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Tarde de toros (1956)
Character: Rosita
The bullfight is about to begin. On the bill are announced the toreros Ricardo Puente, Juan Carmona and Rondeño II, who will take the alternative. Puente is an old bullfighter, famous in earlier times, who, now bitter and full of resentment, lives with Paloma, a woman who is not resigned to continue being the lover of a man who has fallen into oblivion. Carmona, the fashionable bullfighter, has an important contract to fight in America, but his wife Isabel wants him to reject the offer. Anamaría, Carmona's sister, hopes that her brother will approve her relationship with Rondeño II; but Carmona opposes because he considers him a bad bullfighter. In a fourth, hopeful and exciting plot, a young amateur bullfighter has a plan to sneak into the ring and fight a bull, hoping for public acclaim for his feat of bravery.
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Rumbo (1950)
Character: Piluchi
Rumbo is a nice and splendid young man of gypsy origin who is in Seville with Gabriel, an old friend who was saved from suicide thanks to his intervention, who got rich in Paris thanks to the money Rumbo gave him, to the point of become an important and millionaire banker in London, Buenos Aires and Seville. Shortly after meeting, Gabriel asks him to impersonate him on a journey that he must undertake.
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Abel Sánchez (1947)
Character: Joaquinita
Joaquin Monegro feels a huge hatred for Abel Sánchez, who was once his best friend. Over the years, Monegro marries without love, and tries to have his children marry, but not forgetting Abel so far.
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El señorito Octavio (1950)
Character: N/A
Octavio falls in love with a married woman, the Countess of Trevia, who is on the brink of ruin...
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Duda (1951)
Character: Farmacéutica
A newly remarried widow is accused of having murdered her first husband, who died from arsenical poisoning. Being her present husband a lawyer he takes charge of her defense.
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Una chica de opereta (1944)
Character: Georgina Navarro
A poor composer sells his songs to a music publisher who attributes them to his son, who sells them to a famous singer. Seeking the son, the musician's daughter will unexpectedly find a job as secretary to the singer, disguised as an unattractive and authoritative woman who effectively controls his careless lifestyle.
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El hombre que veía la muerte (1955)
Character: N/A
A man with psychic abilities works with the police, predicting crimes before they happen. He comes to forecast his own murder.
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Mi adorado Juan (1950)
Character: Camarera
The strange disappearance of the dogs of his neighbors leads Juan to investigate the case on his own. It ends up finding out that the author of the robberies is a young woman called Eloísa, the cocky daughter of a scientist who uses dogs to create an antidote against sleep. Juan and Eloísa fall in love, but he will ask her to leave her luxurious mansion to live only with his salary.
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Plume au vent (1952)
Character: Loli
Carlos, veterinary, poet, musician in his spare time and a fun-minded Don Juan,pretends to be his friend Fernando who has inherited a pharmacy in Madrid. There he meets an old girl friend that attracts him.
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Marcelino pan y vino (1955)
Character: Joven madre
Left on the doorstep of a monastery as an infant, Marcelino was raised by the monks. He was well-cared for but lonely and missed having a mother. One day he found a special friend in the forbidden attic, hanging on a cross. A friend that would repay Marcelino's kindness by granting him one heart-felt wish.
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Mi tío Jacinto (1956)
Character: Phone Operator
Hyacinth, a former matador who lives miserably with his nephew Pepote, receives a letter reminding him that, as agreed a few days before, he must participate in a bullfight to be held that same afternoon.
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Érase una vez… (1950)
Character: Cinderella (voice)
The young daughter of the Count of Aubanel, beautiful and kind-hearted, is loved by all her father's vassals; but she is cruelly mistreated by her stepmother and stepsister.
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Échame a mí la culpa (1959)
Character: N/A
A Mexican steer rancher goes to Spain to get some bulls he bought but that were never delivered. He meets a flamenco dancer during his stay in Madrid and falls for her.
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Yo no soy la Mata-Hari (1950)
Character: Carmela
After the execution of the spy Mata-Hari, the secret service takes the opportunity to arrest some of her collaborators. To arrest one of the ringleaders, they use his girlfriend Niní, a naive dancer. The girl, tired of being manipulated by everyone, decides to become agent X25.
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La hermana alegría (1955)
Character: Monja maestra
Soledad enters a women reformatory led by modest nuns who look constantly for the welfare of their girls. These include the Sister Consolación, a humorous and cheerful nun who uses a little disconcerting methods to teach but very useful for the girls, to try to forget their past and prepare for a better future. Soledad takes confidence quickly and said she hopes a son of Fernando, a womanizing Andalusian young gentleman very attractive, which coincidentally, the Sister knows.
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Garbancito de la Mancha (1945)
Character: Hada mágica / Mujer del pueblo #1 (voice)
Garbancito is an orphan whose friends, Kiriqui and Chirili, are kidnapped by the evil giant Caramanca. In order to rescue them, he is assisted by his fairy godmother, his goat Peregrina, and an enchanted sword.
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