|
Allá en el setenta y tantos (1945)
Character: Élida Passo
The life of Élida Passo, pioneer of medicine of the Buenos Aires of the XIX century. By 1870, the first women tried to practice medicine in an area reserved for men; and through sacrifice and struggle, they begin the path towards a more egalitarian society.
|
|
|
Siete mujeres (1944)
Character: Isabel
The sisters reject the daughter their father had out of wedlock until she receives a fortune from her dead mother.
|
|
|
Inspiración (1946)
Character: N/A
Film about the biography of the musician Franz Schubert.
|
|
|
Esperanza (1949)
Character: Amalia Montesano
The story of the first colony of immigrants to arrive in the province of Santa Fe, in Argentina.
|
|
|
Fragata Sarmiento (1940)
Character: Maria Angelica Bustos Lynch
It narrates the history of the Argentine ship that served for many generations like school for the formation of sailors.
|
|
|
|
|
El tesoro de la isla Maciel (1941)
Character: María Santini
To get her father, a sailor, out of his depression, his daughter and his doctor make him believe there is a hidden treasure.
|
|
|
|
|
|
|
Melodías de América (1942)
Character: Susana Delorme
Romance starts in Rio between a Mexican tenor being wooed for a Buenos Aires production, and an Argentine gal who has won a soap contest and who he thinks is rich.
|
|
|
Edición extra (1949)
Character: Irene Garmendia
Tabloid journalists muddy the waters during the investigation of the murder of an Argentine senator.
|
|
|
El diablo andaba en los choclos (1946)
Character: Puri
Country boy moves to Buenos Aires, falls upward into a prestigious career. Meanwhile two idle-class playboys are running practical jokes on him that interfere with his personal life.
|
|
|
Los martes, orquídeas (1941)
Character: Clara Acuña
The story is based on Elenita, the younger of four sisters, young, timid and romantic. To try to change her character and give her an illusion, his father sends her weekly a bouquet of orchids making her believe they are from a secret admirer.
|
|
|
|
|
|
|
La casa del recuerdo (1940)
Character: N/A
An old woman remembers when her daughter fell in love with a young neighbor, and she and her husband did everything to break that relationship.
|
|
|
La hija del ministro (1943)
Character: Adriana
The daughter of a minister pretends to be a worker to conquer the opposition deputy and discover the evidence that he proposes to present against her father.
|
|
|
Rigoberto (1945)
Character: N/A
A man finances the invention of a friend overshadowed and dominated by the women of his family.
|
|
|
De turno con la muerte (1951)
Character: Delia Urbey
A young doctor tries to cope with his intimate dramas and, at the same time, fulfill the duties of his profession.
|
|
|
El viaje (1942)
Character: Mecha Castro
An architect goes on vacation and begins an affair with a young woman in a small town in Córdoba.
|
|
|
Adolescencia (1942)
Character: Beba
A young man has to fight over his girlfriend with a newly arrived competitor, an older man who arrived from America.
|
|
|
El ayudante (1971)
Character: N/A
A bond develops between a truck driver and his newly-assigned helper, a young man who happens to be deaf.
|
|
|
Escuela de campeones (1950)
Character: Margaret Budge
It is the reconstruction of the history of the Buenos Aires English High School and of the legendary Alumni club, made up of its students, who dominated Argentine football in the first decade of the 20th century and its president, Alejandro Watson Hutton, The first president of the Argentine Football Association, considered the father of Argentine football.
|
|
