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El rebelde (Romance de Antaño) (1945)
Character: Juan Manuel de Mendoza
A landowner indirect kills another because of false rumors. Time passes. The son of the dead want the offender to pay their share. It becomes generous bandit, but then he meets the daughter of his enemy and falls in love.
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El Cementerio De Las Aguilas (1938)
Character: Miguel de la Peña
When the U.S. invasion and the landing of troops in 1847 begins, the former cadet Miguel de la Peña (Jorge Negrete) and his friend Agustin Melgar (Jose Macip) decide to return to the military college and fight heroically in the defense of the Mexican army.
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El Jorobado (1943)
Character: N/A
Historical drama/swashbuckler: Spain during the Inquisition.
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La madrina del diablo (1937)
Character: N/A
Set in the 1820s; an unhappy love affair and some family problems drive a young gentleman to banditry.
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Me he de comer esa tuna (1945)
Character: N/A
In rural Mexico, a young man competes with his best school friend for the love of a girl whose marriage has been arranged by her parents.
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Siempre tuya (1952)
Character: N/A
Husband and wife leave their farm and move to the big city. Husband becomes a famous ranchera singer.
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El Charro Inmortal (1955)
Character: N/A
Documentary on the life, work, and death of Jorge Negrete. Mexico's "Singing Cowboy". Includes some of the greatest stars of that era—Pedro Infante. Maria Felix, Luis, Aguilar, Cantinflas. Arturo de Cordova, Jose Alfredo Jimenez and many more—who came to say goodbye to Mexico's Cowboy and to give their condolences to Marie Felix, his widow at the time. Wonderful singing and unforgettable scenes from Negrete's movies, a well-deserved tribute to one of Mexican cinema's favorite actors and singers.
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Cuando viajan las estrellas (1942)
Character: N/A
A Hollywood star travels to Mexico to take flamenco dancing lessons for her next movie. In the airport she meets a Mexican rancher, and while both dislike each other at first, things may change.
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Hay un niño en su futuro (1952)
Character: N/A
Wacky rich woman subjects her husband, servants and friends to a series of elaborate masquerades, remodeling her house and wardrobe every couple of days to represent different historical eras or cultural milieux. Today she's Marie Antoinette, tomorrow she may be Pancho Villa's common-law wife or a nun.
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Juan sin miedo (1938)
Character: N/A
Young man goes on the run after being falsely accused of killing his girlfriend's father.
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Teatro Apolo (1950)
Character: Miguel Velasco
In the late nineteenth century, Miguel Velasco, the son of a wealthy Spanish immigrant established in Mexico, comes to Madrid, where he falls in love with Celia, a chorus girl working at the Apollo theater.
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La posesión (1950)
Character: N/A
Two old friends get hinky with each other over the deed to a tract of land, and their children's engagement gets broken over it.
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No basta ser charro (1946)
Character: N/A
Farmhand exploits his resemblance to a certain movie star to woo his employer's daughter.
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Una carta de amor (1943)
Character: Jefe Liberal
Moments before he will be executed by the French Intervention Army, the liberal leader reads a love letter by his girlfriend. His memories provide the poetic pictures of this romantic historical drama.
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Tal para cual (1953)
Character: N/A
Mistaken identity farce; two guys each pretend to be somebody else to cover for each other in delicate situations.
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El hombre, cuando es hombre (2023)
Character: (archive footage)
What are the social climate and cultural traditions in Costa Rica which nurture "machismo" and allow the domination of women to continue in Latin America?
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El Peñón de las Ánimas (1943)
Character: Fernando Iturriaga
The love between María Ángela and Fernando is impossible because there's an ancient history of hate between their families. His father killed hers, and other family members have killed each other for years. When María Ángela's grandfather finds she's in love with Fernando, he frames the young man and forces her to marry Manuel. Maria Ángela finds that Manuel doesn't love her and together plan her escape with Fernando. But things go wrong and the lovers find their destiny in The Spirit's Canyon.
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Dos tipos de cuidado (1953)
Character: Jorge Bueno
Jorge Bueno and Pedro Malo are best friends who consider giving up their womanizing ways when they each fall in love. As fate would have it, Pedro Malo unexpectedly marries Jorge Bueno's girlfriend, and the conflict between the former buddies begins.
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Historia de un gran amor (1942)
Character: Manuel y Rodrigo Venegas
Manuel leaves town leaving Soledad in deep sadness. After several years of absence, the young man returns to find Soledad married to Antonio. However, the woman continues to be in love with him and both are determined to consummate their love.
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Gran Casino (1947)
Character: Gerardo Ramírez
After the mysterious disappearance of an oil well owner, one of his workers, Gerardo assumes the business management. Soon, the owner's sister arrives from Argentina, and, believing that Gerardo killed her brother to keep the wells for himself, she starts working as a singer under a false name in the same casino her brother disappeared, in order to find out what exactly happened.
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Reportaje (1953)
Character: Singer serenading the movie star
Reporters compete for cash prize awarded for biggest scoop on New Year's Eve.
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Una gallega en México (1949)
Character: N/A
The Galician Candida has a bakery in front of the butcher Robustito, who constantly berates although children of both Aurora and Rodolfo are in love. In the neighborhood where they live, the neighbors prepared a joke to the galician girl. She gets angry Robustito hard time believing him guilty of what happened.
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Fiesta (1941)
Character: José (as George Negrete)
Cholita, after a long absence in Mexico City, is returning home to take up her duties as head of the rancho and, as everyone expects, to marry her childhood sweetheart José. Expectations are somewhat dashed as she shows up with Fernando to whom she is engaged. This makes José and Cholita's uncle more than a little bit put out as Fernando is not only not a Mexican, he is also a city slicker afraid of the country.
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Canaima (1945)
Character: Marcos Vargas
College-educated emigre has to get macho when he returns home to the Venezuelan outback.
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El rapto (1954)
Character: Ricardo Alfaro
In a small Mexican village the news shock neighbors, Ricardo Alfaro, a wealthy local rancher has disappeared without a trace. Taking advantage of the circumstance, Aurora Campos, a strong woman with overwhelming beauty, convinces the authorities to sell her the property in exchange for twelve thousand dollars. Soon after, when Ricardo suddenly reappears, a real battle is about to begin.
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Lluvia roja (1950)
Character: Enrique Montero
Military leader is appointed to local government, becomes overly despotic in his leadership.
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