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Alias Flequillo (1963)
Character: N/A
The police use Mr. Buendía to obtain information about a gangster to whom he is identical.
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Don Fulgencio (1950)
Character: N/A
The adventures of the man who had no childhood, smart for business, but a lover of innocent jokes.
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Los chantas (1975)
Character: Maître
Several losers living together in a Buenos Aires boarding house try to make a living while dreaming of a big life-changing score.
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Intermezzo criminal (1953)
Character: Inspector Pedroza
A man is found dead in a music hall during one of the numbers, so the performance is suspended and the police begin to investigate.
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El tercer huésped (1946)
Character: N/A
A threatened financier is impersonated during a train ride by an identical-looking salesman.
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¡Ué... Paisano! (1953)
Character: N/A
The story revolves around the relationship of Italian immigrants and Argentines. Nostalgia for his country of origin and life in a strange country. It is a call for the union of immigrants that evokes sentimentality. The film conveys the sensation of the musician, whom an Italian immigrant listens to, and feels "understood and unconditionally loved"
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3 citas con el destino (1954)
Character: (no acreditado)
The story unfolds through the twists and turns of a strange curse attributed to a jewel that, passed from hand to hand, carries a deadly destiny. Its theme spans the three countries where it was filmed (Spain, Mexico, and Argentina), beginning in Spain and then moving to Mexico. The jewel, which takes on the character of another figure in the narrative as it travels through different parts of the world, arrives in Buenos Aires. The film ultimately presents the jewel's final destination in Mexico, where its owner dies, like others who were also marked by its malevolent influence.
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El rufián (1961)
Character: N/A
An amnesiac carnival psychic is haunted by the thought that a man is coming to kill her.
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Pasaporte a Río (1948)
Character: Policia
A thief commits a robbery and is seen by a showgirl who becomes a witness to the crime. The man finds her and forces her to help him take what he stole to Rio de Janeiro. With no other way out, she is sent on a boat to Brazil by the thief. On board, the showgirl meets a doctor with whom she begins a romance while the criminal falls in love with her.
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Tren internacional (1954)
Character: Inspector Santiago
A couple of thieves with a worldwide reputation start a dispute over a valuable necklace in a transalpine train.
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Juan Globo (1949)
Character: N/A
A humble boy can not be a sailor as he wishes, for lack of documents, and works as a driver for an old woman.
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La danza del fuego (1949)
Character: Gómez
The sometimes profound, sometimes slightly sordid tale of Elena, a famous concert pianist who, as a child, was sexually assaulted by a circus clown while the music of Manuel de Falla "Ritual Dance of Fire" could be heard from the circus tent. Since that time, Elena has gone into hysterics every time she hears that composition. Making matters worse, the lascivious clown is now her business manager.
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No abras nunca esa puerta (1952)
Character: (segment “El pájaro cantor vuelve al hogar”)
A man tries to avenge the death of his sister, a gambling addict. Another man, an ex-convict who whistles when he commits a crime, is reunited with his blind mother.
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La casa grande (1953)
Character: N/A
A man and his con man brother, who adores his mother, has a dream of seeing the family reunited.
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Sangre y acero (1956)
Character: Ferroviarios
In a train repair shop, a passion involves a woman and, years later, her daughter.
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Culpable (1960)
Character: N/A
A criminal confronts the police by firing at them with a machine gun from the first floor of a villa on the outskirts of Buenos Aires and occasionally shooting down a policeman. The gunman has time to reflect, to load his gun, to run from one window to the other. Whoever leads the police notices the futility of his efforts and suspends the fire.
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La bestia humana (1957)
Character: Ferroviario 2
From Emile Zola's novel "La Bete Humaine", tells the story of a jealous husband, a provocative woman and a man with an uncontrollable desire to kill.
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Gringalet (1959)
Character: N/A
A young painter from La Boca discovers that his father is a millionaire. He goes to live with him, changes his life and comes back to the neighborhood.
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Barrio gris (1954)
Character: N/A
Told in flashback, Federico lives in a poor neighbourhood with his siblings and his single mother, working helping in a local bar, he meets Claudio, who begins to lead him on an easy life making him abandon all his connections in consequence.
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La morocha (1958)
Character: N/A
A prostitute persecuted by the police, receives the interested protection of a greedy merchant. He takes refuge in his house one night and meets his nephew, a sensitive boy who wants to be a musician.
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