Weng Wu

Personal Info

Known For

Acting

Known Credits

0.6164

Gender

Male

Birthday

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Age

NO AGE PROVIDED

Place of Birth

NO INFO PROVIDED

Also Known As

Ong Wu
翁午

Weng Wu

Biography

NO BIOGRAPHY AVAILABLE

Credits

浪子雙娃 (1962) Character: N/A
Hong Kong adaptation of Lao She's novel RICKSHAW BOY.

白領麗人 (1967) Character: Lin Wei-Cong
Love stories of three different female characters.

狂風之夜 (1952) Character: N/A
HK drama film.

屈原 (1975) Character: 宋玉
Chu Yuan was a patriotic poet and statesman in ancient China, born over 2000 years ago in the state of Ch'u of the "Warring States" Period, a period of transition from Slavery to Feudalism System. Ch'in, Ch'u, Chao, Wei, Yen, Han and Chi were the Seven States occupying various parts of China at incessant war of annexation with one another. Of the Seven States Ch'in grew most powerful. Vis-a-vis Ch'in's military pressure and Ch'u's political corruption, Chu Yuan advocated alliance with Chi to resist Ch'in abroad, and political reforms at home so as to unify whole China. Chu Yuan's political viewpoint met with sabotage by slave-owning aristocrat bloc, was unable to be carried out in Ch'u. Being so indignant he finally took his own life by jumping into the river. His poems "Li Sao" "Tien Wen" etc. in the development history of Chinese literature, shone with everlasting brilliance.

名醫與紅伶 (1960) Character: N/A
Famous dancer and film actress Fong Nan (Mao Mei) desires both a career and a family after marrying an eminent doctor (Guan Shan), who, however, wants her to be a stay-at-home wife. They are on the brink of divorce when he finds out she secretly rehearses for her dance and movie…Taking inspirations from Hollywood musical films, the movie is beautifully directed and meticulously produced by Yuen Yang-an and his Sun Sun Film Enterprises. While most films at the time usually depict how grassroots people rise above adversity, this one tells the story of a famed actress who thrives for success and never gives up on her artistic ambition. This reflects that women's liberation and employment was a dominating theme in left-wing movies. The finale was shot in Eastman colour negative film, which was rare before mid-60s given the limited technical resources in Hong Kong film industry, and thus a valuable record in the city's cinematic history.

畫皮 (1966) Character: Wong's brother
A scholar falls for a beautiful maiden whom he invites to stay with him, but she is not what she seems to be...

Weng Wu

Personal Info

Weng Wu

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