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Los ojazos de mi negra (1940)
Character: N/A
The employee of a ranch and the boss's daughter have an affair and he is accused of stealing cattle.
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Fragata Sarmiento (1940)
Character: Contramaestre Bustos
It narrates the history of the Argentine ship that served for many generations like school for the formation of sailors.
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El alma de un tango (1945)
Character: N/A
A marriage that saves a family from ruin and a student who goes from the books to the radio.
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El mejor papá del mundo (1941)
Character: N/A
A young man gives a hard lesson to his father, a prestigious lawyer complicated in the management of a foreign company.
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La canción que tú cantabas (1939)
Character: N/A
Three orphaned brothers and an elderly inventor, who live in the countryside, become acquainted with a young governess and her uncle, who live in a large estate nearby.
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El fin de la noche (1944)
Character: N/A
A singer is trapped in France by the unforeseen outbreak of World War II and a man who serves the German occupiers demands, in exchange for safe conduct for herself and her daughter, to act as a spy and informer for members of the Resistance.
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Huella (1940)
Character: N/A
In 1840, a caravan of carts headed from Buenos Aires to Córdoba carrying merchandise, ammunition and prisoners, against the background of the struggles between the Unitarians and the Federalists.
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Petróleo (1940)
Character: N/A
A man who has invested a lot of money in the extraction of petroleum in Comodoro Rivadavia is betrayed by his foreman.
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Su mejor alumno (1944)
Character: N/A
The film tells the story of the natural son of a former president of Argentina and father of public education in the country, Domingo Faustino Sarmiento, named Domingo, according to the first autobiographical accounts.
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Ceniza al viento (1942)
Character: N/A
The story of different episodes that happen in each of the sections of a newspaper.
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La honra de los hombres (1946)
Character: N/A
In a fishing village a young woman carries the guilt of her married sister, passing through the mother of her son.
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La danza del fuego (1949)
Character: N/A
The sometimes profound, sometimes slightly sordid tale of Elena, a famous concert pianist who, as a child, was sexually assaulted by a circus clown while the music of Manuel de Falla "Ritual Dance of Fire" could be heard from the circus tent. Since that time, Elena has gone into hysterics every time she hears that composition. Making matters worse, the lascivious clown is now her business manager.
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No abras nunca esa puerta (1952)
Character: (segment “Alguien al teléfono”)
A man tries to avenge the death of his sister, a gambling addict. Another man, an ex-convict who whistles when he commits a crime, is reunited with his blind mother.
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Un señor mucamo (1940)
Character: N/A
Well-to-do idler loses his fortune, ends up going to night-school and working as butler for a wealthy family. Still posing as a rich toff, he courts a young lady who turns out to be the daughter of his employer.
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Alas de mi Patria (1939)
Character: N/A
Semi-documentary film in which a fictional plot is narrated linked to events that really occurred in the history of Argentine aviation between 1908 and 1938.
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