Anila Sreekumar

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Known For

Acting

Known Credits

0.4498

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Anila Sreekumar

Biography

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Credits

ചകോരം ചകോരം (1994) Character: N/A
The film is about an arrogant and bold spinster, in her late thirties, whose life turns into a meaningful one with the arrival of an ex-army-man in the neighbourhood.
ഫിലിംസ്റ്റാർ ഫിലിംസ്റ്റാർ (2011) Character: Janaki
Nandagopan, a poor villager, writes a script and wants the famous actor Sooryakiran to help him with the film. Sooryakiran rejects him, but he is moved when he takes a deeper look at the script.
സാഫല്യം സാഫല്യം (1999) Character: N/A
A young and energetic girl from Punjab dreams of getting married to an NRI. But Bani dreams are shattered when her husband deserts her and she is left to face the harsh realities of life.
ജലമർമരം ജലമർമരം (1999) Character: N/A
Drama which carries the message of man's pollution of the environment, in this instance, water. In the story, an old man called Usman, dies of cancer which was caused by the toxic waste in the village water supply. Usman's son Nirmal, identifies the cause of the pollution as the large chemical factory which his father had been campaigning against most of his life. Disturbed by his father's death, Nirmal takes refuge in the fables and images his father had left him with, during their wanderings in the village. His fantasy world merges with reality when he meets a mermaid in the carnival which is visiting the village.
വൃദ്ധന്മാരെ സൂക്ഷിക്കുക വൃദ്ധന്മാരെ സൂക്ഷിക്കുക (1995) Character: N/A
Satyaraj and Dharmaraj, two thieves, disguise themselves as old men to escape from their problems. They join a group of old men at a resort, who have come to enjoy life for a month.
പട്ടണത്തിൽ സുന്ദരൻ പട്ടണത്തിൽ സുന്ദരൻ (2003) Character: Nancy
Sundaresan, a grocery store owner, marries an educated girl who gets a good job in another city soon after the wedding. Though he follows her to the new city, he plots so that she resigns.
മായാപുരി 3D മായാപുരി 3D (2015) Character: N/A
The two odd stars that are granted to 'Mayapuri' are for the intriguing and yet almost invisible philosophical line of thought that stretches across its rutted narrative. Barring that single element, there is very little left in it that would impress the viewer looking for either entertainment or intellectual enticement.



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