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Milagro de amor (1946)
Character: N/A
Margarita, the nun of a cloistered convent in charge of handling the lathe, this is a rotating mechanism provided with a small window through which she delivered and received things from the outside without direct visual contact, she is seduced by a Don Juan and induced to escape with him .
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La cuna vacía (1949)
Character: N/A
The film begins with some sequences related to the youth of Dr. Ricardo Gutiérrez, his arrival in Buenos Aires from his native Arrecifes, his law studies and a double frustration, as a writer and in his crush on a young woman who loved another man.
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Tierra extraña (1951)
Character: N/A
Based on the novel by Roberto Vagni, it narrates the exploitation of loggers from Corrientes and Chaco by the English company La Forestal.
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Recuerdos de un ángel (1948)
Character: N/A
A law student falls in love with a rich woman who is solicited by a false extortionist count. Set during the beginning of the 20th century.
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El mejor papá del mundo (1941)
Character: N/A
A young man gives a hard lesson to his father, a prestigious lawyer complicated in the management of a foreign company.
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La cómplice (1966)
Character: Empleado en fábrica
A woman becomes an unwitting accessory to a company robbery. Out of love, she finds herself involved in a surprising plot trying to get out of the event unscathed.
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Juvenilia (1943)
Character: N/A
A group of young people from the Colegio Nacional Buenos Aires recount their wanderings and their days in high school at the time of the National Organization in Buenos Aires.
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La tía de Carlitos (1953)
Character: Rómulo López Pérez
To protect the relationships of his two friends, a student drags to act as their aunt.
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Bólidos de acero (1950)
Character: Amigo Martin 2
A shy and humble young man overcomes his fears and becomes a racing champion.
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Su mejor alumno (1944)
Character: N/A
The film tells the story of the natural son of a former president of Argentina and father of public education in the country, Domingo Faustino Sarmiento, named Domingo, according to the first autobiographical accounts.
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Somos novios (1969)
Character: N/A
To save a television show, an administrator proposes a show involving three young singers.
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Los martes, orquídeas (1941)
Character: N/A
The story is based on Elenita, the younger of four sisters, young, timid and romantic. To try to change her character and give her an illusion, his father sends her weekly a bouquet of orchids making her believe they are from a secret admirer.
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El tercer beso (1942)
Character: N/A
A single man must pretend to be the father of a teenage girl and will end up marrying her mother.
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Romeo y Julita (1954)
Character: N/A
A couple rents a department that turns out to be owned by another person.
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Nuestra Natacha (1944)
Character: N/A
A girl who grew up in a boarding school where she suffered from a lack of love is set as its director once she graduates as a lawyer.
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La niña de fuego (1952)
Character: Andrés
An Andalusian woman travels to Buenos Aires, pretends to be a man and travels as a stowaway.
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El gran amor de Bécquer (1946)
Character: N/A
The alleged uncontrolled romance between a young girl forced to marry another and the poet Gustavo Adolfo Bécquer.
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Filomena Marturano (1950)
Character: N/A
Filomena, a former prostitute in her 40s, tricks a wealthy shopkeeper to marry her and support her three children.
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Un señor mucamo (1940)
Character: Coco
Well-to-do idler loses his fortune, ends up going to night-school and working as butler for a wealthy family. Still posing as a rich toff, he courts a young lady who turns out to be the daughter of his employer.
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Aquellos años locos (1971)
Character: N/A
The son of a businessman leaves his home to be an actor, but when his father dies, he abandons his dream to become an executive.
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Adolescencia (1942)
Character: Coco Marín
A young man has to fight over his girlfriend with a newly arrived competitor, an older man who arrived from America.
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