|
Más pobre que una laucha (1955)
Character: Accionista de la empresa de perfumes
A poor young woman falls in love with a perfume businessman of whom she is a secretary.
|
|
|
|
|
Su nombre es mujer (1940)
Character: N/A
A woman in love with a doctor is harassed by another man and she ends up taking care of orphans.
|
|
|
La indeseable (1951)
Character: Médico
A woman married to the man who saved her from a hostile environment falls in love with a young medic.
|
|
|
Bacará (1955)
Character: N/A
When a concert pianist is crippled in a car accident, his wife turns to gambling and gets in over her head.
|
|
|
La noche de Venus (1955)
Character: N/A
A woman will do everything to achieve fame, using her physique and her feminine cunning to achieve it.
|
|
|
Con las alas rotas (1938)
Character: N/A
A man finds out his wife had a lover and abandons her, but first he gains custody of their daughter.
|
|
|
La cuna vacía (1949)
Character: N/A
The film begins with some sequences related to the youth of Dr. Ricardo Gutiérrez, his arrival in Buenos Aires from his native Arrecifes, his law studies and a double frustration, as a writer and in his crush on a young woman who loved another man.
|
|
|
Mi esqueleto (1959)
Character: N/A
Believing that he is about to die, a man sells his skeleton for science.
|
|
|
Fantoche (1957)
Character: N/A
An ex-crack who lives off the memory of a goal that he scored against the Uruguayans lives in Montevideo an adventure with a young millionaire.
|
|
|
El pijama de Adán (1942)
Character: N/A
A recently married woman runs away from her husband upon discovering that he had had a mistress. The father-in-law, determined to fix things, also becomes entangled in a disgust with his wife.
|
|
|
Se rematan ilusiones (1944)
Character: N/A
A young man tries to follow a path different from that of his retired public employee father and associates with a friend to make bags.
|
|
|
|
|
Mamá Gloria (1941)
Character: N/A
The romance in a student pension run by a good-natured spinster, between a pensioner and a student gambler.
|
|
|
|
|
Nace la libertad (1949)
Character: N/A
In 1812, the Argentine people and the army of the north resist the royalist advances.
|
|
|
Hoy canto para ti (1950)
Character: N/A
Despite her father's contrary opinion, a young woman falls in love with a bolero singer.
|
|
|
|
|
|
|
El alma de un tango (1945)
Character: N/A
A marriage that saves a family from ruin and a student who goes from the books to the radio.
|
|
|
Mosquita muerta (1946)
Character: N/A
In an all-girls boarding school, one of the students resists the will of her uncles to marry her off because she does not know her future husband. Which is why she pretends to be a prude for whom marriage is a dirty word.
|
|
|
Vigilantes y ladrones (1952)
Character: Profesor 1 en mesa examinadora
The "Cinco Grandes del Buen Humor" look for a hidden treasure in the basement of a hotel.
|
|
|
Locuras, tiros y mambo (1951)
Character: N/A
Five friends join a Cuban to face a powerful gang that wants to take over the theater in which they perform.
|
|
|
|
La mujer del zapatero (1941)
Character: N/A
Class B comedy directed by Julio Irigoyen and produced by his Buenos Aires Film studio. His plot is unknown.
|
|
|
Un novio para Laura (1955)
Character: N/A
A humble young woman receives a dowry from a rich uncle only if she marries, so she "rents" a boyfriend but she ends up falling in love with him.
|
|
|
Un nuevo amanecer (1942)
Character: N/A
A young man returns to his neighborhood after spending ten years locked up in a reformatory.
|
|
|
La dama del collar (1948)
Character: Maitre (uncredited)
A rich woman's personal secretary borrows an expensive piece of jewelry without permission for a night on the town... and then loses it. Based on a story by Guy de Maupassant.
|
|
|
El fin de la noche (1944)
Character: Gaspar
A singer is trapped in France by the unforeseen outbreak of World War II and a man who serves the German occupiers demands, in exchange for safe conduct for herself and her daughter, to act as a spy and informer for members of the Resistance.
|
|
|
Marihuana (1950)
Character: Director
Pablo Urioste is a respected surgeon, but he is forced to experience a nightmarish world after his wife, a marijuana addict, dies at a nightclub. He tells his story to the police, and tells stories of how he is hooked, beaten, blackmailed, and includes some bad-trip flashbacks. Ms. Quiroga tries to help him, but there is little hope for Dr. Urioste after undergoing THE MARIHUANA STORY.
|
|
|
|
|
|
|
La edad del amor (1954)
Character: Picavea
Many years ago, a young aristocrat wanted to marry a famous singer, but his father destroyed the marriage before twediing, believing that singer is not suitable wife for future diplomat. After several years their adult children now met in the theater of Buenos Aires.
|
|
|
Detrás de un largo muro (1958)
Character: N/A
A young girl from a small town migrates to the capital of Buenos Aires, only to find a home in the slum area of the city.
|
|
|
Puerta cerrada (1939)
Character: N/A
Nina Miranda leaves jail after spending 20 years imprisoned for a murder that she insists she did not commit and recalls the time of her youth.
|
|
|
La guerra la gano yo (1943)
Character: Emilio Giménez
A grocer gets rich speculating on the shortages generated by World War II until he suffers the consequences firsthand.
|
|
|
|
|
Su mejor alumno (1944)
Character: N/A
The film tells the story of the natural son of a former president of Argentina and father of public education in the country, Domingo Faustino Sarmiento, named Domingo, according to the first autobiographical accounts.
