Stablemates (1938)
Character: Second Railbird
A boozy former veterinarian and a teenage orphan team together with dreams of entering a broken-down horse in the big race.
Paris Calling (1941)
Character: Nazi Platoon Sergeant at Inn (uncredited)
Marianne Jannetier, a well-to-do Parisian, engaged to Andre Benoit, a high-ranking government official, flees the city when the goose-stepping Nazi storm-troopers arrive. When her mother dies on the road to Bordeaux as a result of Nazi bombing, she returns to Paris and joins the underground movement. Nicholas Jordan, an American member of the RAF, stranded in Paris after the evacuation is also working with the Paris underground. Marianne kills her former fiancée, a pro-Nazi informant, for the traitorous state papers he is carrying, and she and Jordan try to flee over a French seaport...
Too Hot to Handle (1938)
Character: Reporter (uncredited)
While in Shanghai reporting on the Sino-Japanese war, Chris Hunter, a shrewd news reporter, meets pilot Alma Harding. She does not trust him, but he manages to hire her as his assistant. During an adventurous expedition through the jungles of South America, her opinion of him begins to change.
Riders of Death Valley (1941)
Character: Cashier
The Saturday matinee crowd got two cowboy stars for the price of one in this lavishly budgeted western serial starring former singing cowboy Dick Foran and Buck Jones. The latter contributed deadpan humor to the proceedings, making Jones perhaps the highest paid B-western comedy relief in history. The two heroes defend the Death Valley borax miners from an outlaw gang headed by Wolf Reade. An extraordinarily strong cast -- for a serial, at least -- supported the stars, headed by Charles Bickford as Reade, Leo Carillo, Lon Chaney, Jr., and silent screen star Monte Blue. Leading lady Jeanne Kelly later changed her name to Jean Brooks and starred in the atmospheric RKO thriller The Seventh Victim (1943). Universal claimed to have spent $1 million on this serial and made sure to get their money's worth by endlessly recycling the action footage in serials and B-westerns for years to come.
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