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Capitaine Ardant (1951)
Character: A military
Representing the French authority in Morocco, Captain Ardant is the target of the bloodthirsty rebel leader Malek. In order to appropriate himself in arms, he does not hesitate to take the captain's collaborator hostage and to do despicable blackmail.
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Pierre Richard, l'art du déséquilibre (2005)
Character: Self
This documentary brings a lighting on the originality and the specificity of the actor-author Pierre Richard, improbable synthesis of the talking ant silent films, heir to Buster Keaton for the gestural one and the expression of the body, and to Groucho Marx for the puns and the burlesque verbal one. Conceived like a voyage inside the universe of Pierre Richard, "the Art of unsteadiness" makes it possible to better understand its step, its method of actor, director and gag man. With through many testimonies, extracts of films and archives documents, drawn up here the portrait of one of the large last burlesques.
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Les corsaires du Bois de Boulogne (1954)
Character: Le radio amateur
Cyprien and his friends Hector Colomb and Annette are penniless and desperate. They need someone to take an interest in them. One day, they decide to become volunteer castaways. To build their raft, they sawed down trees in the Bois de Boulogne. With the support of Caroline Grossac and her mother, they were backed by M. Grossac, a comfortable businessman with a keen sense of publicity. Launched in Saint-Tropez, the raft made only a short crossing. Nevertheless, the new privateers are acclaimed, and the wilful shipwreck business is so successful that it makes Hector and Annette rich, while Cyprien marries Mlle Grossac.
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Goubbiah... mon amour... (1956)
Character: N/A
Goubbiah is a Yugoslav sponge fisherman. He loves Trinida, but she is promised to Peppo, the village drunkard. Jao tries to keep Goubbiah away from his daughter.
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Lino Ventura, la part intime (2018)
Character: Self (archive footage)
The fall of 2017 marked the 30th anniversary of Lino Ventura's death. Whether in the role of tough cops or tough guys - in the 1960s, Lino Ventura was one of the most popular French character actors. The new portrait begins with the actor's childhood. He came to Paris from Parma in Italy as a child with his single mother and faced many humiliations in a xenophobic environment. The documentary explores the man behind the rough exterior and the tough characters he embodied, most of whom were courageous but introverted loners.
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L'Âge d'or de la pub (2023)
Character: Self (archive footage)
55 years ago, on October 1 1968, the first brand advertising spot appeared on the French television screen. Over the next three decades, thousands of creative little films would seduce and build our collective memory. Kitschy or cult spots, humor, slogans, music, stars, gimmicks, grand spectacle or sex appeal: during its golden age, how did advertising convince? Thierry Ardisson has brought together almost 400 advertising clips to relive the era of the conquest of minds and wallets.
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Belmondo, il était une fois le beau monde (2011)
Character: Self (archive footage)
A profile of Jean-Paul Belmondo by his peers. Besides appearing in over eighty films, the actor also delighted audiences with his dangerous stunts, his laughter, his jokes, and his refreshing ease and impertinence. Cultivating the art of the counterpunch, he spanned half a century of French cinema.
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Michel Audiard et le mystère du triangle des Bermudes (2002)
Character: Self
A documentary about writer Michel Audiard (1920-1985). Contemporary interviews are interwoven with archival footage and clips from his films. It offers a deeper understanding of the career of the man whom Jean Gabin swore by from the mid-1950s onward, and whom films such as "Les Tontons Flingueurs" immortalized.
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L'Œil du Monocle (1962)
Character: German Officer
In 1943, a German commando conceals a large quantity of gold in an undersea cave on the coast of Corsica. Years later, Schlumpf, the sole survivor of the commando, returns to Corsica to recuperate the treasure -- with British and Soviet spies on his heels, and closely monitored by Dromard, from the French intelligence services. The monocled Dromard is convinced that he can outfox his opponents, but difficulties accumulate: despite his plump appearance, Herr Schlumpf is a sly fellow; Corsica is teeming with treasure hunters from various nationalities; and all parties readily resort to unnatural alliances, brazen treachery, and strong-arm tactics. Who will get the treasure?
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