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El protegido (1956)
Character: N/A
A film producer, his wife (an actress) and her lover (a young scriptwriter) are part of a love triangle that will lead to a crime. It is set during the decay of Argentinian cinema studios.
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La orquídea (1951)
Character: N/A
A woman of great beauty is used by a man who only desires her body and falls on the path of self-destruction.
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Último refugio (1941)
Character: N/A
Albareda does not doubt to betray her lover running away after denouncing him.
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La caraba (1948)
Character: Don Juan
A mythomaniac woman rejects her humble status and falls in the trap of a wealthy lawyer.
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Diez segundos (1949)
Character: Don Ramón
A man from humble origins becomes a famous boxer, but fame has its price.
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La mejor del colegio (1953)
Character: N/A
Misunderstanding comedy in a girls' boarding school that requires its teachers to be married, causing some to just pretend they are.
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El fin de la noche (1944)
Character: N/A
A singer is trapped in France by the unforeseen outbreak of World War II and a man who serves the German occupiers demands, in exchange for safe conduct for herself and her daughter, to act as a spy and informer for members of the Resistance.
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Los tres mosquiteros (1953)
Character: Humberto de la Parra
A young provincial and two comedians replace the main actors in the theatrical performance of The Three Musketeers.
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Su mejor alumno (1944)
Character: N/A
The film tells the story of the natural son of a former president of Argentina and father of public education in the country, Domingo Faustino Sarmiento, named Domingo, according to the first autobiographical accounts.
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La calle del pecado (1954)
Character: N/A
A student dreams that she is the heroine of one of her history teacher's lessons with whom she is in love.
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El honorable inquilino (1951)
Character: Portero
A professional thief rents a room in the house of a downtrodden lady to observe the bank he will assault.
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Don Juan Tenorio (1949)
Character: N/A
A retired actor decides to donate his savings to his nephew and move to an old house, there he meets an old love.
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Romeo y Julita (1954)
Character: N/A
A couple rents a department that turns out to be owned by another person.
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La muerte está mintiendo (1950)
Character: Puestero
The protagonist commits a crime and abandons his brother, on whom the shadow of suspicion falls, to avoid punishment. In his escape he meets for the first time the emotion of a true love, but fatality takes it upon himself, pushing him back onto the criminal path.
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Arroz con leche (1950)
Character: N/A
A runaway bride poses as a married woman and mother of twins to woo a suitor who only falls in love with married women.
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La niña de fuego (1952)
Character: Don José
An Andalusian woman travels to Buenos Aires, pretends to be a man and travels as a stowaway.
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La pródiga (1945)
Character: N/A
The story of Julia, a beautiful woman of licentious life who one day reconsiders and decides to use her fortune for the good of her neighbor and of the needy.
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Esposa último modelo (1950)
Character: N/A
When a young woman who knows nothing about housework falls in love, her grandmother and nanny make her seem like the ideal housewife in front of her boyfriend.
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Novia para dos (1956)
Character: N/A
A shopkeeper who dreams of singing songs and her bosses dispute it, believing her heir to a fortune.
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Arrabalera (1950)
Character: N/A
Disenfranchised working-class woman leaves a bad man and finds a good one. Twenty years later...
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Somos todos inquilinos (1954)
Character: N/A
Movie divided in three episodes: a methodic man believes he's near his death and starts spending other people's money; to cure his husband's gambling addiction a woman becomes a horse races expert; a dancer and a soprano bother each other until they fall in love.
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