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Encadenado (1940)
Character: Adelaida
Love confusion between a girl and her benefactors.
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Corrientes, calle de ensueños (1949)
Character: N/A
Story about a humble musician who triumphs overcoming his failures and a young woman arrives in Buenos Aires from the interior of the country in search of triumph but finds death.
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Éramos Seis (1945)
Character: N/A
A mother recounts the different stages experienced by her family.
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Valentina (1950)
Character: Luisa
A young millionaire meets a mechanic who has invented a carburetor as a result of a breakdown in her car.
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Hay que bañar al nene (1958)
Character: Celadora Hogar Infantil
A married couple with three daughters abandons the idea of divorce when a supposed son of the husband appears.
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Cantando llegó el amor (1938)
Character: N/A
A sixty-something millionaire marries a young woman and locks her up in his mansion with two friends, so they won't lack company.
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La chismosa (1938)
Character: N/A
In a ranch, a midwife attends to the birth of a girl resulting from an illegitimate relationship whom she will try to keep.
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La calle junto a la luna (1951)
Character: N/A
The life of the famous poet Evaristo Carriego (1883-1912), who lived in the Buenos Aires neighborhood of Palermo and who painted the customs of the people of those years like no one else.
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El gordo de América (1976)
Character: N/A
To celebrate his promotion, a manager (Javier Portales) decides to summon his brother from the field, but as he did not stop making disasters he sends him back. His brother (Jorge Porcel) is not convinced and dazzled by an advertisement decides to set up an investigation office.
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La carga de los valientes (1940)
Character: N/A
It takes place in 1827, in Carmen de Patagones, in the context of the confrontation between the militias of the United Provinces of the Río de la Plata and the navy troops of the Empire of Brazil. It is the story of a fort lieutenant who falls in love with a young woman.
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Historia de crímenes (1942)
Character: Maid
A bank clerk uncovers the manager's criminal behavior and prevents him from carrying out a murder.
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El honorable inquilino (1951)
Character: Ernestina
A professional thief rents a room in the house of a downtrodden lady to observe the bank he will assault.
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Blum (1970)
Character: Benefactora
A businessman falls in love with a beautiful young woman, showers her with attention and turns her into a star without confessing his love to her.
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Los muchachos de mi barrio (1970)
Character: Doña Romualda
Lito Ugarte, a successful singer, returns to the country where he was born. He comes back to the city where he grew up, reuniting with his old-time friends.
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Juan Globo (1949)
Character: N/A
A humble boy can not be a sailor as he wishes, for lack of documents, and works as a driver for an old woman.
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En mi casa mando yo (1968)
Character: Doña Eugenia
Tormented by the messy and frivolous life of his family, a father is forced to move away from home.
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Los caballeros de la cama redonda (1973)
Character: N/A
Alberto, Jorge, Ricardo and Tristan are employees of a shoe store, all are married and share the friendship also between their wives. The 4 friends, faithful to the rogue style of Buenos Aires, go out of their way to have love affairs with the beautiful customers of the shoe store, and for that purpose one day they decide to rent, secretly, an apartment to use as a "bulín". The problems begin from then on, as everyone wants to be the first to release it and then, successively, take turns for their adventures. As is to be expected, it does not take long for the first entanglements to appear, while their wives seem to begin to suspect the adventures of these four typical Buenos Aires chantas.
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Chafalonias (1960)
Character: Micaela
After his wife's death, widower begins to learn details about a double life she led.
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¿Somos? (1982)
Character: N/A
In three corners of the Buenos Aires neighborhood known as Recoleta, life and death pursue parallel paths. One of silence, death, rebellion and drugs. Lecube is staying in a hotel with his lover Celia and his son Marcelo with whom his friend Toto is trying to initiate a homosexual relationship.
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Rosaura a las 10 (1958)
Character: Srta. Eufrasia Morales
Out of the blue, a meek, old painter begins receiving love letters from Rosaura. This intrigues his fellow boarding house tenants, so they involve themselves into his relationship until one day the mysterious Rosaura appears.
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El secuestrador (1958)
Character: N/A
A group of poor people living on the bare minimum in a slum, trying to survive in a world that seems to have no place for them. With a tone raw and realistic story portrays their daily tragedies, and their struggle to survive.
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Canario rojo (1955)
Character: Vecina
A young student marries her professor. Tensions will arise as their opposite music tastes start clashing.
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La industria del matrimonio (1965)
Character: N/A
There are 3 stories about the intermediaries of marriage (the ads of magazines, seers and agencies): Sentimental mail, about an energetic woman who wants to marry a dominable man; Elixir of love, on the subject of the title; and Romantic about a melodic singer.
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Section des disparus (1956)
Character: N/A
The love affair of an ex-convict with a showgirl, unleashes the jealousy of his older, wealthy and unbalanced wife. A murder plot, staged phoney suicide and other twists and turns follow.
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La fiesta de todos (1979)
Character: N/A
Documentary about Argentina's victory in the 1978 FIFA World Cup, held in that country during its last dictatorship.
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El abuelo (1954)
Character: Gregorio
Based on the novel of the same name by Benito Pérez Galdós.
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Tres anclados en París (1938)
Character: Turista argentina en París
Three Argentines who live in Paris and dream of returning to Buenos Aires but lack resources for the passage, find their opportunity when a landowner, a business man and his daughter arrive in Paris. In a game of rigged poker the three anchors obtain the money for the passages from the newcomers; it happens however that the employer has made an embezzlement and will go to jail if he does not return the money. The character represented by Parravicini, who is the true father of his adopted daughter, gives him the money won to solve his problem and the three remain in Paris to see them in an end with the best poetry of Romero crossing a bridge under the mist , silent, once again anchored but with the happy sadness of recovered self-esteem.
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La bestia debe morir (1952)
Character: Matilde
A crime writer searching for the truth about a personal tragedy becomes involved in a murder investigation.
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El bulín (1969)
Character: Vecina 5º D
Employees of an office use for love dating the apartment of a single co-worker.
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