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Sucedió en el fantástico circo Tihany (1981)
Character: N/A
It tells the story of an almost perfect crime that happened in one of the most important circuses in the country, the Tihany Circus. Several are the suspects that will come to light, but only one is responsible for the murder of the important businessman. Only an old commissioner (Tincho Zabala) will be able to discover the real culprit.
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Pubis angelical (1982)
Character: N/A
It's about three women, three stories, or perhaps a single story in different projections of time and space. The Mistress wishes to unravel the meaning of being a woman is the victim of Hollywood. Ana is the product of a society ruled or dominated by men.
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Las locas (1977)
Character: N/A
Those interned in a psychiatric establishment are involved in a police issue.
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Así es la vida (1977)
Character: Felipa
Tells the story, in the key of comedy of customs, of a typical bourgeois home in Buenos Aires for three decades.
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La madre María (1974)
Character: N/A
Based on the life of María Salomé Loredo, a figure famous for her healings and assistance to the poor of the late nineteenth and first half of the twentieth century.
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Solo y conmigo (2000)
Character: N/A
How the descendants of the military repressors try to hide their failure and sell their future to big corporations.
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Los extraterrestres (1983)
Character: N/A
Alberto and Jorge are two friends who work as waiters and during a trip they meet an alien with extraordinary powers. It is sought by a Russian organization, and friends must hide it from it.
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Sucedió en el internado (1985)
Character: School Warden
Describes the internal life of a girls' school from families of strong economic position that traditionally, laziness or comfort transferred to various educational institutions responsible for the moral, intellectual, social and spiritual girls used to a life without problems, the most with terrible examples of marital relationship and behavior of their parents. Thus fall into emotional chaos, led to drugs, violence, prostitution and sexual deviations.
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Solamente Ella (1975)
Character: N/A
Paloma is a girl from the neighborhood who dreams of success singing tangos. Until one day, two old friends inherit a mansion in San Telmo where they long to open a bar with Paloma as the star. The endless financial difficulties cannot be resolved with just a strong will, so they decide to turn to Alfredo Lucena, a businessman with important connections. The businessman immediately falls in love with the young woman and decides to help her achieve a successful career. But on her long-awaited debut, Paloma meets Diego, an orchestra pianist who manages to discover the girl's soul.
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Piedra libre (1976)
Character: Vicente's wife
Eugenia's parents die. She goes to live with Amalita, her close friend. Her grandmother Amalia Pradere a wealth landlady, takes the orphan under her protection. After a chain of events, disappearing her grandchild, Eugenia will take Amalita's place. She will inherit not only Amalia's possessions but also Ezequiel's love, Amalita's widower.
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La guerra de los sostenes (1976)
Character: N/A
This is a comedy full of tangles, with the picaresque occurrences of Tristan, and the involvement of frontline actors.
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Frutilla (1980)
Character: Lily Bebe
A girl arrives in Buenos Aires from Catamarca and fulfills her dream of being an actress.
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Atrapadas (1984)
Character: Celadora
Silvia is incarcerated in a corrupt women prison and forced to participate in drug distribution. When she refuses she is punished and her sister murdered. She will try to get free and get her revenge.
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Los drogadictos (1979)
Character: Silvia de Sentino
Two drug gangs clash in their quest to dominate the market.
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Blum (1970)
Character: N/A
A businessman falls in love with a beautiful young woman, showers her with attention and turns her into a star without confessing his love to her.
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Adiós, abuelo (1996)
Character: N/A
Juan Benatti, a tango singer in a typical quartet, is left in charge of five-year-old Ignacio, the son of the group's director, Horacio, and Marisa, when his parents are forced into exile for political reasons. Ignacio calls Juan "grandfather" and becomes a father to him. Horacio dies abroad; his mother remarries and demands the boy. But since he doesn't get along with his mother's new partner, custody finally falls to Juan, who raises the boy until he graduates from high school. He then turns down university to become a musician in a rock group, where he will be the voice and host.
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La guerra del cerdo (1975)
Character: N/A
In Buenos Aires, Argentina, Isidoro Vidal and his friends, who are in the transition between maturity and old age, watch in stupefaction and helplessness as gangs of extremely violent young men roam the streets murdering elderly people with absolute impunity.
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Mi Mujer no es mi señora (1978)
Character: Tina
Juan Carlos, a businessman, falls in love with a woman much younger than him, and ends up marrying her. Juan Carlos' mother-in-law, following an incident with him, tells him a fabricated story: that the father of her daughter is a stranger, with whom she had sex in the car of a train. Coincidentally, this situation had happened to Juan Carlos many years ago, and now, with the doubts that his wife is his daughter, he does not even want to approach her on his wedding night.
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Las procesadas (1975)
Character: Celadora
Terrifying story, based on a fact occurred in Buenos Aires, early 1967, and reported in "La Nación" and all the other newspapers, after the death of a woman interned at the Instituto de Detención para Mujeres (Detention Centre for Women). Doctor Vallejos, the magistrate in charge of the inquest, gets enmeshed in personal intrigue, organized corruption, lust and vice in which apparently all the penitentiary personnel and an organized gang of dangerous inmates are involved, operating withing the prison itself.
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