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Dueña y señora (1948)
Character: N/A
After his wife dies, the master of the house can... maybe... acknowledge that he had children with the houseekeeper. But will he?
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La santa del barrio (1948)
Character: N/A
Wicked old lady arranges to sell the virginity of a young neighbor. Her boyfriend gets upset over this.
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El charro y la dama (1949)
Character: N/A
Bratty rich girl plays practical jokes on the man that she'll obviously end up marrying.
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El zarco (1959)
Character: N/A
Upperclass girl and notorious bandit leader fall in love. She agrees to "let him kidnap her" so they can be together, but she gets disillusioned when she sees the sordidness of his Camp Of Banditry. Also he keeps killing off members of her family.
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Novia a la medida (1949)
Character: N/A
Door-to-door salesman falls for a young woman, implements hare-brained schemes to separate her from her fiance.
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El valor de vivir (1954)
Character: N/A
Concert pianist unjustly convicted of espionage. On release, he hooks up with a terminally-ill ballerina.
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¡Que seas feliz! (1956)
Character: Gloria Campos
Career criminal hooks up with famous singer because she looks like a long-term meal ticket.
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Paloma brava (1961)
Character: N/A
Paloma is bound and determined to kill the heck out of the guy that dishonored her sister, but mistaken identities and stuff.
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La última noche (1948)
Character: N/A
Struggling musician takes sympathy on a homeless woman and they build a life together.
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..Y mañana serán mujeres (1955)
Character: N/A
Grad student takes a summer gig acting as house mother/chaperone to a group of teenaged girls vacationing at a country villa.
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Mujeres que trabajan (1953)
Character: Claudia Sandoval
Women connected with a female-run employment agency and a women-only boarding house bond together in mutual support.
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Cuando Mexico canta (1958)
Character: Lupe Herrera
Lorenzo Inclán, a famous Mexican songwriter, is torn between helping a girl become a famous singer or having a romantic relationship with her.
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El hombre de la mandolina (1985)
Character: Doña Fina
Towards the end of the 1950s, a young homosexual faced life, society, a dominant mother, and a conservative home.
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Hasta que la muerte nos separe (1989)
Character: Eloisa
In the XIX century, Griselda is an actress who knows a pianist named Orlando. He takes her to live at the mansion of Eloisa, his mother. Griselda soon discovers that the entire family is completely insane.
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Me gustan valentones! (1959)
Character: N/A
While seeking to protect themselves from the aggressions of "Pantaleon" and other men, a landowner marries a Mexican American newcomer. But to his surprise, the man seems to be as brave as her and try to humiliate him constantly until he decides to give out your real identity.
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Dos gallos de pelea (1950)
Character: N/A
Two small-town hell-raisers get so out of hand the authorities have to step in to rein them in.
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El burócrata González (1964)
Character: N/A
The head of a plumbing and electrical workshop is a victim of bureaucracy in public offices and is unable to pay his debts, so his workshop is closed. With a lot of luck he manages to get a repair job in the house of a minister, then he enters to work in a ministry, also becoming a bureaucrat. Taking advantage of his friendship with the minister, he is promoted to become chief archivist, but he realizes the routine that is filling the job and resigns.
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Звёзды встречаются в Москве (1959)
Character: Self
Documentary essay about the First Moscow International Film Festival, held in August 1959, about its participants and guests - Soviet and foreign actors, directors who came to the film forum.
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El hambre nuestra de cada día (1960)
Character: Vicky
Trophy wife of a crooked industrialist meets a philanthropic doctor and develops a social conscience. Mexican remake of Born Yesterday.
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Yo No me Caso Compadre (1960)
Character: Claudia
Two ranch owners promised their offspring would marry. The intended refused and switched places with their respective servants. They don't discover their real identities till they marry.
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Tú, solo tú (1950)
Character: N/A
Small-town guy goes to The City to look up his absent girlfriend. He discovers she's become a sex-worker, so he gets a job at a riding stable and meets a new girl.
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Calibre 44 (1960)
Character: Srita. Rebeca
The film tells the story of two twins separated in childhood who reunite when they are older. One of them has grown between outlaws and has become one of them, a murderous bandit who frightens the region. The other has grown, without knowing it, in exactly the ranch of the man who murdered his father and has become the loving foreman of the farmer's daughter, now deceased.
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Opio (1949)
Character: N/A
A doctor becomes entangled in the world of opium, leading to a series of tragic events that affect his personal and professional life.
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Coqueta (1983)
Character: Carlos & Rocío's mother
Two teenagers fall in love with each other for the first time.
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El demonio en la sangre (1964)
Character: N/A
Three episodes about the influence of Satan: a black boxer commits killings under the influence of his manager.A pair of lovers is haunted by the memory of a murdered wife.A wedding in the mountains is disrupted when the bride sees an apparation of the Devil who shares his expertise in astrology and the female heart.
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Yo quiero ser tonta (1950)
Character: Lupita García
Dreamer father wants son to become a bullfighter, and daughter to become a singer, so they become instant millionares, although their talent is not apparently there.
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Menores de edad (1951)
Character: Rosita
Late-teens girl is trapped into masquerading as a 12 year old. Wacky complications.
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Serenata en México (1956)
Character: N/A
Mariachi with dual vocalists is broken up by a promoter who wants one of them as a solo act.
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Ama a tu prójimo (1958)
Character: Virginia López
This film tells several short stories that end up lapsing in the emergency room of a hospital, because it is dedicated to nurses. Cantinflas appears at the end of the film playing the role of Luis, a man who has five daughters and looks forward to a boy, but fate plays a trick and the child dies at birth, but history gives a nice twist and a message of hope.
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Buongiorno primo amore! (1957)
Character: Valentina
Michele and Valentina are about to get married despite the financial problems that threaten to make the first years of their marriage very difficult. Valentina wishes she could skip the first five years of marriage and find herself at a point in her life where all the difficulties have been resolved. A mysterious man who has overheard everything grants her wish, and the couple reunites in Spain, where he is a successful singer but the couple feels uneasy.
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Viva el chubasco (1983)
Character: N/A
The struggle between two rival families brings many complications into the life of a people. The priest, with the agreement of the women, get a strike of crossed legs until peace is a fact.
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Soy Charro de Levita (1949)
Character: Rosita garcia
Tin-Tan and his carnal Marcelo take over Carmelita baby for a few hours, and suddenly, the three are hired by an employer of the tents, starting the funniest adventures you can imagine.
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Susana (1951)
Character: Susana
The story of a girl of questionable mental stability who escapes from incarceration and ends up at a plantation where she disrupts a working family's daily routines and chemistry.
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La ausente (1952)
Character: Mónica Sandoval
After arguing with her husband, a woman runs out of the house in the car and dies in a mysterious accident
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El mil amores (1954)
Character: Carmen Zamudio
Carmen has a daughter, Patricia, who attends a school for young ladies where they think Carmen is married to a sailor. Viviano is a friend of Carmen and when she needs it, he poses as the father of Patricia and she believes is her father. Actually, Viviano is engaged with Marilu
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Calabacitas Tiernas (¡Ay qué bonitas piernas!) (1949)
Character: Lupe
A man hired to impersonate a bankrupt business mogul who is currently on the run from creditors sets out organize a musical starring beauties from Brazil, Mexico, and Spain in this Spanish-language comedy starring popular funnyman Tin Tan. Now, as the hapless imposter attempts to finance a musical without any money, he also discovers just how difficult it can be to juggle three beautiful starlets who all have eyes for their presumably wealthy producer.
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