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Guitarras lloren guitarras (1965)
Character: N/A
Juan from Altamira, Tamaulipas, arrives at the train station in the capital and is assaulted by Gus. As he finds only ten dollars in his wallet, he believes that Juan brings more money and offers him accommodation in his room to pay the rent. Juan is dedicated to singing and Gus makes his representative. Juan is successful singing together with Susana on stage and radio Azteca, but she does not correspond to his love. As she wants to succeed alone, she goes to Guadalajara but without success. Juan helps her and when she gets a heart illness, she agrees to marry him.
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El rebelde (Romance de Antaño) (1945)
Character: Bandido
A landowner indirect kills another because of false rumors. Time passes. The son of the dead want the offender to pay their share. It becomes generous bandit, but then he meets the daughter of his enemy and falls in love.
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La hija del regimiento (1944)
Character: N/A
In Fuente Clara over ten years since any man born. The population, mostly female, are desperate and resorts to the reigning prince.
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Como México no hay dos (1945)
Character: N/A
Two farmworkers emigrate to USA to work on a Texas ranch, then go home and put their lives back in order.
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El justiciero vengador (1962)
Character: N/A
White-hat with two sidekicks masquerades as a priest to break the stranglehold a blackhat has on a small town.
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El charro y la dama (1949)
Character: N/A
Bratty rich girl plays practical jokes on the man that she'll obviously end up marrying.
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Como gallos de pelea (1977)
Character: N/A
Young man returns from college to his family estate; when he learns that a rival family is trying to take over all available acreage, he gradually warms up to the idea of defending his turf.
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Hay lugar para... dos (1949)
Character: N/A
Union-organizing and labor/management conflicts among Mexico City bus-drivers. Sequel to "Esquina, Bajan!"
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Cupido pierde a Paquita (1955)
Character: N/A
Rich family's maid thinks that maybe if she plays her cards right, she can land a moneybags husband. There's also a really cute auto mechanic, though, and...
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La bandida (1948)
Character: N/A
Roving cowboy good-guys defend a farm family from the outlaw gang that's trying to take over their homestead.
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Juan Charrasqueado (1948)
Character: N/A
Hard-living horse-trainer has a thing with an aristocratic woman... but her brothers aren't happy to see her involved with someone beneath her station.
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Matrimonio y mortaja (1950)
Character: N/A
A series of misadventures leaves a city slicker trapped into a shotgun marriage with a country gal. Back home in Mexico City, he tries to scam his way out of his marriage and set things right with his previous fiance...
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Rogaciano el huapanguero (1957)
Character: N/A
Itinerant folk-singer returns to his home town, gets caught in two intersecting love triangles. It ends badly.
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Vuelve el Norteño (1964)
Character: N/A
Two rival gangs of outlaws are terrorizing a small town; el Comandante and his sidekicks pit them against each other and pick up the pieces.
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Los misterios del hampa (1945)
Character: N/A
Man on death row narrates the story of his life from childhood up through the criminal activities he's being executed for.
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Si usted no puede, yo sí (1951)
Character: N/A
Out-of-work actor and his burglar pal get jobs at an agency that pledges to do things the client doesn't want to deal with. Meanwhile, their boss is being stalked by seven Italian brothers who want revenge for something that happened to their great great grandfather.
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Dos gallos de pelea (1950)
Character: N/A
Two small-town hell-raisers get so out of hand the authorities have to step in to rein them in.
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En la Hacienda de la Flor (1948)
Character: N/A
Sequel to "Juan Charrasqueado." Juan Jr. discovers that the woman he's engaged to is the daughter of the man who killed his father.
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Fiesta en el corazón (1958)
Character: N/A
Spoiled rich kid from a cattle ranch is pretending to study at university so he can hang out in the city and live large... until his family forces him to straighten up his act; he moves back to the ranch, accompanied with some urban-fauna hangers-on,, a-a-a-and...
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Juan guerrero (1963)
Character: N/A
Government official in charge of land grants for tenant farmers gets into a ruckus with the feisty daughter of a landower whose estate is up for redistribution.
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La feria de San Marcos (1958)
Character: N/A
Two men and two women meet and pair off (m/w x 2) during the town Festival in San Marcos. Later, weddings.
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La fiera (1956)
Character: N/A
Young rancher who's trying to avenge his father's murder is framed by an enemy for an unrelated crime.
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La máscara roja (1962)
Character: N/A
Young heiress discovers irregularities in the handling of her late father's mine and goes into action-hero mode to correct them.
