villada
Recently-graduated doctor assigned to a small, backward fishing community.
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El monstruo resucitado (1953)
Character: Ariel / Sergei Rostov
Set in the Balkans, this story concerns a bored journalist, Nora who is ordered by her boss to follow up a mysterious advertisement placed by Dr Ling. Ling turns out to be a misshapen creature who, rejected by his peers, has become the stereotypical mad scientist, here specializing in plastic surgery. He falls in love with Nora but fearing she will betray him he resuscitates a young man who committed suicide, Ariel by transplanting a new brain into him, and order him to fetch Nora so that he can kill her.
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