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Sejarah Kisah Kisah yang Musnah (2022)
Character: N/A
A grandmother decided to become a hermit in the middle of the forest. One day, his children and grandchildren came to visit. The 3.5-year-old granddaughter doesn’t want to go home and wants to stay with his grandmother to live and play in the forest. Day after day they spent together, until finally the granddaughter entered a forbidden area in the forest, making it difficult for her to find her way home. The grandmother failed to find her granddaughter and she decided to continue her meditation. After meeting the forest spirit guard who was carrying out a rite, the granddaughter managed to find her way home by following a puppy who led her to meet her grandmother again. Unfortunately, this time her grandmother never woke up again from samadi.
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Kotak (2024)
Character: Kota's mother
Kota, trapped in a confined space, watches her friend Alam dance freely in nature. Alam’s graceful movements reflect the harmony with the environment. In contrast, Kota’s dance is a desperate response to her restrictive surroundings, mirroring her mother’s struggles. As Alam extends a hand of friendship, Kota gradually breaks free from her confinement, learning to embrace the natural world and dance harmoniously with her friend.
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Soekarno: Indonesia Merdeka (2013)
Character: Ida Ayu Nyoman Rai
This biographical drama about Indonesia's first president recounts his nationalist crusade to seize independence from Dutch colonial rule.
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Perjanjian Gaib (2023)
Character: Nenek
The story of a young couple named Andry and Wati who have just received a job to take care of a grandmother who is about to have a birthday. But who would have thought, the grandmother actually suddenly died on the first day Andry and Wati took care of her. After the death, it seems that Andry and Wati have to face the terror of their grandmother, who apparently has a hidden secret.
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Teka-Teki Tika (2021)
Character: Sri Marwati
A happy family whose lives complement each other. While celebrating his wedding anniversary with his family, a rich businessman was suddenly surprised by the appearance of a mysterious woman who claimed to be his biological child, Tika. Until finally the division in the family was inevitable. Behind all that, there is a big secret about Tika's identity.
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Pengabdi Setan (2017)
Character: Mawarni Suwono
After dying from a strange illness that she suffered for three years, a mother returns home to pick up her children.
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Seperti Dendam, Rindu Harus Dibayar Tuntas (2021)
Character: Wa Sami
Ajo Kawir is a fighter who fears nothing, not even death. His raging urge to fight is driven by a secret: his impotence. When he crosses paths with a tough female fighter named Iteung, Ajo gets beaten black and blue, but he also falls head over heels in love. Will Ajo’s path lead him to a happy life with Iteung, and, eventually, his own peace of mind?
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Tunggu Aku Sukses Nanti (2026)
Character: Tante Yeni
Arga, unemployed for three years, is a constant source of family ridicule every Eid. Pressured by difficult economy, marriage, his younger sibling's college tuition, and plans to sell his grandmother's house, he struggles to find work to prove himself.
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Di Bawah Pohon (2008)
Character: Dewi
The story follows three women in Bali, each facing their own life challenges. Maharani is a woman searching for her biological mother. Nian is a celebrity trying to escape her family troubles. Meanwhile, Dewi is a radio announcer who must confront the harsh realities of her life. These three women embark on a journey in Bali to find the meaning of life and peace within themselves.
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Kupu-Kupu Kertas (2024)
Character: Sulastri
Set in 1965, a young couple fights to stay together as escalating violence and their opposing political backgrounds threaten to tear them apart.
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A Perfect Fit (2021)
Character: Ibu Saski
Sparks fly when a fashion blogger in Bali meets a gifted shoemaker, leading her to question her commitment to her fiancé.
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Komang (2025)
Character: Meme
Fate brought together Ode, a young man from Buton with big dreams, and Ade, a wanderer from Bali. Like two souls in love, they believed that fate would one day unite them. However, their journey was hindered by the presence of another man who shared the same faith as Ade, and Ode had to go to Jakarta to pursue his dreams. Will fate ultimately bring Ode and Ade together?
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Bumi Manusia (2019)
Character: Minke's Mother
A Javanese royal and half-Dutch woman fall in love as Indonesia rises to independence from colonial rule.
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Yuni (2021)
Character: Arini
In her last year of secondary school, a bright Indonesian student is determined to pursue her education and resist getting married, despite the expectations of her community.
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Puisi Cinta Yang Membunuh (2023)
Character: Laksmi
Words of poetry spell certain death when a young woman grows increasingly distraught after a string of unusual murders take place.
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Lagu Cinta Untuk Mama (2025)
Character: Gayatri
Krisna, a young man from a wealthy family who has just returned from studying abroad, falls in love at first sight when he sees Indira, a singer, at his family's café. Indira reciprocates his feelings, and they fall in love and begin a secret relationship because their relationship is opposed by Krisna's mother, Gayatri, who tries to separate them by sending Krisna to Korea. Krisna is overjoyed when he learns that Indira is pregnant with their love child, but Gayatri finds out about the pregnancy and forces Indira to abort the child, as Gayatri does not want their extended family and business associates to know that their grandchild is going to be born from the womb of a café singer.
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Sekala Niskala (2018)
Character: Mother
Tantra and Tantri are inseparable. When they secretly steal eggs from the family’s sacrificial offering, Tantri always gets the whites and Tantra the yolks. One day, however, the yolk is missing, as is Tantra. Her brother gravely ill and in hospital, Tantri starts slipping into magical parallel worlds, approaching the inevitable farewell through costumes, body paint and dance. When at one point Tantri’s mother washes the paint from her face, it is as if tenderly to expel the illusion that things can remain as they are. In long dream sequences and against the background of the Balinese philosophy of sekala – the seen – and niskala – the unseen – Andini relates how one ten-year-old girl deals with parting and grief.
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