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El norteño (1963)
Character: N/A
Lawman on horseback cracks a case involving stolen gold bullion, the title to a mine, an evil twin and a plucky pre-adolescent boy. First in a series.
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Juventud sin Dios (La vida del padre Lambert) (1962)
Character: N/A
An American priest is hired as coach at a Mexican university; he trains his students in the ways of American football and moral rectitude. You ain't gonna sire no babies out of wedlock on Father Lambert's watch, no siree!
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Cuando los hijos odian (1950)
Character: N/A
Woman and her daughter try to get on with their lives and run their family bakery while dealing with abusive alcoholic husband/father and other family problems.
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La segunda mujer (1953)
Character: N/A
Couple with preteen children break up; Dad meets a new woman and they marry. The children grow up, and they're spoiled-y rich kids flirting with criminal lawlessness. Cue the violins.
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Carita de cielo (1947)
Character: Chilaquiles
A young woman is brought before a prosecutor after stealing food. She is defended by Julio, a university professor who decides to exhibit her as an example in his class on the theory of theft. Then he hires her as a housemaid. Her face and charms won’t only save her family from serious quandaries; they will also inspire the professor’s love.
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La emboscada mortal (1962)
Character: N/A
Third film of a trilogy -- all the secondary tasks have been completed and cowboy-justice-action-hero El Norteno settles the score with those cheating cheaters who deprived the young heiress of her inheritance.
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Vístete Cristina (1959)
Character: N/A
Aspiring big-band singer who doubles as an art forger takes in a teenaged runaway who wants to be a showgirl.
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El as de oros (1968)
Character: N/A
A young charro's head is turned by a glamourpuss from the big city, and he has a hard time putting his life back together after she kicks him to the curb.
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El seminarista (1949)
Character: Toño
Returning to his home town, seminarist Miguel is forced to trade the robes for a charro costume in order to solve several problems that appear in his way, including the female kind.
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Yo, el mujeriego (1963)
Character: Sixto
Playboy bachelor poses as a woman's husband to protect her daughter's reputation at a private school. Remake of El Mil Amores (1955).
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Concurso de belleza (1958)
Character: N/A
Mom and Dad convince studious college girl to enroll in a beauty pageant, hoping to win big cash prize at the end of the rainbow.
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Más allá del Orinoco (1966)
Character: N/A
Adventure movie directed by Fernando Orozco, written by Manuel de la Pedrosa and filmed in the Venezuelan Llanos.
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Azahares para tu boda (1950)
Character: Rosendo (as Fernando Soto 'Mantequilla')
During the time of the Mexican Revolution, the eldest daughter of a conservative family must respect the decision of her parents, and follow the traditions of using the wedding flowers her mother used.
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Fe, esperanza y caridad (1974)
Character: Blind (segment "Fe")
Three episodes. Faith: a woman is attacked. Hope: a fakir is crucified. Charity: a woman faces bureaucracy.
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Así amaron nuestros padres (1964)
Character: N/A
Elderly roue interferes in the love life of a young woman because she's secretly his daughter. Remake of En Tiempos De Don Porfirio.
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El barchante Neguib (1946)
Character: Piloncillo
Small-town Arabic family moves to Mexico City to live with the oldest son who made his career there. Follow-up (not a direct sequel) to El baisano Jalil (1942).
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Échame a mí la culpa (1959)
Character: N/A
A Mexican steer rancher goes to Spain to get some bulls he bought but that were never delivered. He meets a flamenco dancer during his stay in Madrid and falls for her.
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Seguiré tus pasos (1967)
Character: N/A
José María is an orphan child who lives in desperation until brother José finds him. The priest helps the boy channel his anger and transform his sadness into energy and love.
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¡Esquina bajan...! (1948)
Character: Constantino Reyes Almanza "Regalito"
Driver Gregorio del Prado and fare collector Regalito were suspended for deviating from their route to impress a young woman named Cholita.
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Ahí vienen los gorrones (1953)
Character: N/A
Authorities close down a restaurant after a violent crime is committed on the premises; the employees look for new jobs and try to track down the murderer.
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Tercio de quites (1951)
Character: Mantequilla
Spanish bullfighter and a Mexican one have a friendly rivalry spanning decades.
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Yo no me caso compadre (1960)
Character: N/A
Neither party pf an arranged marriage wants to comply with their parents' expectations, and he & she both come up with plans to sabotage the proceedings.