|
|
|
|
|
Pasaporte a Río (1948)
Character: Conserje 3
A thief commits a robbery and is seen by a showgirl who becomes a witness to the crime. The man finds her and forces her to help him take what he stole to Rio de Janeiro. With no other way out, she is sent on a boat to Brazil by the thief. On board, the showgirl meets a doctor with whom she begins a romance while the criminal falls in love with her.
|
|
|
La suerte llama tres veces (1943)
Character: N/A
When a man agrees to join a gang of criminals, his life becomes a complicated labyrinth that he will have to leave in order to be saved.
|
|
|
Madame Sans-Gêne (1945)
Character: Fontán
In Napoleonic times, a passionate Parisian washerwoman becomes Duchess of Dantzig and almost Queen of Westphalia.
|
|
|
Nuestra tierra de paz (1939)
Character: N/A
During a conversation between a grandfather and his grandson, the latter tells him the story of the liberator General José de San Martín (1778-1850) from the patriot's childhood, through his stay in Spain, his return to the Río de la Plata, the development of the continental plan and the European exile.
|
|
|
La calle grita (1948)
Character: N/A
When the employee of a famous economist seeks a raise in complicity with a street vendor, her work learns real-life facts by trying to prove that you can live with what you pay.
|
|
|
La melodía perdida (1952)
Character: N/A
A conflict arises when a girl whose father has died does not accept that her mother remarry.
|
|
|
|
|
De padre desconocido (1949)
Character: N/A
A single mother is unjustly detained by the police. A lawyer, son of the judge in the case, falls in love with her.
|
|
|
|
|
|
El forastero (1937)
Character: Director de radio
A peasant must emigrate to Buenos Aires after having lost his property due to neglecting his work.
|
|
|
Santa Cándida (1945)
Character: N/A
A woman of high society dies, leaving a large part of her assets to her domestic worker, who must deal with the envy and jealousy of her relatives.
|
|
|
El hombre que debía una muerte (1955)
Character: Medico 1
A young woman welcomes a stranger into her home who pretends to have an accident. After a fleeting romance, the two marry and she immediately inherits a fortune due to the death of her uncle. Later, the young woman discovered that there is a connection between the events.
|
|
|
Juan Globo (1949)
Character: N/A
A humble boy can not be a sailor as he wishes, for lack of documents, and works as a driver for an old woman.
|
|
|
Chafalonias (1960)
Character: N/A
After his wife's death, widower begins to learn details about a double life she led.
|
|
|
|
|
La parda Flora (1952)
Character: N/A
Early twentieth century in Greater Buenos Aires, where the passion of a woman of dubious past for the son of a rich man who has influence in the police develops.
|
|
|
Bajó un ángel del cielo (1942)
Character: N/A
A young couple pretends to have had a baby in order to get the girl's father's permission to get married.
|
|
|
La casa grande (1953)
Character: N/A
A man and his con man brother, who adores his mother, has a dream of seeing the family reunited.
|
|
|
|
La casa grande (1953)
Character: Gutiérrez
A man and his con man brother, who adores his mother, has a dream of seeing the family reunited.
|
|
|
|
|
La mentirosa (1942)
Character: N/A
Dizzy secretary with a knack for embroidering the truth is identified as the heiress of a big mystery estate.
|
|
|
El astro del tango (1940)
Character: Amargado III
Accidental meeting between a pop-music superstar and a politician's daughter turns into a big romance... but class distinctions, and scandal in the family.
|
|
|
Cuando los duendes cazan perdices (1955)
Character: N/A
Eulogio Soto lives with his mother. To please her, he tries to locate her brother because she will have to undergo a delicate eye operation and he fears that he will never be able to see her face again. The youngest son, who does not know who his real family is, lives in a luxurious mansion. In the search for his lost brother, Eulogio will be "found" by a woman who, like a goblin, makes life impossible for him to help him by all means.
|
|
|
Mercado de abasto (1955)
Character: Médico
The action occurs in Abasto Market in Buenos Aires, Argentina. A grown up single woman marries a mafia man who promised her he would change. After they've married, his past come to ruin the wife's life.
|
|
|
Los chicos crecen (1942)
Character: Mayordomo
A married man takes advantage of his friendship with another man, making him pretend to be the father of the children he has out of wedlock.
|
|
|
La hija del ministro (1943)
Character: Méndez
The daughter of a minister pretends to be a worker to conquer the opposition deputy and discover the evidence that he proposes to present against her father.
|
|
|
Rigoberto (1945)
Character: N/A
A man finances the invention of a friend overshadowed and dominated by the women of his family.
|
|
|
Luisito (1943)
Character: N/A
To prevent her lover from marrying another woman out of interest, a young woman will pretend to be a man.
|
|
|
|
|
Carnaval de antaño (1940)
Character: Gerente
Evocation of the Carnival of 1912 and of 1940 through 4 characters: an entrepreneur and three singers.
|
|
|
Stella (1943)
Character: N/A
A woman must suffer humiliation, slights and slander to maintain the happiness of her paralyzed sister.
|
|
|
Cinco besos (1946)
Character: Médico
Love affairs in a theater: vedettes, sweethearts of chorus and scandals that include a millionaire.
|
|
|
La bestia debe morir (1952)
Character: Film Set Man
A crime writer searching for the truth about a personal tragedy becomes involved in a murder investigation.
|
|
|
|
|
Escuela de campeones (1950)
Character: N/A
It is the reconstruction of the history of the Buenos Aires English High School and of the legendary Alumni club, made up of its students, who dominated Argentine football in the first decade of the 20th century and its president, Alejandro Watson Hutton, The first president of the Argentine Football Association, considered the father of Argentine football.
|
|
