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La Cama (1968)
Character: Señor Legarreta
The story of a women who escapes from her wedding with a womanizer.
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Coche cama, alojamiento (1968)
Character: Inspector
A magazine company and some in-love couples board a night train where a gang of bandits is traveling.
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El campeón soy yo (1960)
Character: N/A
Nightclub entertainer discovers he closely resembles a boxing champion and decides to impersonate him for profit.
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Mi esqueleto (1959)
Character: Tío Emilio
Believing that he is about to die, a man sells his skeleton for science.
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El pijama de Adán (1942)
Character: Ramón Vallejo
A recently married woman runs away from her husband upon discovering that he had had a mistress. The father-in-law, determined to fix things, also becomes entangled in a disgust with his wife.
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Senderos de fe (1938)
Character: N/A
After saying goodbye to friends, a man walks towards the port while realizing that what a young woman with a graceful voice sang begins to open the door that leads him to the path of faith.
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El caballo del pueblo (1935)
Character: Maton
Unscrupulous businessman is plotting a hostile takeover, looking for ways to fix a horse-race, and scheming to force a failed businessman to marry his daughter to him to avoid financial ruin.
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Buenos Aires a la vista (1950)
Character: N/A
A group of young people is torn between the established order of the professional world and their rebellion.
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El extraño del pelo largo (1970)
Character: N/A
Argentinian movie about the 1968's beat band "La Joven Guardia" and their effort to get success in hard sociopolitical times.
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Peluquería de señoras (1941)
Character: Campoman
A neighborhood hairdresser suddenly becomes a boxing champion and abandons his girlfriend to get engaged to a star.
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Revancha (1948)
Character: Don Alejandro
A man steals to buy medicine for his sick mother but when she dies he gets into drug trafficking at a local cabaret.
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El Profesor Hippie (1969)
Character: Comisario
Luis Sandrini plays a college professor who, because of his freethinking attitudes and concerns for moral questions over matters of business, has more in common with his students than his colleagues.
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Mi novia es un fantasma (1944)
Character: Amigo fotografo
A humble maid is confused with a millionaire from a misunderstanding in the hotel that works and a journalist falls madly in love with her.
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La barra mendocina (1935)
Character: N/A
Two boys from Mendoza leave their land attracted by Buenos Aires and fall into crime.
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Las locas del conventillo (1966)
Character: N/A
The neighborhood of La Boca, in Buenos Aires, is divided in two sectors: one is where decent people live under the tutelage of Magdalena, in the other, Manuel,ir responsible of a nightclub. Among decent people live Manolo, the milkman, awaiting the arrival of a Spanish woman to marry her. At the same time, the villain of Manuel also hopes for a Spanish nightclub. Women Arrivals weapon confusion.
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Canuto Cañete, conscripto del 7 (1963)
Character: Jefe
Canuto tries his best not to do military service, but he doesn't get it. During his time in the Army he gets into any trouble that comes up, including his involvement with a gang of thieves who have hidden loot near the regiment.
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Flecha de Oro (1940)
Character: Don Luis
A simple office worker unexpectedly receives a bus as an inheritance.
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El cura Lorenzo (1954)
Character: N/A
A heart-warming and entertaining chronicle of Salesian priest Lorenzo Massa. His work in the Almagro neighborhood of Buenos Aires in the early 1900s led to the founding of San Lorenzo de Almagro, one of the best soccer clubs in Argentina. (Pope Francis, who grew up in this neighborhood in the 1940s, is a fan). Father Massa (Ángel Magaña), an athletic young priest, is sent to serve a working class community, where he initially faces indifference and hostility. Following the conventions of the Hollywood biopic, the film describes the characters and their plights with affection, and a dash of drama, as they are changed by the example of the priest.
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Somos novios (1969)
Character: Bertolozzi
To save a television show, an administrator proposes a show involving three young singers.
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Escándalo en la familia (1967)
Character: Asesor del dr. Luna
A veteran popular singer comes to town with her daughter in order to achieve success in television. She introduces her daughter to a contest winning one of the top prizes. At the same time, a veteran politician is campaigning to scale the governor's office.
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Eclipse de sol (1943)
Character: Franz, el mayordomo
A vaudeville singer secretly marries a wealthy landowner, who soon returns to his ranch, fearing the rejection of his snobbish family. To teach him a lesson, she shows up at his estancia pretending to be a maid.
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Para vestir santos (1955)
Character: N/A
A humble woman breaks her relationship with her boyfriend and dedicates herself to taking care of her siblings, as they grow up she is left alone.
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La casa grande (1953)
Character: Alberto
A man and his con man brother, who adores his mother, has a dream of seeing the family reunited.
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La casa de Madame Lulú (1968)
Character: N/A
In the 1930s a young revolutionary falls in love with a young woman of innocent appearance but who really works in a brothel.
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Cuando los duendes cazan perdices (1955)
Character: Papa de Blanca
Eulogio Soto lives with his mother. To please her, he tries to locate her brother because she will have to undergo a delicate eye operation and he fears that he will never be able to see her face again. The youngest son, who does not know who his real family is, lives in a luxurious mansion. In the search for his lost brother, Eulogio will be "found" by a woman who, like a goblin, makes life impossible for him to help him by all means.
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Amor a primera vista (1956)
Character: César
Matilda, a girl from a wealthy family, is in love with Mario de Larosa, a singer and heartthrob who is adored by women everywhere. She knows all his songs by heart and prays to heaven to give her the opportunity to meet her idol in person. Her dreams come true — Mario is scheduled to sign autographs at an appliance and record store, and Matilda and her cousin rush to this fateful meeting, which will fundamentally change the lives of the young woman and Mario himself...
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Maestro Levita (1938)
Character: N/A
A school teacher tries to support his school against unjust measures by the government and a rich woman helps him.
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Aquellos años locos (1971)
Character: N/A
The son of a businessman leaves his home to be an actor, but when his father dies, he abandons his dream to become an executive.
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Alma de bohemio (1949)
Character: N/A
Salaryman leads a double life, staying out all night singing tangos in a pool room.
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El pobre Pérez (1937)
Character: N/A
Juan Pérez is a waiter in a luxurious place where the bachelor party of a man who is going to get married for convenience is done. When a dancer and singer with whom he was entangled, chases him, he uses Perez to get rid of her.
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