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Los resbalosos (1960)
Character: N/A
Border town is overrun with wastrels and scofflaws, so the City Council decides to hire a notorious gunslinger to help them clean up their streets.
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Acapulqueña (1959)
Character: N/A
Gloria sells dolls in benefit of UNICEF and is interested in putting on an international show. In a hotel in Acapulco the ranchero Javier, the Muslims Mustafa and Ali, the Brazilian Mr. Carioca and the charro José Lorenzo meet to carry out the project. Among the men there will be a series of entanglements to dispute the love of the young woman.
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El amor no es ciego (1950)
Character: N/A
A boxer wins a championship but he is injured and forced to retire. After that he falls in love with a blind girl.
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El rayo de Jalisco (1962)
Character: Mantequilla
The new Sheriff is framed for a series of stagecoach robberies, but he succeeds in finding the real thieves.
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Alma de Acero (1957)
Character: Pancho
Inspired by Alexander Dumas's novel The Corsican Brothers, Alma de Acero presents a delightful spin on the classic story of twin brothers (both played by Luis Aguilar) and their contrasting lives. As a singer in a nightclub, one brother has chosen a life of peaceful simplicity; the other, however, has chosen a troublesome lifestyle that leads to numerous run-ins with the law, forcing the vocalist to risk his own life to save his sibling.
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México lindo (1938)
Character: Taxi driver
The film of the thousand dancers, of the enchanting songs, of the sets that are splurge of luxury and beauty.
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La venenosa (1949)
Character: El misterioso
A snake-charmer falls in love with a circus trapeze artist who trains her and has her debut in this discipline.
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Échenme al vampiro (1963)
Character: Aldo
A group of would-be beneficiaries gather for the reading of a will, and discover that they must spend the night in a spooky castle to gain their inheritance. A spooky housekeeper and a man who seems to be a vampire are just two of the obstacles that might deter them.
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El mariachi canta (1963)
Character: Toño
Rivalry and romance between the leaders of a male mariachi band and a female one.
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Me importa poco (1960)
Character: N/A
Anthropologist goes to small town to do field work supporting her theories about the primitive/subhuman origins of machismo.
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Los parranderos (1963)
Character: N/A
Romantic complications and silliness when two farmhands are sent to the next town to track down their employer's daughter and baby-mama from thirty years earlier.
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Al compás del rock and roll (1957)
Character: N/A
When a romantic orchestra won't change their boring style into something more modern to get gigs, their girlfriends split and form a rock and roll orchestra that quickly becomes talk of the town. The guys are furious since they are relegated to their opening act as a comical number, but when the League of Virtue protests against the new satanic music, the old-fashioned music seems to win the day.
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Los enredos de una gallega (1951)
Character: N/A
Cándida is a Galician who lives in Mexico and has been selling lottery tickets. Her dream is to buy an inn, but doesn't have enough money. In her quest for trying to get it, she runs into a scammer. In a stroke of luck, she wins first prize in the lottery, but the misfortune is merciless with her because she can't find the ticket.
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Gran Hotel (1944)
Character: Compadre
Cantinflas is a vagrant being evicted for not paying rent, after wandering gets a job at the 'Grand Hotel' through a friend, that's confused by Count Zapatini, who is undercover in the hotel, stealing a gem making this funny movie more complicated.
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Vuelven los Argumedo (1963)
Character: N/A
The Argumedo cousins have their clothes stolen while taking a shower, and they must find it at all costs, because there's a winning lottery ticket in their pockets.
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Yo soy muy macho (1953)
Character: N/A
To help her pilot brother, Maria disguises as a man to take his place, and must live in the jungle with a very "macho" captain, eventually falling in love.
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Campeón sin Corona (1946)
Character: El chupa (as Fernando Soto 'Mantequilla')
A young ice cream vendor, Roberto Terranova, witnesses a child being beaten and comes to his aid by physically overpowering the aggressor. His strength and natural ability catches the eye of a well-known boxing trainer. Considering him a diamond in the rough, he aims to put Roberto in the professional ring. But Roberto finds that his personal challenges must be overcome before he can achieve professional greatness.
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El analfabeto (1961)
Character: 'El Sapo'
Inocencio Prieto y Calvo receives a letter telling him he is the heir to his uncle's fortune of two million pesos. Not being able to read he has no idea of who sent the letter or its content. So he goes to the drugstore because the pharmacist can read the letter to him. But while waiting to be helped he sees that a young girl can read. He figures he has to be able to discover the letter's content by himself and decides he will save the letter and go to school, and wait to read the letter on his own.
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La ilusión viaja en tranvía (1954)
Character: Tobías Hernández 'Tarrajas'
Confronted with the unfortunate news that their favorite Streetcar, no. 133, is going to be decommissioned, two Municipal Transit workers get drunk and decide to "take 'er for one last spin," as it were. Unfortunately, the "one last spin" ends up being an all-night and all-day scramble to stay out of trouble, as they are confronted with situation after sometimes bizarre situation that prevents them from returning the "borrowed" Streetcar!
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El Quelite (1970)
Character: Eustaquio
Agapito, leader of the revolutionary movement of his state, comes to a town, kills all the federales, and gets a girl who was promised to him for his heroic deeds.
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Juan Armenta, el repatriado (1976)
Character: Eusebio Mendoza (Maguey)
Juan returns home to Mexico after working in the USA for awhile, and gets caught up in cowboy problems among his townsfolk.
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La hija del engaño (1951)
Character: Angelito
In the drama, a father, firmly believing that the baby daughter in his arms is not his own, abandons her upon the doorstep of the town drunk. Many years pass, and the man finds himself continually wracked with guilt about deserting her.
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La venenosa (1958)
Character: N/A
A snake charmer's assistant (who later becomes a trapeze artist) brings bad luck in the circus to those who fall in love with her. Her decision to become a trapeze artist comes after the accident that the main character has during a presentation.
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Los tres García (1947)
Character: Tranquilino
Ruled by a tough grandma, the Garcías are three charro cousins who fall in love with young American-born Lupita and fight for her love until grandma quiets them.
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Vuelven los García (1947)
Character: Tranquilino
Ruled by a tough grandma, the Garcías are three charro cousins who fall in love with young American-born Lupita and fight for her love until grandma quiets them.
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Dicen que soy mujeriego (1949)
Character: Bartolo
Pedro has had many lovers but he only loves one of them, but this romance stop going on for his flirts with other women.
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Tu camino y el mio (1973)
Character: N/A
She rejects him, but he's there for her, even after she gets married and then is abandoned by her babydaddy. Remake of Bajo El Cielo De Mexico (1958) (and also 1937?).
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Ustedes los ricos (1948)
Character: Antonio Feliciano de la Rosa
Pepe el Toro is married to Celia la Chorreada and they have two children.
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Pies de gato (1957)
Character: N/A
Sequel to "Los bandidos de Rio Frio," reopening all the subplots from the first movie to make each of the narrative arcs swing unmistakably to justice.
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Los Tres Huastecos (1948)
Character: Cuco
This is the story of three brothers - a priest, a soldier, and an outlaw - that are raised separately by their godfathers once their mother dies. They cross their paths again when the soldier and the priest move into two towns near the town the outlaw lives in. The drama will unfold once the three brothers meet each other.
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Tacos al Carbón (1972)
Character: El ciclamatos
Tacos al carbón is a mexican movie released on june 8th 1972 on Mexico City.
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¡Ay, pena, penita, pena! (1953)
Character: Atenógenes García
Carmela is a Gypsy singer who sells lottery tickets. She meets two penniless Mexican brothers and they buy a ticket between the three: if it is awarded, could share the prize and go to Mexico, they to return to their homeland and her for bullfighter boyfriend whom has no news. The fate accompanies them, but, on reaching Mexico, her boyfriend rejects her. This way, she ends up acting in a cafe where reaps many successes.
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Ni sangre ni arena (1941)
Character: Charifas
Cantinflas enjoys the bullfight show, and wants to crash in every of these spectacles. Also, there's a professional bullfighter, Manolete, who is identical to Cantinflas. Manolete has to give a bullfight show in a village, but Cantinflas arrives first as a stowaway in a train, and he'll be mistake by the real bullfighter. Cantinflas will give us a demonstration of courage.
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Me traes de un ala (1953)
Character: Narciso
To conquer the beautiful vedette Rosita, journalist Tin Tan is subject to her whims. Fired along with his friend Narciso from the newspaper they worked, Tin Tan trying to sell a movie plot. A woman looking to buy it and Tin Tan will visit her in a gloomy mansion where a mess is unleashed.
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Pepe El Toro (1953)
Character: Antonio Feliciano de la Rosa
The simple life and the values of loyalty and solidarity of the poor people in the environment of professional boxing, is the plot of this film, where Pepe el Toro shows the effort and tragedies that are experienced in this profession.
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